Der Zufall - möglicherweise

I could not resist but add to the comments for this film since it has stuck in my memory since catching it quite unexpectedly on late night tv and thinking this was something really extraordinary. And having seen others of Kieslowski since I don't think anything for me, has surpassed this. And possibly that Sliding doors and run lola run may take from this...i But I would like to hear from Poles living in Poland. (sulac?)

What did one reviewer mean by saying that we could not understand fully? i know that is probabaly true and would like to know

Having read a few negative comments on "Blind Chance", I felt compelled to express my opinion on what has become one of my absolute favorite films. I'm surprised to find that some Kieslowski fans, especially those who appreciate the colors trilogy, don't understand "Blind Chance." In my opinion, "Blind Chance" encapsulates many of the ideas and themes Kieslowski later explored in more detail.

However, "Blind Chance" is, ultimately, a political film. Although Kieslowski never really considered himself a political film-maker (compared to some of his contemporaries), "Blind Chance" is very much driven by political undercurrents and the outcome of each scenario has a decidedly political aspect. That said, the film transcends the immediate political situation in Poland as well and elevates "politics" to a much broader all-encompassing level. It is really not Polish politics that concern Kieslowski here, but the human being's capacity for taking action. Each scenario presents a possible course of action (or non-action). Kieslowski doesn't seem to endorse one course over the other, but makes a much broader statement about the need to take action, to believe in something, and to fight for something. What one is fighting for, what one believes in, ultimately isn't as important as the fight itself.

A brilliant and highly thought-provoking film. In my opinion, one of Kieslowski's most accomplished and densely-packed works. I hope that anyone who didn't appreciate "Blind Chance" will give it another chance (I've watched it at least ten times). It is not the most accessible film, but the pay-off is worth the effort.

Blind Chance was built on a fascinating and intriguing idea yet the film feels like it's made mostly for the Polish audience or at least the audience familiar with 80s in Poland. Some scenes feel too uncomprehensible, and the director doesn't even bother explaining them. The three versions being built on mainly political, religious and scientific paths is another good idea of the film but the execution falls short yet again. Overall interesting movie but it's not fun to watch or even thought-provoking as it may sound.

When seeing this movie I had 3 disadvantages: I am not Polish so I could not completeley identify with the scenario. I do not speak Polish and I lost a lot on the poor english translation that is not even my native language. Lastly, it was very late in the night and I was exhausted.

Yet, this is probably one of my all time favorite movies eventhough I am not a loyal Kieslowski fan. The subject of the movie is what makes the whole difference. A very interesting issue about life that I am sure is bothering a lot of people in the world. Very human plot with a lot of symbolic scenes. Do not expect to fully grasp the idea by watching it only once. And absolutely do no refrain from watching this movie at all, if you are a serious movie watcher. I give it a very enthusiastic 10.

Blind Chance (Przypadek, 1981) is the first of Kieslowski's films to trade upon explicitly religious themes and seems to mark the beginning of the great director's turn toward introspection and the spiritual realm that so characterizes his later work (especially Decalogue and the Three Colors trilogy). The Polish title could be literally translated "coincidence," an appropriate if possibly ironic title for a three-part film about a young man whose life course appears to be solely determined by his ability or inability to catch a train. Kieslowski has his doubts about such coincidences, for he described the film as "a description of the powers which meddle with our fate, which push us one way or another" (Kieslowski on Kieslowski, ed. Danusia Stok 113). Incidentally, this film inspired Peter Howitt's film Sliding Doors (1998) and Tom Tykwer's Run Lola Run (1998), but to my mind, Kieslowski's is a superior film. The original tends to be the best, and he is a true original.