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Der Filmamateur

Originaltitel: Amator
  • 1979
  • Not Rated
  • 1 Std. 52 Min.
IMDb-BEWERTUNG
7,8/10
8817
IHRE BEWERTUNG
Der Filmamateur (1979)
An ordinary factory worker buys a camera on the occasion of the birth of his child. The authorities order him to make documentaries about the factory's success. But his endeavor to be truthful leads him to opposition against censorship.
trailer wiedergeben2:31
1 Video
99+ Fotos
ParodyPolitical DramaSatireWorkplace DramaComedyDramaRomance

Füge eine Handlung in deiner Sprache hinzuAn ordinary factory worker buys a camera on the occasion of the birth of his child. The authorities order him to make documentaries about the factory's success. But his endeavor to be truthf... Alles lesenAn ordinary factory worker buys a camera on the occasion of the birth of his child. The authorities order him to make documentaries about the factory's success. But his endeavor to be truthful leads him to opposition against censorship.An ordinary factory worker buys a camera on the occasion of the birth of his child. The authorities order him to make documentaries about the factory's success. But his endeavor to be truthful leads him to opposition against censorship.

  • Regie
    • Krzysztof Kieslowski
  • Drehbuch
    • Krzysztof Kieslowski
    • Jerzy Stuhr
  • Hauptbesetzung
    • Jerzy Stuhr
    • Malgorzata Zabkowska
    • Ewa Pokas
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    8817
    IHRE BEWERTUNG
    • Regie
      • Krzysztof Kieslowski
    • Drehbuch
      • Krzysztof Kieslowski
      • Jerzy Stuhr
    • Hauptbesetzung
      • Jerzy Stuhr
      • Malgorzata Zabkowska
      • Ewa Pokas
    • 30Benutzerrezensionen
    • 26Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 6 wins total

    Videos1

    Trailer
    Trailer 2:31
    Trailer

    Fotos140

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    Topbesetzung27

    Ändern
    Jerzy Stuhr
    Jerzy Stuhr
    • Filip Mosz
    Malgorzata Zabkowska
    Malgorzata Zabkowska
    • Irka Mosz
    Ewa Pokas
    Ewa Pokas
    • Anna Wlodarczyk
    Stefan Czyzewski
    Stefan Czyzewski
    • Director
    Jerzy Nowak
    Jerzy Nowak
    • Stanislaw Osuch
    Tadeusz Bradecki
    Tadeusz Bradecki
    • Witek Jachowicz
    Marek Litewka
    Marek Litewka
    • Piotrek Krawczyk
    Boguslaw Sobczuk
    Boguslaw Sobczuk
    • Kedzierski
    Krzysztof Zanussi
    Krzysztof Zanussi
    • Krzysztof Zanussi
    Andrzej Jurga
    Andrzej Jurga
    • Andrzej Jurga
    Alicja Bienicewicz
    • Jaska
    Tadeusz Rzepka
    Tadeusz Rzepka
    • Wawrzyniec
    Aleksandra Kisielewska
    • Hania, secretary
    Wlodzimierz Maciudzinski
    • Stelmaszczyk
    Roman Stankiewicz
    • Czeslaw
    Antonina Barczewska
    • Katarzyna
    Feliks Szajnert
    • Doctor
    Jolanta Brzezinska
    Jolanta Brzezinska
    • Wawrzyniec's Wife
    • Regie
      • Krzysztof Kieslowski
    • Drehbuch
      • Krzysztof Kieslowski
      • Jerzy Stuhr
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen30

    7,88.8K
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    Empfohlene Bewertungen

    9TheLittleSongbird

    Far from amateur and deserving of more love

    Haven't seen every Kieslowski work yet (though as of now it's close), but of what has been seen all ranges between very good (the 8th episode of 'Dekalog') to masterpiece ('Three Colors: Red' and 'Blue' and the whole 'Dekalog' series). To me, he was an immensely gifted director, who died far too early.

    An early effort, 'Camera Buff' is not among Kieslowski's best work, but generally it is deserving of more love. Although Kieslowski's directing style is fairly well established, remarkable for so early on, it did become more refined later on as seen with his late 80s-early 90s work. There is a preference for the more intricate-sounding music scores of his later work, this score was the kind that worked well within the film but one doesn't have the desire to hear it on its own repeatedly, and the slightly more emotional resonant and intense work like the best of the 'Dekalog' series, 'The Double Life of Veronique' and 'Three Colors: Red' and 'Blue'.

    Despite how that sounds, there's actually not much wrong at all with 'Camera Buff', just that it was done better later. This said, 'Camera Buff' is a great film, regardless of what stage it was made in Kieslowski's career.

    'Camera Buff', as was always the case in Kieslowski's work, is very well made. The cinematography is minimalist, but visually striking and atmospheric as well as fascinatingly personal. As well as being beautifully shot with atmospheric use of colour to match the mood, it is gritty yet beautiful with many thoughtful and emotionally powerful images lingering long into the memory. Kieslowski's direction is quietly unobtrusive, intelligently paced and never too heavy.

    It's a thought-provoking film in writing, as ever thematically rich and with complex characters, the shift from initial comedy to drama expertly done rather than abrupt and jarring. Kieslowski again proves himself as a master of narrative construction, and the whole film is thoroughly engaging and suitably challenging. The acting is as always from Kieslowski marvellously nuanced and natural.

    To conclude, early Kieslowski that while not one of his best is deserving of more love. 9/10 Bethany Cox
    8planktonrules

    very quirky and interesting film

    I really liked this film because it dared to be different and it was an excellent study of psychology. This movie was about a Polish man who scraped together his money in order to by an 8mm camera to film his new baby. However, shortly after getting the camera and beginning filming his wife and child, he gets really hooked on making his little films--and seems to film almost everything around him. At first, it's fun, but then it becomes an obsession. In the process, instead of LIVING and EXPERIENCING life with his little family, he is filming them in a very detached way. However, he is so into the filming that he hardly recognizes his wife's growing anger over that ^&@#*^@! camera! Then, when his boss sees him filming and asks him to make a film for the company, his problem grows by leaps and bounds. He seems to see himself as the next great documentary maker and begins to enter competitions and send his films to the television network. To his wife's chagrin, he receives positive reviews and by this point she's lost him--they have no real life together. Where the film goes from there I will leave for you to watch. It is a fascinating psychological study of a man and his obsession--as well as the impact this ultimately has on others around him. An excellent film.
    7paul2001sw-1

    Portrait of the artist

    Krzyszof Kieslowksi begun his career as a documentary film-maker. From the start, he seemed to know two things: that in the shabby, feudal bureaucracy that was communist Poland, everything was political; and that the camera is never truly neutral. It was the second concern that saw him shift into telling fictional, constructed stories; while the first, and his own struggles as a young director, inspired the subject of 'Camera Buff', his first feature. As well as its immediate subject, the film is also a fascinating portrayal of an unfashionable subject, namely the class system, alive and well in the supposed socialist utopia (Kieslowski was a great admirer of Ken Loach, so perhaps we should not be too surprised). The film starts as a black comedy in the manner of the tenth part of his later 'Dekalog', and is both very funny and immediately true to life; as it progresses, it becomes more serious but there isn't quite the emotional intensity that marks his greatest works. The score is also less remarkable than those in the films he made with Zbigniew Priesner, his permanent collaborator from the mid 1980s. But his skill at composing images that are simultaneously profoundly ordinary and starkly arresting is very much in evidence, as is the characteristic sense of an all-pervasive greyness in the lives of his characters, punctured only by shafts of colour when his hapless hero comes into contact with the affluent metropolitan elite. In Dennis Potter's 'The Singing Detective', a central theme is the way that the artist will stop at nothing in using their own life as material, and this is also a theme here, growing in importance as the movie progresses. It's an unusual subject for a debut, and can perhaps be seen as Kieslowski laying his cards on the table before he begun the game. Greatness lay just around the corner.
    8lastliberal

    Cinema is the first art. - Lenin

    An innocent enough decision. Filip (Jerzy Stuhr) buys a camera to film his new daughter. It costs two months salary and it makes him a celebrity of sorts as he is the only one in town that has one.

    Now, his boss wants him to film the 25th anniversary celebration of the company. He really gets into filming and soon runs headlong into "rules." Of course, you have rules in a communist country. His wife is not too excited about his new hobby, but he soon gets his film entered into a film festival.

    Soon, like all who truly love film, Filip is attending screenings, talking to directors, and reading film magazines to improve his craft. But, more and more his wife is displeased, and his boss is cooling to the idea as he moves from filming the company to social statements.

    His desire for tranquility gives way to a desire for fame and art at the cost of his wife and family.

    He also discovers the unintended consequences of reporting the truth. In the end he turns the camera on himself as he realizes he had everything in the beginning and lost it all.

    A fascinating look at real cinema and finding what you want.
    8boblipton

    The World Outside The Frame

    Jerzy Stuhr buys an 8mm film camera to film his newborn daughter. The manager of the plant he works at hears about it, and tells him to shoot a film about the plant's 25th anniversary. Stuhr figures out the basics of editing, but the director suggests changes he doesn't like. Ignoring this, he takes the film to an amateur festival and wins a prize. As his obsession with film grows, his wife, Malgorzata Zabkowska, suffers postpartum depression, exacerbated by the realization that the things he had once wanted -- her, a daughter, a quiet life -- are no longer his goals.

    Krzysztof Kieslowski's third feature is a meditation on the power of film and the inability of a finite work of art to accurately reflect the infinite world, or even the myriad complications of a small town. As Stuhr's skills and connections grow, he comes to see everything through an imaginary camera lens, not seeing anything outside his self-imposed frame. Beautifully shot by five cameramen, dialogue by Stuhr, make this a fine journey of self-discovery.

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    Handlung

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    • Wissenswertes
      The film's opening scene and Irka's nightmare about a hawk killing a chicken are reminiscent of Ken Loach's Kes (1969) -- a film about a boy who takes to training a wild kestrel in order to escape his troubled life. Later, Filip can be seen reading a filmmaking text and turning to a section about Ken Loach and Kes (1969). This reference is twofold. First, Filip is clearly inspired by filmmakers like Loach in making social realist films about working-class people. Second, Irka is tormented by images mirroring Kes (1969) which represent her husband's budding obsession with this type of filmmaking.
    • Zitate

      Piotrek Krawczyk: [looking at a roll of motion picture film] It's beautiful what you guys do. A person's no longer alive, yet she's still here. It's beautiful.

    • Verbindungen
      Featured in Fejezetek a film történetéböl: A lengyel film (1990)
    • Soundtracks
      Walc e-moll
      by Frédéric Chopin

      Performed by Krystian Zimmermann

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    FAQ15

    • How long is Camera Buff?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 14. Februar 1980 (Niederlande)
    • Herkunftsland
      • Polen
    • Sprache
      • Polnisch
    • Auch bekannt als
      • Camera Buff
    • Drehorte
      • Rabka-Zdrój, Malopolskie, Polen(train station)
    • Produktionsfirma
      • Zespol Filmowy "Tor"
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 52 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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