Penny Gold

This particular type of Detective mystery, set in the world of the professional and the prosperous, was a most unusual theme for what passed for the British film industry in the 1970s. The genre had gone out of fashion about a decade earlier, a situation that was to remain until the advent of the Morse TV movies in 1986. Nowadays, a format that may have seemed outmoded in 1973 can be seen replicated on channels such as ITV3 on most nights of the year. Too bad then that PENNY GOLD provides such a tame example.

Fittingly, for a Jack Cardiff film, the photography is superb, as is the art direction. But in general, the director and his cast are unable to bring the characters or the uninspired story to life. James Booth is good as the Inspector though, with Nicky Henson as his faithful sidekick and there are all too fleeting appearances from Penelope Keith and Sue Lloyd. A crime story revolving around stamp collectors hardly sounds exciting to begin with, although there had been at least one thriller on the same theme before, BARBADOS QUEST, with Tom Conway in 1955. Then fairly early on we learn that the murdered woman, whose face had been damaged beyond recognition, is one of twins, one good, the other evil. You hardly need to be Hercule Poirot to see where this is going. The film's at its worst when the murder of a typically tedious character is announced, which we're then shown in a slow-moving flashback. I could hardly wait. The location shooting and reminders that the Britain of forty years ago was not the nanny state it is today hardly compensate for moments such as this.

The British film industry was dying on its feet when this film was made in the early seventies.The fact that it was directed by Jack Cardiff speaks volumes.Anyone can see the basic premise of the plot after only about 10 minutes.So there isn't a lot of suspense merely an interest as to how the plot unravels.Booth seems to be doing an imitation of Jack Regan but despite the car chase and the rough handling of suspects this is no "Sweeny".Penelope Keith is seen in a small role before her rise to fame.This is the sort of film that was far more at home on the TV screens than on the cinema screen.At the end of the day this is little more than a potboiler.

The historic riverside town of Windsor, home to the Royal Family, is a popular setting for British films, something due less to its Royal connections than to its closeness to Pinewood Studios. Two other films from the early seventies filmed in the area were "The Road Builder" and "No Sex Please, We're British".

"Penny Gold" is a murder mystery set in the town. A young woman named Diane, the owner of a local boutique, is brutally bludgeoned to death by an intruder in her flat. Her face is so disfigured that she is virtually unrecognisable, but the body is identified by her identical twin sister Delphi. Inspector Matthews of the CID is tasked with investigating the murder and soon realises that matters might be more complicated than they appear at first sight. Diane's killing appears to be linked to a plot to steal a valuable postage stamp, the "Penny Gold" of the title; Delphi works for a firm of stamp dealers owned by the sisters' stepfather.

As another reviewer has pointed out, the seventies were not the most distinguished decade in the history of the British cinema. When they weren't making tacky sex comedies or kitschy horror flicks, British film-makers of the period were often trying to repeat successes of the past, and "Penny Gold" is a crime drama of the sort which could easily have been made ten or even twenty years earlier (although in the fifties or sixties it would probably have been in black-and-white rather than colour). I was reminded in some respects of "Town on Trial", a film noir from 1957 which also deals with the murder of a young woman in a Home Counties town.

"Penny Gold" is not altogether a bad film; there is an ingenious twist which provides Matthews with the solution to the mystery. (At least, it probably seemed ingenious in 1973 before twist endings became overfamiliar through overuse in the eighties and nineties). It is not, however, a film which really stays in the mind and has no acting contributions of any great note, even though it starred some well-known faces. I would not rate it as highly as something like "Town on Trial" which was not only a crime drama but which also made some pertinent points about the complacency and hypocrisy of the English middle classes. 5/10.

Francesca Annis gives quite a performance as a pair of identical twin sisters, Delphi and Diane. They are complete opposites in personalities and lifestyles. When Diane is murdered, everybody is a suspect especially Delphi who deals with rare stamps. The film is satisfactory even with a stellar cast. They filmed on location in England. Jack Cardiff tried his hand at directing. The film is a decent effort. The mystery does have some twists especially at the end of the film. I wished the film had a better ending. I would have liked to know what happened to the main characters in the aftermath. James Booth plays detective in the film. I enjoy seeing other British actors and actresses like Nicky Henson, Joss Ackland, Una Stubbs, a young Dame Penelope Keith before she became a television star.

This had all the ingredients to be a great film, but sadly it ultimately falls a bit short of the mark.

It follows the investigation into a young woman's murder in the opening scenes, and the pursuit of a priceless stamp which seems to be connected to her death - the Penny Gold.

There's a excellent cast, including the gorgeous Francesca Annis in the lead role, and also James Booth as a rumpled detective who soon gets on the case.

The story does become a bit muddled and unfocused, although things pick up a bit towards the end as the deception is finally uncovered.

Apart from Francesca (who plays a set of identical twins here), the best part of the film for me was all the location filming, unusual for a British film from this era. It's wonderful to see the streets of Windsor and Eton as they were in thr early 70s, as well as Pinewood's Heatherden Hall and grounds.

It certainly helps to give the film so realism and grittiness, and it must have felt quite fresh and moddish at the time.

But, considering the prestige of the director, this is sadly where the film falls a bit flat - the direction just doesn't create much suspense or real tension, and fails to translate quite an intriguing and twisty story to the big screen.

Having said that, it certainly has lots of early 70s charm, and it's fun spotting all the famous faces and locations. The ending, when you get there, is clever and worth waiting for too.