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Haus der Todsünden

Originaltitel: House of Mortal Sin
  • 1976
  • 16
  • 1 Std. 44 Min.
IMDb-BEWERTUNG
6,3/10
1481
IHRE BEWERTUNG
Haus der Todsünden (1976)
Entsetzen

Füge eine Handlung in deiner Sprache hinzuThe story follows a young woman, who seeks out his church. There, she is manipulated into giving confession to Father Xavier Meldrum. Meldrum uses his status and crazed persistence to work h... Alles lesenThe story follows a young woman, who seeks out his church. There, she is manipulated into giving confession to Father Xavier Meldrum. Meldrum uses his status and crazed persistence to work his way into Jenny's life by any means necessary.The story follows a young woman, who seeks out his church. There, she is manipulated into giving confession to Father Xavier Meldrum. Meldrum uses his status and crazed persistence to work his way into Jenny's life by any means necessary.

  • Regie
    • Pete Walker
  • Drehbuch
    • David McGillivray
    • Pete Walker
  • Hauptbesetzung
    • Anthony Sharp
    • Susan Penhaligon
    • Stephanie Beacham
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    1481
    IHRE BEWERTUNG
    • Regie
      • Pete Walker
    • Drehbuch
      • David McGillivray
      • Pete Walker
    • Hauptbesetzung
      • Anthony Sharp
      • Susan Penhaligon
      • Stephanie Beacham
    • 35Benutzerrezensionen
    • 48Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Fotos65

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    Topbesetzung22

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    Anthony Sharp
    Anthony Sharp
    • Father Xavier Meldrum
    Susan Penhaligon
    Susan Penhaligon
    • Jenny Welch
    Stephanie Beacham
    Stephanie Beacham
    • Vanessa Welch
    Norman Eshley
    Norman Eshley
    • Father Bernard Cutler
    Sheila Keith
    Sheila Keith
    • Miss Brabazon
    Hilda Barry
    • Mrs. Meldrum
    Stewart Bevan
    Stewart Bevan
    • Terry Wyatt
    • (as Stuart Bevan)
    Julia McCarthy
    Julia McCarthy
    • Mrs. Davey
    John Yule
    • Robert
    • (as Jon Yule)
    Bill Kerr
    Bill Kerr
    • Mr. Davey
    Victor Winding
    • Dr. Gaudio
    Jack Allen
    Jack Allen
    • GP
    Kim Butcher
    Kim Butcher
    • Valerie Davey
    Ivor Salter
    Ivor Salter
    • Gravedigger
    Andrew Sachs
    Andrew Sachs
    • Man in Church
    Jane Hayward
    • Nurse Fowler
    Mervyn Johns
    Mervyn Johns
    • Father Duggan
    Melinda Clancy
    • Girl at Presbytery
    • (Nicht genannt)
    • Regie
      • Pete Walker
    • Drehbuch
      • David McGillivray
      • Pete Walker
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen35

    6,31.4K
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    Empfohlene Bewertungen

    6ksf-2

    campy Brit horror flick

    Well... Mortal Sin opens with a pretty gruesome scene. Young chick comes home crying... runs up to her room, reads the bible, and we're off on the adventure. Then our star "Jenny" (Susan Penhaligon) meets up with her old school buddy (Norman Eshley) who is now a priest. Lots of talking, drinking tea, confessions in the church, and of course, eerie, creepy music. Anthony Sharp is Father Xavier, and plays a large part in our story. Some of the scenes don't really make sense, but I guess you have to buy into it. Next thing you know, her school, priest friend is now shacking up with Jenny. Holy guacamole, batman! Lots of odd things and nasty things. Not for the young 'uns. An entertaining viewing, but SO predictable. All of it.

    Recommended on the Frank Dicaro show (XM radio), this is one of the campy horror flicks which didn't start out to be that way. Written, directed, and produced by Peter Walker, British director. Acc to en.wikipedia.org/wiki/Pete_Walker_(director) , he had made films that fell under various categories in the 1960s, 1970s, 1980s, frequently using the same cast of characters.
    6world_of_weird

    Not one of Walker and McGillivray's best collaborations

    Coming hot on the heels of the sleazy HOUSE OF WHIPCORD and the outrageously gruesome FRIGHTMARE, veteran exploitationer Pete Walker and his puckish screenwriter David McGillivray decided to stir up some more mischief, this time aiming their vitriol at the hypocrisy of the Catholic church, with a blackmailing killer priest who uses the tools of his trade (incense burners, rosary beads and communion wafers) to deal out death to non-believers. Given the hoo-hah the Monty Python team caused with LIFE OF BRIAN four years later, you'd have expected the controversy to rage as Pete and David had hoped it would, but HOUSE OF MORTAL SIN barely raised a murmur - most likely because it's a rather dull and restrained affair compared to their earlier exercises in wonderfully hideous terror. Anthony Sharp is fine in the lead as the crazy cleric, alternating between pompous bumbling and trembling mania at the drop of a hat, whilst Susan Penhaligon makes a memorably vulnerable victim, but the film feels too much of a cut-and-paste catalogue of borrowed elements (the mother fixation from PSYCHO, Sheila Keith basically reprising her WHIPCORD role as Sharp's demented housekeeper, the dysfunctional family business from FRIGHTMARE) to really ring true. The set-piece murders are impressive, and the ending is as bleak and as desolate as you'd expect, but the film contains more padding than a cheap mattress and Walker seems to have confused tension with tedium in several scenes. Still, it's entertaining enough for a slow evening.
    8The_Void

    If you can't trust your local priest....who can you trust?!

    Even though the majority of his movies haven't gone on to win vast acclaim or classic status, any fan of cinema would have to admit that British horror maestro Pete Walker is one of the most fascinating directors of the seventies. House of Mortal Sin follows the common Pete Walker theme of hypocrisy in an institution; and this time it's the church that gets lampooned. The film does feel like an all too obvious attempt to drum up some controversy, but it's all so well done that it's easy to ignore this fact and just enjoy the twisted imagination of Pete Walker and scriptwriter David McGillivray. Catholic priests are always above suspicion due their high moral ground in society, and so the idea that one of them could go off the rails and abuse his privileges is as intriguing as it is frightening. The story follows Father Xavier Meldrum; a priest who tapes the confessions of his parishioners and then uses them for blackmailing purposes! And he isn't content to stop there, as if the blackmail doesn't go to plan - he isn't morally above murder!

    The film is a little overlong and slightly overindulgent at times; but Pete Walker paces the plot well, and although at least ten minutes could have been shaved from the movie; it never gets boring. Walker is great at creating atmosphere, and through ugly cinematography and downbeat locations, the director ensures that there is nothing pleasant about the movie. The murder scenes are graphic in a typically seventies fashion, although the talented director never lets the blood overtake the plot, and the murder scenes are an event within the movie; rather than the plot being tied around the gore. The film takes influence from a range of sources, including the slasher sub-genre (most notably Psycho), as well as the Italian Giallo (the black gloves towards the end being a particular highlight) and even Walker's own previous efforts. As usual, Walker pulls great performances out of his older actors. Anthony Sharp is suitably sinister in the lead role, and also manages to retain his edge of authority. Hilda Barry gives the film the right amount of horror as the mother, while Walker regular Sheila Keith rounds off the cast in a convincingly macabre role. On the whole; this may not be as great as House of Whipcord, but House of Mortal Sin is further proof that Pete Walker really knows how to make his audience think and comes recommended.
    6CinematicLion

    🔪 Unholy Secrets Unveiled - A Sinister 70s Thriller 💣

    Pete Walker's 1976 film "House of Mortal Sin" is a compelling, albeit flawed, entry into the British horror genre that is sure to leave viewers both intrigued and unsettled. This film offers a unique blend of suspense, mystery, and exploitation that is worth exploring for fans of the genre.

    "House of Mortal Sin" takes viewers on a disturbing journey into the dark corners of religious fanaticism and moral corruption. The narrative centers around a young woman, Jenny (played by Susan Penhaligon), who becomes entangled in a web of deceit and violence after witnessing a shocking confession in a Catholic church. The film's plot is engaging and filled with unexpected twists, making it a gripping watch despite its pacing issues.

    One of the film's strongest aspects is its exploration of religious hypocrisy and the destructive consequences of blind faith. Walker skillfully exposes the dark underbelly of the church, revealing a world of manipulation, abuse, and murder. The film's most chilling moments come from the unnerving performances of its cast, particularly Anthony Sharp as the sinister Father Meldrum and Sheila Keith as the ruthless Sister Gertrude.

    However, "House of Mortal Sin" is not without its faults. The film's low budget is evident in its production values, resulting in a somewhat dated and amateurish aesthetic. Additionally, the pacing can be uneven, with certain scenes dragging on unnecessarily while others feel rushed or underdeveloped. The film's exploitative elements, including graphic violence and nudity, may also be off-putting to some viewers.

    Despite these shortcomings, "House of Mortal Sin" remains a noteworthy addition to the British horror canon. The film's unsettling atmosphere and provocative themes make it a memorable watch, even if it doesn't always hit the mark. Walker's direction is confident and assured, demonstrating a clear vision and a willingness to take risks.

    In conclusion, "House of Mortal Sin" is a flawed yet fascinating film that offers a unique take on religious horror. While it may not appeal to all viewers due to its explicit content and uneven execution, those who appreciate a dark, thought-provoking thriller will find much to enjoy in this sinister tale of faith and corruption. Just be prepared for a few rough edges along the way.
    jangu

    Effective and dreary at the same time

    The church is corrupt, that's what director Walker seems to be saying in a rather clumsy way with this exploitation effort. Elements of "Psycho" are mixed uneasily with "Rosemary's baby", about a mad priest who tapes his confessional sessions and keeps his bedridden mother in the attic. There is extortion, murder (by religious symbols like a rosary and an incense-burner) and an accomplice with a disfigured face (eye-patch and all!). Some scenes, ie the ones with the bedridden mother, border on the tasteless, but I somehow think that that was the point. Surprisingly good performances from a largely unknown cast, with Sheila Keith as a standout in a (too) minor role. Boy, can she give a murderous glance! It's not a stunning tour-de-force like "Frighmare" by the same director, but still manage to pack a punch or two, despite some dreary bits (most of them involving the hero-priest who is too goody-goody to be interesting). For those who is familiar with Pete Walker and his movies, the ending will come as no surprise, but to others it will be shocking/frustrating in about equal measures.

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    Handlung

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    • Wissenswertes
      Originally Peter Cushing was offered to play Father Xavier Meldrum and at the time there were some rumours that Cushing hated the script. In 1983, when Cushing acted in Walker's final film, The House of Long Shadows, Walker learned that Cushing actually liked the script, but had other film commitments.
    • Patzer
      When Jenny is listening to records, the song that is playing is Joan Armatrading's "Visionary Mountains". The record that is playing is from RSO, a record company that never published Armatrading.
    • Zitate

      Miss Brabazon: [to Meldrum's infirm mother] He's gone out again, I'm afraid... you're all alone again... with me.

    • Verbindungen
      Featured in Courting Controversy: Die Filme des Pete Walker (2005)
    • Soundtracks
      Main theme and incidental music
      Written by Stanley Myers

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    Details

    Ändern
    • Erscheinungsdatum
      • Februar 1976 (Vereinigtes Königreich)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Confessional
    • Drehorte
      • The Green, Richmond, Surrey, England, Vereinigtes Königreich
    • Produktionsfirma
      • Peter Walker (Heritage) Ltd.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 44 Min.(104 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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