Verrückt in Alabama

I wasn't sure what to expect of this film but afterwards I was glad I had watched it. Great performances, esp. from Meatloaf and Lucas Black. He's going to be a star when he's older! When I saw that Antonio Banderas had directed it, I thought "Oh, here's another one of those films where the actor/director has to put his wife in the leading role.. blah blah blah" but it was a really good film. Overall, I give it a 8/10.

I loved this film.

I am not normally a fan of Melanie Griffith, but she is superb as the Southern Belle, Lucille.

Antonio Banderas does a brilliant job behind the camera, telling two stories both about the difference between Justice and what is Just.

Rod Steiger is superb in his cameo role as the judge.

Antonio Banderas has really shown that he can bring out the best in his actors. Both Melanie Griffith and Rod Steiger gave the most controlled performances I've seen from them in years. Lucas Black, who is still new, was terrific.

There was a lot of humor in this picture. But it had nothing to do with the civil rights issue. All of the humor had to do with a bizarre aspect of the murder.

I highly recommend this film. It makes you cry and it makes you laugh. And it's for all members of the family over 12.

One doesn't tend to expect much from an actor's directorial debut, especially from a relatively young actor and especially from one who seemed to have risen to fame at least partially by being, um, well, a studmuffin. One also typically expects a movie in which a husband directs his wife in a lead role to be fairly shallow or at least unbalanced. I crossed this movie off my list pretty early, expecting a forgettable Griffith-overload creation and little more.

Wrong! It's well-acted, engrossing, funny, and uplifting without feeling schmaltzy or (despite its farfetched plot) artificial. Every so often you want to rewind a bit, to hear some extra-cute bit of dialog again, or savor an especially well-done shot. (The camera work and sets, both indoor and outdoor, show unusual care, flash, and detail; this didn't dawn on me for most of the first hour but a rewind made it obvious.) Overall, 9 stars out of ten. But:

I wouldn't urge anyone to see this movie for Melanie Griffith. She does a fine job, but she's not what puts it over the top. As with quite a few recent films, I found that the performances of the extremely well-chosen supporting actors were a big part of what held the film together and made it so much more than it might have been. Most notable here is Rod Steiger as the judge, who captivates utterly; John Beasley as Nehemiah -- though his character could have stood a lot more development; and the perpetually underrated Meat Loaf as the slimy sheriff. Performances like Steiger's make you want to ransack the video store to rent all his older films.

Finally, I believe Lucas Black is destined for greatness. I couldn't watch him without remembering River Phoenix as Chris in "Stand By Me."

Why this film doesn't even rate a Maltin summary is beyond me.

Watched this because it has Antonio Banderas's directing his wife Melanie Griffith.

There are 2 ongoing stories set in the 60s in Alabama. An abused wife (Melanie Griffith) kills her husband and sets off to Hollywood to make it as an actress carrying her husband's head in a hatbox. Her nephew (Lucas Black) witnesses the local sheriff murder a young black boy after a dispute about using the local swimming pool. It's part feel good fantasy and civil rights commentary.

Melanie still looks young and slim and gives her signature ditzy performance. The filming is quite beautifully and colorfully done. Worth a watch.