Angst über der Stadt

What we have here is a crime thriller that includes most of the clichés of the genre, but does it in such a way that it feels original due to the execution. Henri Verneuil's film is really not what I was expecting it to be at all; it's actually a lot more than just a film about cops hunting a vicious psychopath and while not everything about the film works, what does work works brilliantly and this is certainly among the best European crime thrillers of the 1970's. The film is a French and Italian co-production, and while it's clear that the film is much more French than Italian; we still get some trademarks of Italian cinema thrown in and the film has elements of both the Polizi and Giallo genres. The plot simply focuses on an unknown serial killer that targets loose women in Paris by way of phone calls and later murder. Commissioner Jean Letellier and Inspector Moissac are put on the case and have to go through the Parisian underworld before coming close to catching the killer and discovering his insane reason for murdering the women of Paris.

The thing that really makes this film stand out is the leading performances courtesy of Jean-Paul Belmondo and Charles Denner. The pair fit into their roles excellently individually and have a great chemistry also, which director Henri Verneuil is keen to exploit as much as possible as the two actors provide the film with most of its best moments and also deliver some comedy. The film is not overly gory and the focus is never on the murders; although there are a few featured and the way that the director focuses on the killer's black gloves is a nice nod towards Giallo. The film features many of the crime film staples such as car chases and shootouts; a sequence that sees the main protagonist chase the killer in the middle of the film is excellently staged and very thrilling. The film changes pace many times throughout but the director always manages to keep things interesting. Adalberto Maria Merli's portrayal of the villain is suitably demented and detestable and the way that the film boils down towards the conclusion is well done and completely unexpected. Overall, this is an excellent film that doesn't deserve to be forgotten about and therefore comes highly recommended!

Jean Paul Belmondo and his associate, Charles Denner, play tough cops after two killers in "Fear Over the City." Although not listed in the credits, the city of Paris plays a major supporting role. One killer, Marcucci, is a bank robber Belmondo's character is after for killing a fellow cop during an auto chase. At one point later in the picture, Belmondo is on the roof of a Paris Metro car above ground as it goes though Paris, with the cop killer inside the train. The viewer gets a chance to see the city sights as the train zips along.

The second killer, who uses the name "Minos," wants to rid the world of sexual immorality by targeting women he finds objectionable. Belmondo gets into a gunfight with Minos while on the sloping roof of a store, apparently the Galleries Lafayette. Director Verneuil does a great job of adding thrills as Belmondo slips on the sloping roof several times, almost falling off, all the while shooting it out with Minos. The pursuit of Minos after the roof fight leads to a chase through Paris, past the Eiffel Tower and through downtown streets, Belmondo's police car after Minos, on a motorcycle.

In this movie Belmondo gets a chance to play a real tough cop, one who shoots back at a suspect, hitting him, and then ignores him as he asks for an ambulance. Instead, Belmondo takes a break, reading a magazine in the wounded man's apartment until the guy talks. There is that scene in the basement of a bar, where 38 illegal aliens from Mali rent space from the bar owner. 1975 and this movie shows illegals forced to live in double or triple bunk beds in a storage basement. Belmondo's bell bottom pants have dated, but not that basement scene nor the professionalism the cast and crew bring to this movie.

"Peur sur la ville" is one of the best films for both Jean-Paul Belmondo and director Henri Verneuil. At the time (1974-75) Belmondo is (with Alain Delon) the biggest French movie star -he's a versatile actor, but he is specialized in action movies where he can do his own stunts... His artistic and physical exploits allow him to be the Number 1 at the French box office between 1970 and 1987.

Henri Verneuil is too a versatile artist -in his long career he directs film of every genre, most of them are box office hits. He works with the Top French film stars (Fernandel, Belmondo, Delon, Ventura, Gabin, ...).

When the two men meet for this collaboration they are not novice artists and know exactly what they want. A solid thriller ("un polar") in the best French tradition with drama, fear and action. That's what they get and pack cinemas in many countries.

Paris is frightened by a psychopath, whose name is Minos. This assassin punishes people who are (in his opinion) sinners... Commissaire Letellier is an athletic cop who reaches to catch him, in putting his life in danger many times.

What else can I say? The merit of this movie is the simplicity. Because scenes are not exaggerated with special effects, they are not too violent as well. Efficacy of the movie depends on actors and their physical involvement.

Belmondo, who is a mask of the French cinema, is really great. He can be funny and dramatical -in this film he's a charming tough character. He has a lighter approach than Clint Eastood's "Dirty Harry" or than any of Charles Bronson executioners.

"Fear Over The City" is one of those films that invented what later became known as the clichés of the "serial-killer thriller" subgenre. It's all here: the mad killer who fancies himself a moral avenger, the "Freudian" explanations of his behavior, the threatening phone calls to the potential victims and the taunting ones to the police, the hostage situation at the end, etc. The structure of the film is almost experimental, with a chase sequence in the middle that goes on for about 30 minutes, and an entire subplot (about a bank robber who killed Belmondo's previous partner) that is little more than a mere distraction. Belmondo is good as the cynical, hard-as-nails cop, and yes, he does perform some stunts in this movie that are worthy of Jackie Chan at his finest. He has some great moments of black humor, too ("his heart really IS bleeding!") (**1/2)

This French movie by crime and action movie director Henri Verneuil presents Jean-Paul Belmondo at his best! He plays a Clint-Eastwood-like hard boiled detective in Paris, chasing a mentally disturbed serial killer who's already killed several women. Belmondo is acting in his usual style, with less words than action and some witty remarks for every scene. Next to some scary murders and a disturbing one-eyed killer, the highlight of this movie is a 15-minute chase which starts on a house's roof and is continued by bike, cars and a thrilling subway stunt sequence, all filmed as good as well-known chase scenes like "Bullitt", "French Connection" or "Speed". If you like dark serial killer action, hard-boiled guys and breath-taking action sequences, watch this cool 1975 movie!