Füge eine Handlung in deiner Sprache hinzuJuly 1942. Soviet forces are retreating in the face of a massive German onslaught towards Stalingrad. An infantry platoon is tasked with holding a vital hill in order to give their comrades ... Alles lesenJuly 1942. Soviet forces are retreating in the face of a massive German onslaught towards Stalingrad. An infantry platoon is tasked with holding a vital hill in order to give their comrades time to cross the Don River and regroup.July 1942. Soviet forces are retreating in the face of a massive German onslaught towards Stalingrad. An infantry platoon is tasked with holding a vital hill in order to give their comrades time to cross the Don River and regroup.
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- 3 Nominierungen insgesamt
- Glikeriya
- (as Lidiya Fedoseeva)
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If that's not enough you have Nikulin, who was a war veteran himself, in one of his dramatic roles.
Screenplay and direction by Sergei Bondarchuk with Vasili Shukshin ( as Poitr Lopakhin ), Vyaheslav Tikhonov ( as Nikolay Strltsov ), Sergei Bondarchuk ( as Ivan Zvyagintsev ), Georgi Burkov ( as Alexandr Kopytovskij ), Nikolai Gubenko ( as the Lieutenant ), Yuri Nikulin ( as Nekrasov ), Ivan Lapikov ( as Poprischenko ) & Nonna Mordyukova ( as Natalya Stepanova ).
The film is based on the book by Nobel Prize winning author Mikhail Sholokhov. The action is set in Russia in July of 1942. The exhausted Soviet army was in full retreat against the might of the invading German Panzer divisions. A decision is to hold a ridge with what is left of an infantry regiment near a small village on the banks of the River Don, to allow the exhausted remnants of the army enough time to withdraw across the river and help fortify Stalingrad for the decisive battle that must come.
The loss of Russian life during the campaign was horrific and while there are some impressive set battle pieces, the film concentrates on the exploits of half a dozen or so soldiers from the shattered regiment, who must not retreat even in the face of the Panzers' greater fire power. The film depicts the thoughts and fears of the individual soldiers in the face of the impending battle, and their thoughts of their Mother Russia as well.
While the battles rage, the viewer is not only shown the inhumanity of the conflict, but also the strong personal bonds that develop between comrades in arms in a deadly conflict. There is also plenty of humor in the script, even if it is often grim and tinged with violent overtones. Vasili Shukshin ( as Poitr Lopakhin ) takes the acting honors, with a character that is as much larrikin as it is proletariat.
This is a great war movie. As with all Sergei Bondarchuk films this is a movie that makes you think and feel by showing you what its like to be a lone man in a huge situation. We get to go inside the heads of the various characters and we see what its like to be in battle. The battle scenes are good as the Russian soldiers simply try to survive the strafing, the bombing and to keep the Germans far enough away that they don't have a good chance at killing them.
In someways this film reminded me of Terrence Malicks's Thin Red Line which used similar techniques at times (for example: subjective camera, manipulation of the soundtrack, disjointed flashback.) Actually this movie reminded me of several other war films produced after its release and I'm curious if film makers like Francis Ford Coppola and others studied copies of this all but impossible to see film when they made things like Apocalypse Now.
As good as the film is it isn't perfect. The film can come off as a bit too "rah rah" for mother Russia at times, even though the film ultimately speaks to the larger question of defending one's own home land. The film also is a bit unfocused in the second half as the film takes some odd turns; then again the second half has some of its most powerful imagery with the young nurse trying to save the wounded man in the bomb crater and the return of one soldier from hospital.
See this movie. Its a great great war war film which only suffers when compared to some of the gems in the Sergei Bondarchuk back catalog of films.
The film looks great. It's amazing how Bondarchuk can translate a world to film and still make it feel very real. The production is great, except for some minor things (tank turrets don't move). When I watched this film, I got the feeling that the whole world was at war. Not only these soldiers somewhere in Russia, but that they were just small parts in a big world conflict.
Most people always complain about the acting in Russian movies. That doesn't go for this one. It all feels very natural. The pain they show looks real, their sweat is there and I cannot imagine it with other actors (or acting method). Sergei Bondarchuk himself plays a role and he shows that he cannot only direct, but also act.
What I loved the most, is that this film shows war as I think it is. There are humans, the enemy is just a dot far away and every fight there are losses. Russians and Germans bleed alike. The Soviet flag is shown and it's clear who we are supposed to root for, but the main characters aren't heroes. They fight because they are told too, not because they are tough.
The music is like the music of War and Peace; not really pleasant to listen to, but it's perfect for the film. When an act of horror is shown, voices rise as if they complain. A requiem to humanity.
They Fought for their Motherland is bit like Spielbergs Saving Private Ryan; only without the misplaced heroism and with that touch of humanity.
Maybe not for everyone (since their is a delicate balance between spectacle, humanity and of course philosophy), but when you are looking for more aspects of war than just the heroic stereotype combat, go for this.
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- WissenswertesThis was the last film of Vasiliy Shukshin.
- PatzerDuring the first battle, a few of the Germans are carrying MP44 (or STG 44) assault rifles. This film takes place in summer 1942 and those rifles were not in service in the German army (even as prototypes) until over two years later.
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Ivan Zvyagintsev: May our love towards our country live in our hearts as long as we live.
Ivan Zvyagintsev: May our hatred to enemy always shine on the tips of our bayonets...
- VerbindungenFeatured in Sergey Bondarchuk (1982)
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