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Leben und sterben lassen

Originaltitel: Live and Let Die
  • 1973
  • 12
  • 2 Std. 1 Min.
IMDb-BEWERTUNG
6,7/10
120.485
IHRE BEWERTUNG
BELIEBTHEIT
2.750
1.113
Roger Moore, Jane Seymour, Gloria Hendry, and Geoffrey Holder in Leben und sterben lassen (1973)
On this IMDbrief, presented by Progressive, let's look at the evolution of the women who loved the spy, and hear from four who co-star with Daniel Craig in Bond 25.
clip wiedergeben6:36
These Bond Women Are Changing the Spy Game ansehen
3 Videos
99+ Fotos
SpionAbenteuerAktionThriller

007 wird geschickt, um einen teuflisch brillanten Heroin-Magnaten zu stoppen, der mit einer komplexen Organisation und einem zuverlässigen psychischen Tarotkartenleser ausgestattet ist.007 wird geschickt, um einen teuflisch brillanten Heroin-Magnaten zu stoppen, der mit einer komplexen Organisation und einem zuverlässigen psychischen Tarotkartenleser ausgestattet ist.007 wird geschickt, um einen teuflisch brillanten Heroin-Magnaten zu stoppen, der mit einer komplexen Organisation und einem zuverlässigen psychischen Tarotkartenleser ausgestattet ist.

  • Regie
    • Guy Hamilton
  • Drehbuch
    • Tom Mankiewicz
    • Ian Fleming
  • Hauptbesetzung
    • Roger Moore
    • Yaphet Kotto
    • Jane Seymour
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    120.485
    IHRE BEWERTUNG
    BELIEBTHEIT
    2.750
    1.113
    • Regie
      • Guy Hamilton
    • Drehbuch
      • Tom Mankiewicz
      • Ian Fleming
    • Hauptbesetzung
      • Roger Moore
      • Yaphet Kotto
      • Jane Seymour
    • 404Benutzerrezensionen
    • 119Kritische Rezensionen
    • 55Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 3 Gewinne & 3 Nominierungen insgesamt

    Videos3

    These Bond Women Are Changing the Spy Game
    Clip 6:36
    These Bond Women Are Changing the Spy Game
    Bond 25 Returns to 007's Origins
    Clip 3:39
    Bond 25 Returns to 007's Origins
    Bond 25 Returns to 007's Origins
    Clip 3:39
    Bond 25 Returns to 007's Origins
    Live And Let Die: Clip 1
    Clip 1:26
    Live And Let Die: Clip 1

    Fotos418

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    Topbesetzung52

    Ändern
    Roger Moore
    Roger Moore
    • James Bond
    Yaphet Kotto
    Yaphet Kotto
    • Kananga…
    Jane Seymour
    Jane Seymour
    • Solitaire
    Clifton James
    Clifton James
    • Sheriff Pepper
    Julius Harris
    Julius Harris
    • Tee Hee
    • (as Julius W. Harris)
    Geoffrey Holder
    Geoffrey Holder
    • Baron Samedi
    David Hedison
    David Hedison
    • Leiter
    Gloria Hendry
    Gloria Hendry
    • Rosie
    Bernard Lee
    Bernard Lee
    • 'M'
    Lois Maxwell
    Lois Maxwell
    • Moneypenny
    Tommy Lane
    Tommy Lane
    • Adam
    Earl Jolly Brown
    Earl Jolly Brown
    • Whisper
    Roy Stewart
    Roy Stewart
    • Quarrel
    Lon Satton
    Lon Satton
    • Strutter
    Arnold Williams
    Arnold Williams
    • Cab Driver 1
    Ruth Kempf
    Ruth Kempf
    • Mrs. Bell
    Joie Chitwood
    • Charlie
    Madeline Smith
    Madeline Smith
    • Beautiful Girl
    • Regie
      • Guy Hamilton
    • Drehbuch
      • Tom Mankiewicz
      • Ian Fleming
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen404

    6,7120.4K
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    Empfohlene Bewertungen

    bob the moo

    Good Bond movie with a good line in bad guys

    Several British agents are killed in America and in the Caribbean. Despite the difference in how the murders occur they seem linked together by drugs. Bond begins to investigate and finds links between the American drug dealer Mr Big and the mysterious owner of a Caribbean island Kananga. While investigating Bond falls foul of both despite gaining the affections of Kananga's beautiful mistress Solitaire.

    Roger Moore's first Bond is one of his best. The film wisely steps away from those regular bad guys the Russians and gets a new feel by actually having non-white main characters. The plot is pretty good and doesn't have the usual `take over the world' feel to it. There is plenty of silly stuff of course but the stunts are quite good and Bond has a new line in `eyebrow raised' humour.

    Moore will never be the best Bond but he did make the role his own – adding an element of self-deprecating humour to the role. Yaphet Kotto is a good actor and makes a good bad guy. Jane Seymour isn't convincing as the mystic property of Kananga – she really should have been played by a black actress and it shows a lack of bravery on the side of the producers that they went with a white face as the lead Bond girl. Julius Harris is good as Tee Hee and Clifton James adds some comedy value as J.W. Pepper.

    Overall this is one of Moore's best Bond movies and certainly stands out from previous films with numerous Russian baddies. Also the theme music is a really fun song from Wings.
    7slokes

    Bond Over Easy, Cool But Dumb

    Was Roger Moore channeling Austin Powers in 1973? There's a scene in this, his first go-round as 007, where Bond is tied up and his arm is cut to draw blood and attract some hungry sharks swimming below. Moore twitches his eyebrow and asks: "Perhaps we can try something in a simpler vein."

    Those sharks don't need any frickin' laser beams on their heads to get you to smell the Austin. Moore gets a lot of blame for turning the Bond movies into weakly-plotted farces, ignoring that the series had been moving in that direction since "Goldfinger" and that the previous installment, Sean Connery's final EON bow "Diamonds Are Forever," was every bit as goofy. Also, Moore could deliver a more serious Bond when the script allowed, and two of the finest Bonds ever, "The Spy Who Loved Me" and "For Your Eyes Only," were his.

    But there's no getting around this, "Live And Let Die" is a dumb movie. The gadgets are silly, the villain's scheme is ill-defined, the storyline is frenetic and unengaging, the action is plodding and overlong. Moore starts out not quite know how to play Bond here, while the movie requires him to play the fool sauntering through Harlem in a double-breasted suit like the Prince of Wales waiting for some natives to show him around.

    But this film makes me smile, in part because I'm young enough to remember what it was all about when it came out. If this was Bond for the cheap seats, it at least delivered the goods, with some vivid supporting characters, a knockout visual style, amazing title music from Paul McCartney, and most importantly for Moore's future in the series, drop-dead quips. My favorite is when the nasty Tee Hee twists his pistol muzzle out of shape with a metal pincer arm, then giggles when he hands it back: "Funny how the least little thing amuses him."

    Julius Harris is menacing but charming as Tee Hee, mostly mute except when he sticks Bond in a gator pond and suggests the best way to disarm the beasts is to try and pull out their teeth. Chief villain Yaphet Kotto has his moments, too, but with odd shifts of character. In the beginning, he's stone-cold Ron O'Neal in "Superfly," and at the end, he's plummy Charles Gray in "Diamonds Are Forever." Jane Seymour is Bond's love interest, and why she goes off with him is another of those things best not thought about long.

    There are two great characters in this movie, though, bigger than just about anything seen in a Bond movie before who kind of work in tandem in overhauling any objections about this film being too "cartoony." Clifton James is redneck sheriff J.W. Pepper, who throws off one madman line after another while Bond is off on one of his long silly chase scenes. James mugs through every scene he's in, rolling his tongue around, playing off everyone and everything, and delivering every hackneyed Southern stereotype to such righteous perfection it's enough to make cotton sprout out of his ears. Bond purists who whine should just take their vodka martinis shaken not stirred and let the rest of us enjoy the craziness. The series is supposed to be fun; if you want serious espionage go watch "Smiley's People." (I grant you Pepper shouldn't have returned in the next Bond film; that was a mistake.)

    The other great outsized character is Geoffrey Holder as perhaps the most mysterious figure in the whole series, Baron Samedi. Is he supernatural? Is he just crazy from the heat? He's certainly different, a guy who sides with the bad guys without quite being one of them. The always-eerie quality of his appearances, either dancing in a big hotel production number or quietly sitting in a cemetery playing a flute, make you question whether there ain't something to that voodoo after all.

    It's silly bashing Pepper but praising Samedi, they are both equally so unreal, in a way that's in tune with the rest of the movie. The best thing to do is enjoy the different kinds of fun on offer. Frankly, not having these guys around might push this film on the bad side of Spinal Tap's "fine line between stupid and clever," the side where "A View To A Kill" and "Moonraker" are on.

    But "Live And Let Die" is a winner. It's a fun movie that brings me back to younger days, when my heart was an open book. It's a nice transitional film for the series in that Moore managed a mostly smooth entrance to the role of Bond. And it has one of the best final shots in movie history. That's all I'll say there; you know it if you saw it.
    6marnixtenbrinke

    Long live Moore

    Live and Let Die was Roger Moore's debut as 007 in 1973.

    As a whole, it's not a bad movie. Moore is okay in his first outing as James Bond, but the role was still written with Connery in mind. It would take two more films before Moore really settled in the role.

    The storyline isn't that good and the villain isn't very convincing, nor is the Bond-girl Seymour.

    But the great stunts make up for something and the fun that Moore brings to the role, makes that Live and Let Die is way better than Diamonds Are Forever.

    It's fun to note that though Moore was in '73 already 5 years older than Connery was in '71. Still, Moore looks younger. A new era has begun.
    J.Bond

    "Names is for tombstones, baby!"

    Ignoring a Roger Moore who presents a bit of a distraction for viewers watching the series in order, Live And Let Die is an excellent example of how pop culture helps the Bond series survive throughout the decades. The growing concern of a drug-using society at the time is featured, and an immensely popular Paul McCartney does the title theme - indicating that the Bond series need not be rooted solidly in the three-piece suit days of 1962. Jane Seymour gives an excellent performance in her "introductory" role (although it was her fourth film). A bit of black magic and voodoo intertwined with gadgetry and high-tech machinery will have the viewer wondering if, indeed, there was magic in the movie after all - indeed, the cards WERE always right under Solitaire's power. Magical or not, Live and Let Die provides an interesting doorway to the other five Moore pictures - J.W. Pepper returns and Tee Hee seems to be Jaws' forerunner.
    7ma-cortes

    Roger Moore introduction as a likeable and sympathetic James Bond in this spectacular adventure

    Various agents MI6 have dead . M (Bernard Lee) sends 007 (Roger Moore , he was forty-five when he made this his debut as Bond) with license for kill to investigate it . Suspicion lead to Doctor Kananga (Yaphet Kotto at 33 as Big/Dr. Kananga is the youngest actor to play a main Bond villain) whose public image is a humanitarian person who defends his country in the United Nations . He governs tyrannically the island of San Monique . There lives Solitaire (Jane Seymour) , being totally submitted from infancy by Kananga. She is a tarot-cards reading psychic and doesn't know about life and acts as a marionette , craving her own way of life. His tutor (Kotto) believes that her virginal state originates to her a sixth sense and he trusts this quality as an expert guesser to dodge the law enforcement . Others characters appear in the film are the followings : Baron Samedi (Geoffrey Holder) . He's a Voodoo's chaman who controls the San Monique people for executing the Kananga's orders . He takes his name of death's Voodoo God . The villainous Tee Hee (Julius Harris) , a giant killer , posteriorly copied in other Bond films (Richard Kiel in ¨Spy who loved me¨) . He deeply enjoys murdering with his steel arm that hooks the victims . Rosie Carver (Gloria Hendry) is an explosive and sexy CIA agent who brings to Bond towards the lush jungle of the perilous island. James Bond will confront numerous dangers , odds ,risks , as the taking on starving crocodiles located on a breeding place where there's a poster captioning : ¨Trespassers will be eaten¨. Besides, a breathtaking speedboat pursuit by leaps and bounds , developed on everglades (in New Orleans , Louisiana) , including intervention a headstrong sheriff (Clifton James) who pursues them by a police car . As always , 007 will use several gadgets delivered by ¨Q¨ (Desmond Llewelyn) , such as : a prodigious as well as magnetic wristwatch , Roger Moore's personal favorite , and air bombing cartridges, both objects with special importance in the film.

    Sir Roger Moore as a new James Bond is cool , lacked coldness and toughness characterized by Sir Sean Connery ; however , earning in irony , suavity and smoothness . Sean Connery turned down the then astronomical sum of five and a half million dollars to perform James Bond. Sean Connery gave Sir Roger Moore his personal seal of approval for inheriting his character , calling him "an ideal Bond¨ and making him the oldest actor to do so. The youngest was George Lazenby , who was twenty-nine in 007 On Majestic's secret service (1969). It contains spectacular and exciting final confrontation between Bond and enemies in the underground cave that was paced in moving and stimulating manner . Agreeable and catching title song sung by Paul McCartney and his band Wings , and sensational musical score by George Martin. Colorful and brilliant cinematography by Ted Moore. The movie was well directed by Guy Hamilton who also made other James Bond films.

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    Handlung

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    • Wissenswertes
      It took crocodile wrangler and stuntman Ross Kananga (the villain in the movie was named after him) 6 takes to complete the scene were he doubles for Sir Roger Moore when Bond flees the bad guys by running across the backs of 3 crocodiles in a swamp. Kananga received $60,000 for the stunt, filmed at Swamp Safaris, his 350 acres of mangrove swamp on Jamaica's north coast, where he kept a herd of over 1000 crocodiles. In a 1973 interview, he explained; "something like that is almost impossible to do. So, I had to do it six times before I got it right. I fell five times. The film company kept sending to London for more clothes. The crocs were chewing off everything when I hit the water, including shoes. I received one hundred ninety-three stitches on my leg and face."
    • Patzer
      In order for Tee Hee to be able to break the gun, he would need to have quite a bit of strength in both his claw and his real hand equally, otherwise the gun would just slip out of his hand when he tried to bend it.

      If there were enough strength within Tee-Hee's claw to crimp the gun hard enough, he would not need an equal amount of strength in his own organic hand for it to bend.
    • Zitate

      Sheriff J.W. Pepper: There's that son of a bitch. I got him.

      [to Bond]

      Sheriff J.W. Pepper: What are you? Some kinda doomsday machine, boy? Well, *we* got a cage strong enough to hold an animal like you here!

      Felix Leiter: Captain, would you enlighten the Sheriff, please?

      State Trooper: Yessir. J.W., let me have a word with ya. J.W., now, this fellow's from London, England. He's a Englishman workin' in cooperation with our boys, a sorta... secret agent.

      Sheriff J.W. Pepper: Secret agent? On whose side?

    • Crazy Credits
      The End of Live and Let Die James Bond will return in The Man with the Golden Gun
    • Alternative Versionen
      In the chase scene where Sheriff J.W. Pepper passes a slow-moving truck and shouts "Did you ever think of getting a driver's license, boy?", some TV versions have the line replaced with "Why don't you build a fence around it?".
    • Verbindungen
      Featured in James Paul McCartney (1973)
    • Soundtracks
      Live and Let Die
      Music by Paul McCartney

      Lyrics by Linda McCartney

      Performed by Paul McCartney and Wings

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 19. Dezember 1973 (Westdeutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
      • Jamaika
    • Sprachen
      • Englisch
      • Ungarisch
      • Italienisch
    • Auch bekannt als
      • James Bond 007 - Leben und sterben lassen
    • Drehorte
      • 826 Chartres Street, French Quarter, New Orleans, Louisiana, USA(Fillet of Soul restaurant)
    • Produktionsfirma
      • Eon Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 7.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 35.377.836 $
    • Weltweiter Bruttoertrag
      • 35.384.098 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 1 Minute
    • Sound-Mix
      • Mono
      • 6-Track Stereo
    • Seitenverhältnis
      • 1.85 : 1

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