Un urlo dalle tenebre

A young man Paul sees a naked woman close to the waterfall while on a visit to the country and becomes possessed by her evil spirit.His sister Elena tries to exorcise the Devil from his body."The Return of the Exorcist" aka "Exorcist III:Cries and Shadows" is an quintessential Eurotrash.The location sets which include an Italian town in the mountains or creepy looking church are very atmospheric and there is enough sleaze and full-frontal nudity to keep the viewer entertained.The devilish woman driving the action is often seen as the naked attacker with incredibly hot body.Richard Conte plays the exorcist in his final role.The scares are mostly effective,but there are also some insanely cheesy moments.7 out of 10.

There were many good and bad European Exorcist clones turned out in the mid-Seventies but for my money this manages to be one of the most ridiculous and sex filled Exorcist clones of all time. Released on its native Italian soil as `Un Urlo Dalle Tenebra' and given the well deserved come-on title Naked Exorcism when it was released in English. Hard to believe that anyone could better Naked Exorcism for a greater English title, but someone did just that when it was re-released on tape in both the US and UK in the the mid-Eighties as Exorcist 3-Cries and Shadows with seemingly drug induced video sleeve notes. Luckily for the cheeky distributors, the producers of the official Exorcist 3 never sued but to further complicate things one of the Italian titles translates as The Exorcist Part 2 (then again it is more watchable than the real Exorcist 2). Directed by one Elo Pannaccio in 1975, Pannaccio apparently directed another horror film (Sesso Della Strega) which also boasted an Exorcist inspired plot, he's also responsible for numerous sweat and grunt home grown pornos, and here tries to fuse the two genres. Naked Exorcism is about Mark a mild mannered archeological research participant who is gradually possessed by the Devil, and ends up puking on and insulting members of the clergy and his family. The reason for his possession and subsequent flying furniture attacks on priests is a toss between the influence of an 18th century Devil worship orgy which happened in his house (and is repeated a lot in the film) or the person the bizarre and inept video notes describe as `evil Haggia', an Italian floozy who frenziedly overacts and spends lots of time in the nude. Haggia appears to be some witch who torments Mark after he picks up a sacred talisman. She forces him to cut his girlfriend's throat, then later tries to cop a feel of Mark's mother before throwing her downstairs. Mark himself is eventually possessed although the acting is so bad that he actually comes across more like a drunk in a bar than the Devil. His sister cops most of his verbal abuse `stupid slut, lecherous bitch' since she's a nun. What is remarkable about the whole endeavor is how err religiously it follows the Exorcists set pieces- we're talking whole scenes here. In fact the only moments in the film that don't rip off the Exorcist are the endless nude and many lesbian scenes. Unnecessary to the plot, but for sleazy sexploitation fare like this a necessity. The most shocking footage appears in flashbacks, where its revealed that the nun sister turns out to have spent time in an asylum, what I here you ask has that to do with anything? Well nothing really other than a chance to show some very real looking footage of mentally deranged women in an asylum, and mad naked women being tied down to beds while gratuitous bongo music plays in the background. The Exorcist himself doesn't turn up till about an hour in, in the form of a tired looking Richard Conte ( in one of his final roles) and in the film's piece de resistance of rip-offs he stands outside a window with light coming out of it, just like in another certain film. Exorcist purists will no doubt be horrified since if you stick with it you'll also witness disco music, childlike make-up that apes Dick Smith's Linda Blair makeup, a soundtrack borrowed from the Living Dead at the Manchester Morgue, not to mention pointless flashbacks to the Middle Ages that seem like outtakes from a long lost 70's remake of Witchcraft through the Ages. Eurotrash fans should also look out for Bruno Mattei regular Frank Garfield (Zombie Creeping Flesh's ping pong ball eyed soldier) as the master of ceremonies in the orgy scenes. As I've already mentioned the film is one of many which uses the Exorcist format to spin off a sex pot-boiler. The bait of Devil possession proving an excuse for numerous deviate sexual behaviors in ways that the puritan Friedkin movie wouldn't dare was obviously just too hard to resist for most Euro sleaze personalities - Jess Franco, Andrea Bianchi, Paul Naschy, Amand o de Ossario and many more all made their own versions with varied results. Naked Exorcism certainly has little claim to be best attempt at this, but its certainly the most wackiest and incoherent. Pannaccio (or Frank C Lucas as he is called in the English version) obviously knows his kinky sex scenes and piles on the nude scenes at a gobsmaking rate. I don't think he had a clue when it comes to the movies horror trappings, and overplays all the horror scenes in a barnstorming fashion -resulting in a truly deranged mess of a film. This thing really is incredible, boasting to be a `film you will never forget' you've probably heard that come-on tag line a zillion times before, on movies that were anything but memorable, but in this case believe me there's truth in advertising.

The infamous Zodiac killer went on record in 1973 in a letter to the San Francisco Police Department where he/she/it stated that "The Exorcist is one of the funniest satirical comedies ever made." I wonder what they would have thought of NAKED EXORCISM, an Italian made clone that stars Eddie Munster as a troubled young man with latent designs on his MILFish hottie mom, a taste for pretty young nuns with nice perky breasts and a penchants for wandering around the house naked.

Made by two directors nobody has ever heard of before and culling many of THE EXORCIST's most infamous moments for effect, the film has retained the ability to amuse for decades beyond the time when William Freidkn's movie lost most of it's ability to shock. Eddie Munster finds an ancient amulet while out wandering through the woods one day with his camera taking pictures of Euro Horror Sex Sluts that aren't really there, and slowly starts to fall under the influence of an ancient Pagan Sex Cult that practiced satanism back in the 15th or 16th century. We see glimpses of their orgies in historical flashbacks that include images of human sacrifice, lesbian sex and idol worship, and wonder where Rob Lowe is in the picture.

Is he crazy or is he possessed? the film wants us to ask ourselves, and then goes out of it's way to show us that Eddie's new fondness for barking out vile obscenities to those who love him is in fact demonic in nature. Meanwhile his attractive late 30/early 40-something mom is starting to wear more revealing nightgowns, the Euro Horror Sex Slut starts to appear nude in Eddie's bedroom, and a hot young nun with a fantastic rack moves into the house to try and curb his growing fondness for wandering around the house naked, either in his own form or that of the nude female succubus which has possessed him. This leads to various sadisto-erotic lesbian encounters with both the nun and mommy, assorted deaths and eventually Eddie is tied to his bed and an Exorcist is called in.

He is played by Richard Conte, a fixture on Italian genre cinema at the time, most notably appearances in Italian Police/Crime thrillers like MILAN CALIBRE NINE, and it is amusing to note that he plays more or less the same character albeit armed with a priest's frock & a bible instead of a small machine gun. The scene where Conte arrives at the airport and ominously stalks into Eddie's house reminded me of a Spaghetti Western when the professional hired gun strolls into town to confront the wicked and dispense justice, but then again I have been on a Spaghetti Western kick and may just be projecting. The main difference is that the bad guys in Westerns never hurl dressers and chairs at their opponents while rocking about in a bed, spewing liquefied cranberry sauce from special effects hoses and made up to look like Marilyn Manson. Eventually the young nun goes all Jason Miller on the succubus, offering herself instead of Eddie for eternal damnation, and with a rack like hers you can't blame the harlot from Hell for taking her up on the offer.

The bottom line here is that demonic possession movies are absurd in the first place, and once you get down to the brass tacks this one is no better or worse than any of the others. If anything you have to admire the Italians who made this for being honest about their intentions to make a skin flick disguised as a horror film rather than allow the polymorphously perverse nature of the genre formula to exist merely as suggestive, shadowy Freudian references involving little girls ... eww. If you can suspend your disbelief and watch the movie drunk it's actually kind of a hoot, with ample nudity, some interesting gore sequences, perverse sexual juxtapositions and a groovy little musical score.

But if you go into this expecting something profound, shocking or revelation-inducing you are wasting your time. This is a horror movie not a documentary on global warming, you don't have to take it seriously and you are allowed to let it turn you on. It is garbage, trash, and knows that about itself. I found the honesty and self-awareness to be quite refreshing, and wonder when it was that nuns stopped being so hot.

4/10

Cries and Shadows, or Exorcist III as it was released in some places (got to love those international copyright laws), is one of the sleaziest Exorcist ripoffs that I have encountered. That is neither an endorsement nor a warning, just a statement.

The plot has a young man finding a strange medallion while on vacation with friends. Because of this medallion, the teen becomes possessed by a succubus (Mimma Biscardi, here often nude). The possessed's acting out is of a sexual nature. The teen as the succubus (whom, strangely, the victims can see) first tries to rape his mother and then his sister, who is a nun. At about the hour mark, Richard Conte shows up as the priest who will carry out the exorcism. And, that is about all there is to the film.

The film's one asset (aside from Mimma Biscardi's bare skin) is the setting. The film takes place in a village built on a hillside. The bourgeoisie family's villa is at the very top. It is a striking location and used well by the filmmakers. The rest of the film is mostly forgettable. I had seen this film once before and had remembered almost nothing except for the setting. As these type of films go, I prefer The Night Child (aka The Cursed Medallion) and The Antichrist (aka The Tempter). Nonetheless, Cries and Shadows does revel unapologetically in its bad taste. Fans of Exorcist ripoffs might be amused.

"I hate you" screams possessed teenager Peter at the beginning of Naked Exorcism. It's a particularly ineffectual insult, hardly the most profane language to come from one affected by a malevolent demonic force, but then this Italian The Exorcist rip-off is weak in so many ways.

Director Angelo Pannacciò goes through the possession movie motions, as Peter finds a Satanic amulet and wears it as a lucky charm, only to fall under the power of an evil spirit as a result. The lad develops a mild case of potty mouth, fires a champagne cork at his girlfriend Sherry (a dick move, but not exactly the work of the devil), and appears to his mother and sister as the maniacal woman whose spirit now possesses his body. This is interspersed by footage of a Satanic ritual, those in attendance writhing on the floor in orgiastic bliss.

The woman who possesses Peter also causes the death of Sherry, and pushes his mother down the stairs, driving his sister Elena (Patrizia Gori), a nun, to arrange for an exorcist (Richard Conte) to pay a visit. The final twenty minutes consists of the usual flying ornaments, rotating furniture, vomit spewing, and more vile taunts, including such 'offensive' remarks as "Go away!", "I spit on you and all your mumbo jumbo", and "Go lick your master's feet".

Eventually, the evil spirit is driven out of Peter, only to enter the body of Elena, who does a 'Karras' and throws herself off a precipice.

2.5/10, rounded up to 3 for IMDb. Not scary, occasionally unintentionally funny, with lots of nudity but absolutely no originality.