Gefahr aus dem Weltall

Universal Studios could always be counted upon to devise some interesting stories in the sci- fi genre at a time when the genre simply exploded. Also among their undeniable classics during this period are gems like Creature from the Black Lagoon, Tarantula, and The Incredible Shrinking Man. This particular tale (although the final screenplay is credited to Harry Essex, the original treatment by Ray Bradbury was left largely intact) explores that theme of mankind seemingly always fearing and distrusting anything it doesn't understand, and reacting to it with aggression.

Likable, earnest Richard Carlson stars as John Putnam, an amateur astronomer in the small town of Sand Rock, Arizona. One night he (and others) witness a "meteor" violently crashing to Earth (in one of the most startling introductions to a film of this kind). The aliens on board stealthily go about abducting local citizens and altering their appearance to look like these people. All they really want is to be able to work on their ship in peace, and leave before too long, but naturally there are humans who don't want to get with the program, like hot tempered sheriff Matt Warren (Charles Drake).

Lovely Barbara Rush is Carlsons' appealing leading lady in this extremely well directed, succinct film with as much moody black & white atmosphere as one could ask from this kind of entertainment. One will notice that all we get at the beginning is the title; the cast and crew credits are all saved for the final few minutes - an interesting (but not THAT uncommon) innovation for an older film. There's fine use of stock music from such composers as Henry Mancini, and the cinematography by Clifford Stine is excellent. The aliens are effectively hideous looking in their natural guise, but they begin to be revealed perhaps a bit too soon into the story. The alien P.o.V. shots are pretty cool.

As was said, Rush is very appealing, but it's unfortunate that her role keeps requiring her to scream at things: a Joshua tree, a kid in a costume, an undisguised alien (well, at least that one is understandable). The supporting cast is impressive, right down the line: Drake, Russell Johnson, Joe Sawyer, George Eldredge, Bradford Jackson, Dave Willock.

Although originally filmed in 3-D, "It Came from Outer Space" works just as fine without it.

Seven out of 10.

I just saw "It Came from Outer Space" on DVD today. The last time I saw it was in 1954 in a small town theaters on the Saskatchewan prairies. I was ten years old at the time and my world did not extend a hundred mile radius. I still remember that film until today. Beautiful Barbara Rush, calm, cool,intelligent Richard Carlson. Joe Sawyer could have been one of my neighbors. Full of suspense, intrigue, and mild fear, this movie was indeed a classic. Not knowing what the "It" looked like added to the mystery and wonder. Surprisingly no one was ever seriously hurt. Wearing those 3_D glasses and watching those rocks coming at you was pretty cool in those days. I was glad to see it again and relive those 50 years that have gone by.

I caught this movie in 2D and b/w, on the AMC channel this Halloween weekend. Prior to now, I'd never seen nor heard of it.

Set in and around a small town in the Arizona desert, it tells the story of an amateur astronomer who was trying to get to the truth behind a large, fiery object that fell to earth in the desert. Was it a meteroid, as the Army had proclaimed after its investigation, or a crashed space ship? Though he caught a glimpse of the latter, the evidence was buried in a landslide in the crater before anyone else got there.

Ray Bradbury's believable story is the now-common question of how we deal with things we don't understand, or are "ugly".

I thought it played well, had decent special effects, etc., for a film made for 1950s audiences' sensibilities and movie-watching sophistication.

One scene included a shapely, flirty young woman who really had nothing to do with the story. It wasn't until I heard this was a 3D movie that her presence on screen made any sense.

Jack Arnold directed this screen version of Ray Bradbury's short story, `The Meteor', about a crashed spaceship in the mid-western desert. The alien crew kidnaps several inhabitants of the local town and assumes their form. A writer of science articles (Richard Carlson) who lives on the outskirts of the town witnesses the crash, although he thinks it's just a meteorite. When he goes down into the smoking crater, he sees the open hatchway of the spaceship and an alien creature within it, but when the alien closes the big hatch it starts a landslide in the crater which covers the ship. Afterwards none of the local authorities will believe Carlson's story about a buried spaceship filled with alien invaders.

A moody and beautiful movie, with fine music by Henry Mancini. Many fans of Jack Arnold's sci-fi films consider this one his best (although personally I prefer `The Space Children' -- and so did Jack Arnold, according to his own statement).

Charles Drake (`Tobor the Great') is the skeptical sheriff. Russell Johnson plays both a human and an alien (a treat for genre' fans). The supporting cast includes Joe Sawyer and Kathleen Hughes. Special effects by David S. Horsely and the great Clifford Stine. Makeup by Bud Westmore, of the famous Westmore family who contributed much to all the `Star Trek' spin-offs.

Originally released in 3-D. A 3-D tape was available a few years ago, but the quality was not good . . . sad to say.

Aliens in a small town.

Between about 1975 and 1986, three 1950s sci-fi films were held in very high regard by me - It Came From Outer Space, Forbidden Planet and The Incredible Shrinking Man. All three were liked so much I constantly listened to them on audio tape. They were regarded as solid sci-fi movies to be taken very seriously. Then in the late 1980s I made the mistake of seeing these films in Sydney theatres with people who were not really in tune with 1950s movies. These films became comedy to them.

ICFOS begins with the male and female lead getting all romantic with each other. This cinema crowd almost laughed this scene off the screen. Too corny for them. Later, one character describes Richard Carlson as "a man who thinks for himself", the laughing was louder this time. And again, Carlson looks into space and starts talking to himself, out loud, about aliens. The laughing was getting stronger. And so it went on. What was once great mystery and suspense, such as Russell Johnson looking into the sun, was now comedy. They had good reason to laugh as it was funny. But this crowd destroyed a childhood favourite of mine. I did'nt like this film being laughed at. I did'nt want to know the funny side. Other cinema screenings of Forbidden Planet and The Incredible Shrinking Man were given the same reaction. For a while I wondered if all of my 1950s/1960s sci-fi favourites were just ... bad in the eyes of the public. Or was it just the Australian sense of humour?

I will rate this film by my 1970s reactions. It is a classic. The music score is dated but everything else is fine. The desert creates such mystery. Great sci-fi.