Begegnung aus dem Nichts

This was an amazing piece of work for the 1970's. James Earl Jones added such authentic terror to the role of a person discovering forgotten incidents in this life experience, that anyone who has ever forgotten ( and then remembered, realizing they had forgotten) will find this portrayal chilling and unforgettable. His description of the bunny is particularly remarkable...innocent enough to the mind of a child, or an impatient listener. The wife in the story, is played with such stamina and confidence that you could wish to be her in a time of crisis. the natural bravery and assuredness brings a sense of order to the story. Someone please report that this will be distributed for sale sometime somewhere!

This made-for-television film made quite a splash when it aired on NBC in 1975, right in the midst of a UFO-mania currently sweeping the country. Chronicling the landmark alleged UFO-abduction case of Betty and Barney Hill on the night of September 19, 1961, the film recounts the turmoil they both suffered for years after experiencing "two lost hours aboard a flying saucer" while returning home to Portsmouth from Montreal.

Adapted from John G. Fuller's 1966 book "The Interrupted Journey", the teleplay cleverly utilizes transcripts of the Hills' hypnosis sessions (which commenced the following year and continued for several months) to frame the retelling of their ordeal. Peppered throughout the recreated hypnosis sessions are intriguing flashbacks of the abduction itself, composed of moodily shot and fleeting glimpses of the confrontation, abduction and examination of the Hills by their alien captors. The presentation of their story is remarkably told in a straightforward, balanced and non-exploitive manner. In the last scene there is even room for doubt in the viewer as expressed by the Hills' doctor's attempt to explain that their experience may have been anxiety-induced and/or subconsciously suggested due to stresses related to their marriage.

Yet the element that makes "The UFO Incident" uncommonly excellent, particularly for a movie made for television, are the two tour-de-force performances by leads James Earl Jones and Estelle Parsons. Their three-dimensional, full-bodied characterizations cover the full emotional spectrum from beginning to end. They exhibit utterly convincing turmoil, not only during and after their abduction, but in the several scenes displaying their personal doubts and fears about their interracial marriage and the potentially negative perceptions to their plight by friends, family and strangers. Therefore, it's really on an emotional level that "The UFO Incident" succeeds so well. Rather than concentrating merely on the facts of the abduction (a la "Fire In the Sky"), this film enhances the alleged incident by indelibly personalizing its victims.

Kudos should go to director Richard Colla, as well, for utilizing minutes-long takes during a few of Jones and Parsons' scenes together, allowing both of these top-drawer actors to build toward beautiful and natural emotional crescendos. Best watched without commercial interruption, "The UFO Incident" is easily one of the fifty best TV-movies ever made.

James Earl Jones gives a memorable, highly sympathetic performance as Barney Hill, and Estelle Parsons as his wife Betty matches him, moment for moment.

This is a harrowing tale, based on a true story (one which heralds the modern era of alien abduction accounts). Barnard Hughes is entirely believable as the psychiatrist who tries to help the couple. The "special effects" are refreshingly not-so-special, the absolutely outrageous events depicted un-hysterically in flashbacks. I loved the entities' eyes: human-seeming, with pupils and whites but magnified, as if covered with big lenses--highlighting one distinction between the Hills' descriptions and all those more recent "grays" with their huge, oval, entirely black eyes. The treatment is intelligently grounded in the reality of the couple's seeking help for their anxieties and sleeplessness ( their initial focus) rather than the "sci-fi" elements of the story.

And not since Edna Mae Oliver bawled the name of her dead husband Barney in "Drums Along The Mohawk" (1939) has there been heard anywhere a more New Englandy pronunciation of that name than Ms. Parsons delivers here!!

I saw this movie in the 70's and it blew me away! I've seen many documentaries about UFO's that include dazzling photographs, but this dramatic recreation of the abduction of Betty and Barney Hill in New Hampshire is even more convincing. It takes supreme conceit and a touch of ignorance to believe that we are the only life forms in the universe. I have a friend named Fred who claims he was abducted by UFO's a few years ago in Vermont. His story was authentic enough that he was featured at length on a major UFO documentary produced by the Turner network. He has told me the story in detail so I have to take the subject seriously! James Earl Jones gives a great performance. Remember, these were the days before he became an obnoxious mouthpiece for Verizon. Estelle Parsons is 47 at the time she made this and I was very attracted to her in this role when I saw it in my 20's. She has a pleasant inner beauty although she isn't really pretty. She also has the New England accent down pat and calls him 'Baaaaney.' I watched it again recently and it was just as gripping the second time. I think this is a very spiritual movie and it definitely had an influence on my life and my thinking. If you see it in the tv guide, grab a tape that has several episodes of CHEERS on it and wipe them out with this tremendous film. I consider it the best made for tv movie ever. Don't look for violence or great special effects.

This movie is very closely based on the true story. I can attest to this, because I have a unique relationship to it. I was 9 years old in October, 1965, when our 4th grade math teacher rolled in the 21" TV to our classroom abruptly one afternoon, and displayed a live interview on local Boston TV with the Hills. Betty Hill described, verbatim, what the movie depicts, except she was much more detailed in the TV interview, which lasted nearly an hour. What she said was so impressive, I never forgot it for the rest of my life. She is the rarest of abductees, in the sense that she had a lucid conversation with her abductors. I believed every word she said then, and I have believed it for 45 years since, without the slightest modicum of doubt. As to the movie itself, I cannot imagine more perfect casting than Estelle Parsons and James Earl Jones. They were made for these parts. If you have ever seen the real Hills in an interview, the resemblance is uncanny. The film pays strict attention to detail and is well made. It took guts for these people to go public, and even more to make a movie that didn't distort the story to the tastes of greedy Hollywood execs. For a low budgeted TV movie, this is more like a superb documentary.