P'tang, Yang, Kipperbang

An enjoyable movie, without a doubt, and very evocative of both its era and that very particular stage in any boy's 'rites of passage'. But I have to say that having read the very positive comments here, I was a bit disappointed. The period was captured, but the plot was desperately thin. The whole thing revolves around the most egregious bit of miscasting in the history of school plays. The idea that quack quack would ever be chosen to play not only one of only three star turns, but a philanderer, is risible. And without that, nada. The sub-plots bore no relation that I could see to the main plot - all of them could be removed in their entirety without in any way affecting the main story - which surely suggests a fundamental flaw. When all your sub-plots look like padding, you know a central idea is being stretched beyond its limits. Nevertheless, it's a benign movie with its heart in the right place, there are some fine performances, and you just get the feeling that everyone involved felt deflated at the final 'cut!' That good feeling permeates the film. And that has to count for something. A flawed really quite good movie. 7 out of 10.

1948. 14-year-old Alan Duckworth dreams of playing cricket for England and of kissing Ann Lawton, a classmate. She is oblivious to his infatuation and only has eyes for Geoffrey, the class heartthrob. It seems Alan's dreams will forever be dashed but then fate intervenes.

A sweet, funny coming-of-age film. Solid, entertaining plot and engaging characters and heaps of nostalgia make for a great movie. You can't watch this without thinking of your own school days and relating to Alan's priorities and predicament.

It's not just about the kids: the adults' sub-plots are very entertaining too. These also bring up some interesting themes.

Solid performances from the (largely) young cast.

Not as "simple" as the plot synopsis makes out. The lad struggles with issues such as his hopes that after the second world war there will be progress for everyone and that there will be no more wars in the future. It is a sad awakening he has to the reality of lies and deceit. Lies from the person he admires and what we the audience see as the hypocrisy of his form teacher who while preaching moral decency to the class, behaves very differently herself (i am not condemning her it is actually the hypocrisy of the times astutely observed by Jack Rosenthal the author). Still, these are deep waters among the shallows of a "simple" boy girl plot. Oh, and I have't mentioned the cricket commentary that runs through the lads mind at crucial times. If you love any ball game e.g. Baseball, you will so get it- so US do give it a go. You could well love it! Cricket lovers- well it goes without saying.

Although i don't like cricket at all and i have seen this movie 13 years ago, I still think it is one of the best coming-of-age movies ..i remember the day i returned home from my school and sat down to have my lunch, I saw the opening titles of that movie and then....i was so immersed in it that i felt i was there, it really affected me personally. i still remember how i felt when i first saw it ,i felt that the poor boy was a friend of mine, going through the same adolescent experience we were having in those days. what i really liked about that movie is the main theme of a "shy" boy fantasizing about "kissing" his dream girl, no offense but if that was an American movie, you would certainly see-at a certain point, mainly climax- the "shy" boy "making love" to his girl, and i really can't grasp this contradicting concepts till now...i have a simple request ,if anyone knows how to get this movie on a DVD by mail ,please let me know cause i need a shot of memories..Thanks

My review was written in February 1984 after watching the film at a Midtown Manhattan screening room.

"Kippebang" is a flat, understated attempt at romantic comedy, made for British television in 1982 as part of the "First Love" series, but virtually evaporating on the big screen. U. S. Theatrical release via UA Classics comes several months after the picture in video cassette form has been available in domestic video stores.

Writer Jack Rosenthal's consistently precious script matches the romantic problems of young adolescents (hero is 14) with those of their elders, as the English teacher (Alison Steadman) must deal with an unplanned pregnancy,l the father being the school groundskeeper (Garry Cooper).

Very thin material emphasizes running gags, most noxious of which is the kids reciting the nonsense phrase "P'tang, Yang, Kipperbang" (pic's original title in Britain, pointlessly followed by a grunt, shortened for U. S. release), as an example of the youngsters' codes and rituals.. Young cast members throw away their dialog in mumbled, naturalistic readings, reducing potential chuckles to groaners.

Plot gimmicks, generally overemphasized, include the hero Alan (John Albasiny) dreaming of his first kiss with plain classmate Ann (Abigail Gruttenden), with attempted suspense generated as he is cast in a dull school play in which he is supposed to kiss co-star Ann in the final scene.

Device of a voiceover narrator turning most events into cricket match play-by-play (representing Alan's wish-fulfillment point-of-view) is overworked, as are the frequent references back to World War II (groundskeeper is fake war hero, leading to the predictable disillusionment of the hero).

Director Michael Apted appears uncertain how to approach this material, combining the general understatement with a coy approach to vulgar issues of adolescent sexs (Alan and his two pals form the inevitable central trio of sex-obsessed young teens) and hyped-up crosscutting between the school play's climax and police arresting the groundskeeper.

Adult actors, especially Steadman, turn in good performances, but the kids are a drag. In his big finale scene, pouring his heart out to Ann, John Albasiny delivers his lines into the ground, inadvertently giving a worse performance than his intentionally incompetent non-acting during the school play. Tech credits are okay.