Alice lebt hier nicht mehr

This has to be one of Martin Scorses's most enjoyable films. The film follows Alice (Ellen Burstyn) on a journey back to happier times after a tragedy forces her to make important decisions about her life. Needing a job to raise cash for this journey takes her and her son (the remarkably cheeky Alfred Lutter) on a journey of self discovery. Having a small talent for singing she eventually secures a job as a singer in a bar but flees town after meeting psychopathic Harvey Keitel. Eventually working as a waitress in Mel's Diner she becomes involved with the strangely uncharismatic Kris Kristofferson and realises she has finally met someone who really cares for her. The performances make this a remarkable film, Burstyn & Lutter are a great double act as mother and son, Harvey Keitel frighteningly plausible as a mentally unbalanced suitor and Jodie Foster sexually ambiguous as Lutters playmate. Diane Ladd excels as hard-bitten fellow waitress Flo and Jane Curtin and Billy Green Bush make an impact with barely half a dozen lines between them. Add to this a terrific musical score and inspiring cinematography and you have a timeless classic that is just crying out for a DVD release.

When I was younger, my sister and I would spend countless hours each day watching television. One of the programs we found ourselves glued to was Alice. For those who may not remember the show too clearly, one phrase may help jog your memory... "Kiss my grits!" If that didn't help, you probably have never seen the show (or as some folks may say... "it was before my time.")

Anyway... last night I saw a film titled Alice Doesn't Live Here Anymore. Upon starting the movie, all I knew about it was that it was directed by the great Martin Scorsese, and that it was about a widowed wife and her son who drive across the country. To my great surprise, the character Alice is the same character from the TV sitcom. I didn't put two and two together until halfway through the film when it showed the diner with Mel and the other two waitresses. It was fun to see the other characters like Flo, Vera and Mel (the movie's Mel was the same actor as the TV show's Mel). Many of the elements were similar between television and movie; the only noticeable difference was the tone. On television, the show was a sitcom comedy made to get a good laugh every few minutes.

The film, however, was a bit more serious because of various real life situations (relationships, child upbringing, death).

This coincidence made things much more interesting as the film continued. Don't get me wrong, the movie was pretty damn good already; I just seemed to enjoy it a bit more when I started putting the pieces together. Scorsese, once again, showed his incredible directing skills. He was able to bring the viewer into the extreme pain and desperation of the main character, while at the same time, show the positive things in Alice's life through his use of color and cinematography.

Overall, the film was enjoyable because it was quite heart warming (in contrast to the more famous gangster type films by Scorsese). It made me wish that either the television show were still on syndication, or that I get to chance to see this film sometime again.

People forget that "ALICE DOESN'T LIVE HERE ANYMORE" is a Scorsese film. Look at it again and you'll see it is one hundred percent Scorsese. Totally focused on a female character. I read somewhere that Ellen Burstyn asked Scorsese "How well do you know women" and Scorsese replayed "Not well at all, but I'm willing to learn" The portrait of Alice adds something to film female characters that had never been present on the screen before. All those Joan Crawford fighting working class women seem like a joke compared to Ellen Burstyn's Alice. Jodie Foster steps into the screen with a funny, touching BANG. If you've never seen this film, hurry up! If you've seen it, see it again.

I actually prefer this film to Mean Streets or Raging Bull. Ellen Burstyn was always a personal favorite and she is absolutely brilliant as Alice. This film bears no resemblance to the sitcom that would spin off from it. This is a textured, touching and humorous look at a woman's journey BACK towards independence. It is far superior and a much more mature film than, say, Thelma & Louise. If you're looking for female "empowerment" movies. Alice is reality. The fine cast also includes, Harvey Keitel and Diane Ladd. Both in fantastic performances. This is just a great movie and very overlooked. If you're getting into Scorsese, don't miss this one!

Ellen Burstyn could play a tree stump and make it interesting. She's one of the unsung heroes of post-studio cinema. At a time when meaty women's roles were becoming more and more scarce, Burstyn was fighting for and winning one great part after another. She's probably never been better than she is here, though she showed tremendous range in "Same Time, Next Year" and gave one of the most heartbreakingly harrowing performances I've ever seen as recently as 2000, in "Requiem for a Dream." Women's picture and Martin Scorsese are not two phrases that would seem to be tailor made for each other, but a terrific women's picture is exactly what Scorsese gives us with "Alice..." Though I hate using the term women's picture, as if men can't enjoy stories about women, or as if women's pictures are isolated from the rest of "real" movies. Actually and ironically, maybe it was Scorsese's penchant for the tough-guy milieu that made him so right for this film, because "Alice" doesn't suffer from the burn-your-bra self-righteousness of other women's lib movies of its era, like "Un Unmarried Woman." These other films ultimately feel phony, because they were created for the most part by men, who, however noble their intentions, simply didn't have an understanding for the material. But Scorsese gets the character of Alice, and Burstyn knows exactly what she's doing. So the conflict isn't between Alice and the male world, but between the Alice who doesn't have the confidence to be anything other than a doormat and the Alice who wants to make a life for herself on her own terms.

There are some hilarious scenes between Alice and her son in this film, most particularly the scenes of them driving to California (like when Alice calls him Hellen Keller because he keeps asking "what?" to everything she says). Also, a subplot about the evolving friendship between Alice and Flo (played by Diane Ladd) becomes one of the film's highlights, not in the least because both actresses handle it expertly.

This is a winner, and must be seen by anyone who thinks Scorses is out of his element anywhere but the mean streets of NYC.

Grade: A