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Schrei nach Leben

Originaltitel: Die Screaming Marianne
  • 1971
  • Not Rated
  • 1 Std. 41 Min.
IMDb-BEWERTUNG
4,9/10
1000
IHRE BEWERTUNG
Schrei nach Leben (1971)
After their parents divorce and the untimely death of her mother, one daughter stands to inherit a large sum of money and also a number of documents containing information that will incriminate her father, who was a crooked judge.
trailer wiedergeben3:10
1 Video
40 Fotos
DramaHorrorKriminalitätThriller

Füge eine Handlung in deiner Sprache hinzuSisters inherit assets from divorced parents. One receives evidence exposing corrupt judge father, the other seeks monetary gain. Escalating battle over desired possessions leads to deadly c... Alles lesenSisters inherit assets from divorced parents. One receives evidence exposing corrupt judge father, the other seeks monetary gain. Escalating battle over desired possessions leads to deadly consequences.Sisters inherit assets from divorced parents. One receives evidence exposing corrupt judge father, the other seeks monetary gain. Escalating battle over desired possessions leads to deadly consequences.

  • Regie
    • Pete Walker
  • Drehbuch
    • Murray Smith
  • Hauptbesetzung
    • Susan George
    • Barry Evans
    • Christopher Sandford
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,9/10
    1000
    IHRE BEWERTUNG
    • Regie
      • Pete Walker
    • Drehbuch
      • Murray Smith
    • Hauptbesetzung
      • Susan George
      • Barry Evans
      • Christopher Sandford
    • 32Benutzerrezensionen
    • 40Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 3:10
    Trailer

    Fotos40

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    Topbesetzung12

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    Susan George
    Susan George
    • Marianne Evans
    Barry Evans
    Barry Evans
    • Eli Frome
    Christopher Sandford
    Christopher Sandford
    • Sebastian Smith
    Judy Huxtable
    Judy Huxtable
    • Hildegard
    Leo Genn
    Leo Genn
    • The Judge
    Kenneth Hendel
    • Rodriguez
    Paul Stassino
    Paul Stassino
    • Portuguese Police Detective
    Alan Curtis
    Alan Curtis
    • Sloopy's Manager
    Anthony Sharp
    Anthony Sharp
    • Registrar
    Jon Laurimore
    Jon Laurimore
    • British Police Detective - Dark Hair
    • (as John Laurimore)
    Martin Wyldeck
    Martin Wyldeck
    • British Police Detective - Grey Hair
    P.J. Proby
    • Man in street
    • (Nicht genannt)
    • Regie
      • Pete Walker
    • Drehbuch
      • Murray Smith
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen32

    4,91K
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    Empfohlene Bewertungen

    4BA_Harrison

    Sorry Pete.

    I'm a big fan of Pete Walker's exploitative style of horror and Susan George rates very highly on my '70s crumpet-ometer', so I was pretty stoked at the prospect of finally watching 'Die Screaming, Marianne', which sees Walker directing the lovely actress as a free-spirited young woman on the run from those who will stop at nothing to get their hands on the contents of a swiss bank account for which only she holds the numbers.

    Unfortunately, this early attempt by the director to break free from his sexploitation roots sees him struggling to find his feet, the plot meandering all over the place, the pacing dreadfully slow, with very little of the bolder elements that would make his later films so much fun; in fact, if it wasn't for George, who looks absolutely stunning throughout, go-go dancing in a bikini during the opening credits, modelling some very short dresses, relaxing in a bubble bath (curse those bubbles!), cavorting in her underwear, and wearing just a towel while trapped in a sauna (Die Steaming, Marianne?), 'Die Screaming, Marianne' would qualify as a total snoozeathon.

    3.5 out of 10, generously rounded up to 4 for IMDb.
    2world_of_weird

    Forget the film, listen to the audio commentary!

    DIE SCREAMING MARIANNE is a standard-issue potboiler which is high on 'exotic' locations but low on excitement. Susan George is good to look at, as always, but she can't save boredom from setting in or do much to salvage the dreadful screenplay. Veteran exploitations Pete Walker didn't hit his stride as a truly effective film-maker until he began directing horror movies, bringing sleaze and gore to suburbia, so quite what this tedious mess is doing in Anchor Bay's otherwise excellent Pete Walker boxed set is a mystery to me. THE FLESH AND BLOOD SHOW or SCHIZO would have been more welcome inclusions, but Walker made films for a wide variety of companies and distributors, so maybe some rights complications prevented their inclusion. Having said that, the title sequence is justly celebrated, and Walker offers an amusing and illuminating audio commentary on the film's troubled history (at one point he cancelled the production, and the location filming in Portugal was hampered by personality clashes) and his admiration for the lovely George is touchingly clear throughout. In fact, it's a lot more entertaining than the film itself! Kenneth Kendel, Barry Evans and Anthony Sharpe offer effective support in smallish roles.
    Dethcharm

    All In The Family...

    Director Pete Walker's DIE SCREAMING MARIANNE is about carefree go-go dancer, Marianne Evans (Susan George), who must stay one step ahead of her insane family, including her crackpot dad (Leo Genn) and homicidal sister, Hildegard (Judy Huxtable). Marianne has something they want, sitting in a Swiss bank account. Her diabolical family will do anything to get it!

    Though far from exciting, this movie does have some semi-interesting plot twists, a handful of colorful characters, and a smattering of tension. An alleged "thriller", it suffers from a lack of any real thrills. The long-winded story and sporadic "action" sequences do little to hold our attention. A chore to watch, it's almost saved by its "big pay off" ending. Almost...
    5sanzar

    Not much to recommend here!

    Pic is routine in all respects and a real timewaster! Marketed as a horror film, it's nothing more than a boring tale of a dysfunctional family trying to lay their mitts on a numbered Swiss Bank account containing incriminating documents, along with a sizeable amount of cash. Poor Marianne is about to inherit this stash on her 21st birthday, but her father and sister want to grab it from her. Nothing horrific (nor even interesting) here.

    The cast is decidedly drab and unattractive (even toplined Susan George is unflatteringly photographed)and performances are strictly of the stock variety. Potentially interesting Portuguese scenery is also wasted by the pedestrian set-ups employed by helmer Pete Walker.

    Director Walker made a few mildly interesting films ("House of Whipcord", "Frightmare") along with a goodly amount of dreck. Thankfully he retired in '82, saving viewers from further boredom.
    4HenryHextonEsq

    Competent but tedious early Pete Walker

    Not particularly gripping tale of a 'free spirited' Susan George becoming embroiled in a seedy crime racket, led by a 'defrocked' Judge.

    Not just *a* Judge, but 'The Judge' - Leo Genn's character who is continually accorded the definite article by sundry friends and enemies - who are largely interchangeable. This melodrama, with a heavy accent on the corrupt authority figures, bears some resemblance to Pete Walker's later baroque horrors. But the formula isn't developed as of yet - and he had yet to work with the waggish scriptwriter David McGillivray. Walker followed this film with the relatively interesting curio, "The Flesh and Blood Show" - collaborating with the talented veteran Alfred Shaughnessy of "Upstairs, Downstairs" fame - and then his fecund period began with "The House of Whipcord" in 1974.

    Susan George and Judy Huxtable are done a great disservice by Walker and scriptwriter Murray Smith here with their reductive portrayal of female characters. Such as shame for George in particular, subject of much brutality in Peckinpah's "Straw Dogs" the following year, but also Huxtable, who was the evocative beauty at the heart of the whimsical "Les Bicylettes de Belsize" two years earlier.

    There is always some degree of objectification of women in Walker's films, but what is lacking here is the suspenseful, charged context of his later films. "Frightmare" and "House of Mortal Sin" have something of the Hitchcockian about them: Hitchcock-meets-the Grimm Brothers-meets-British exploitation cinema of the 70s. This is a rather more humdrum affair, with even the exotic locations eliciting no more than a Gallic shrug in this viewer.

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    Handlung

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    • Wissenswertes
      The nightclub sign, translated from Spanish, reads: "This month's special attraction, from England, Marianne [The Hips] McDonald. See her dance go go every night. Admission 50 pesetas," Spanish money, although credits claim the movie was shot "entirely on location in England and the Algarve, Portugal," and the sailors drive up to a poster for a bullfight in Mallorca, toward the Spanish border with France.
    • Patzer
      The nightclub sign, translated from Spanish, reads: "This month's special attraction, from England, Marianne [The Hips] McDonald. See her dance go go every night. Admission 50 pesetas," Spanish money, although credits claim the movie was shot "entirely on location in England and the Algarve, Portugal," and the sailors drive up to a poster for a bullfight in Mallorca, toward the Spanish border with France.
    • Zitate

      Nightclub Sign: [translated from Spanish] This month's special attraction, from England, Marianne

      ["THE HIPS"]

      Nightclub Sign: McDonald. See her dance go go every night. Admission 50 pesetas

    • Alternative Versionen
      There have been many discrepancies involving the recent DVD release of this title by Image Entertainment:
      • The DVD represents the full-length 99-minute version of the film that has not been seen since the 1970s. There have been many versions of the film with various running times. The original U.S. version ran 84 minutes, omitting 15 minutes of crucial scenes. The DVD is the uncut version and has been digitally remastered.
      • The version of the film on the DVD is presented in 1.33:1 full frame. Many people claim the film was shot widescreen. Director Pete Walker shot the film in a 1.33:1 open matte aspect ratio with the intention of matting the film at 1.85:1. As the 1.85:1 matting would have eliminated the excess picture info at the top and bottom of the frame, the film is presented as shot.
    • Verbindungen
      Featured in Courting Controversy: Die Filme des Pete Walker (2005)
    • Soundtracks
      Marianne
      by Hal Shaper and Cyril Ornadel

      Sung by Kathe Green

    Top-Auswahl

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    FAQ14

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    Details

    Ändern
    • Erscheinungsdatum
      • 13. August 1971 (Vereinigtes Königreich)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Portugal
    • Sprache
      • Englisch
    • Auch bekannt als
      • Die Screaming Marianne
    • Drehorte
      • Brighton Railway Station, Queens Rd., Brighton, England, Vereinigtes Königreich(actress Susan George is seen walking toward this location after exiting Sloopy's)
    • Produktionsfirma
      • Pete Walker Film Productions
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    Technische Daten

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    • Laufzeit
      • 1 Std. 41 Min.(101 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono

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