Füge eine Handlung in deiner Sprache hinzuMade shortly after his death, this documentary explores the brief life and remarkable legacy of guitarist Jimi Hendrix.Made shortly after his death, this documentary explores the brief life and remarkable legacy of guitarist Jimi Hendrix.Made shortly after his death, this documentary explores the brief life and remarkable legacy of guitarist Jimi Hendrix.
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The film comprises of a series of a series of performances, some very rare and some considered classic, interspersed with clips of interviews of Eric Clapton, Pete Townsend, Little Richard, Lou Reed, Mick Jagger, Hendrix himself and the all important ones, from his friends and family.
The interviews are very frank and relaxed, and when interviewing friends you get a sense of sitting chatting with someone rather than the usual interrogation that half hearted interviews can become. With the interviews with other famous stars of the time, and indeed other amazing guitarists like Clapton, there is a real feeling of respect and admiration. They don't hold back about how good or influential he was and there doesn't seem to be any back stabbing or slapping, just genuine conversation and respect.
These aspects are something you can't just make in a documentary, and they enrich the interviews so much making them thoroughly engaging and make for much better documentary.
One of the most interesting parts for me were the live performances, they are excellent to listen to and some are pretty amazing just to watch his performance. These are absolute classic performances and should be watched by any aspiring guitar player, I certainly had a huge desire to grab my guitar and start playing...just don't set it alight!
My favourite piece was Hendrix playing a beautiful twelve string, I love the acoustic guitar and strive to find as many recordings of unusual songs and artists playing their songs acoustically, and this is undoubtedly the pinnacle of that search. It's amazing to see him play, and particularly interesting to see how nervous he was when he makes a mistake (like I heard!) and asks if he can start again. When he steams into the second play you can see he wasn't just an electric virtuoso. His talent is unmistakable and these performances have been selected to really show off his best playing.
Picture: Presented: 1.85:1
The picture quality is very good with a lot of restored and remastered footage. Still some sections show their age and that's not taking into account the hairstyles and clothes! Overall though, it's excellent quality for remastered 1973 footage and some of the older and more worn performances.
The interviews are perhaps the highest picture quality, however here it's the words that matter more than anything, and in the performances it's the music.
Sound: Presented: English Dolby Digital 5.1 and 2.0 Subtitles: English and French
I didn't quite understand this one, presenting the film in DD5.1 seemed a waste of channels without a proper remix to bring you into the performances, or let you feel you're sitting in the studio, park or stage that the interviewees were. It doesn't add anything to the experience over the DD2.0 track. The sound sticks firmly at the front, although at times it does spread wider, but just as much is achieved with the DD2.0.
Some of the older performance footage does sound old with cracks, clicks and hiss. Yet this achieved something else, like that feeling with vinyl, it just adds to the atmosphere and performance.
Extras Presented: From the Uklele to the Strat (63:00), The making of Dolly Dagger and Stone Free performance
From the Uklele to the Strat provides you with what appears to be the full interviews that were used to cut together to make the documentary. Although I did start to find this hard going, it really does provide a level of authenticity and would appeal to the hard bent Hendrix fan. The interviews are wide and extensive, and considering the purchase base for this I would think that there will be many Hendrix fans watching this.
The making of Dolly Dagger is a superb and very insightful feature into the recording process for any song, never mind one of Hendix's. Sitting with the Producer\Engineer from the recording, Eddie Kramer, we're treated to a break down of the track, how it was recorded, insights into the process, and even sections that never made it to the final cut. This was fascinating.
Finally there's a performance of Stone Free from the Atlanta Pop Festival in 1970 on July the 4th, apparently never seen before. This is a blistering watch, and much like the rest of his performances, amazing and very entertaining. Watching his guitar work just astounds me, and listening to how easily he produces the music fills you with envy. Roughly shot, but it again adds to the raw feel of the performance.
Overall: I think this is an excellent documentary for fans of Hendrix and of the guitar. It's an insightful film which doesn't get hung up on any of the contentious issues of the man's life, and instead tells us from his friends, co-workers and peers who he really was and how dedicated to his music he was.
However, if you're not a Hendrix or guitar fan, I think you might find this much harder going. I'd have preferred a more expansive DD5.1 track, or just sticking to the DD2.0, and some more intimate performances would have added to the overall attraction.
A good purchase for the performances, and in particular the acoustic performance, but add the interviews and the making of featurette, and you have a classic DVD for the fan.
Jimi Hendrix was another matter. A man of such ability that..... I don't know. Everyone was young, everyone thought we were immortal and were going to be A-bombed anyway. All I know is I wish I knew what became of that reel-to-reel my brother made of that set, must be almost fifty years ago.
*** (out of 4)
This documentary was made and released three years after the death of Jimi Hendrix and it really shows what a masterful talent he was. When viewing this today people might not get its full impact because it features clips from various concerts that have since been released complete and on their own. With that said, it's important to remember that for a time this here was the only way to see much of this footage. Eric Clapton, Paul Caruso, Billy Cox, Pete Townsend, Mick Jagger, Little Richard and Lou Reed are just some of the people who talk about who Hendrix was and what he was able to do with his guitar. Through the interviews you really get a great sense of what other artists thought of his talent and it's interesting hearing them talk so shortly after his death. Many of the stories are very entertaining and especially the reactions from them in regards to the first time they saw Hendrix and his talent. We also get an interview with Hendrix's own father who discusses his sons early days and how he got to playing guitar to begin with. Overall this is a very entertaining documentary that tells you some good stories about the legend but the majority of the running time come from various concert and television performances. No matter how many times you watch him perform you really can't believe that he was actually human and pulling off all of this music. Fans of Hendrix will probably own many of these shows in a complete form but this documentary is still very good for those unfamiliar with the work of Hendrix or those who just want to kick back and enjoy the music.
Unlike the original Rainbow Bridge theatrical release, where Hendrix is a featured performer for 20 or so minutes, the 1973 film Jimi Hendrix focuses entirely on Hendrix. Mostly on Hendrix as a musician and a performer, and mostly on the period of his life between late 1966 to his death in 1970.
Since the film was made within a few years of Hendrix passing, recollections of him are fresh. The interview subjects are a selection of groupies, fellow musicians - some famous, some not - who either played with him or saw him play, roadies, journalists, hangers on and the like. Virtually all of whom personally knew Hendrix and were speaking about their interactions with him from recent memory. There is an equal amount of performance footage as there is interview footage. Hendrix at Monterey in 1967. Hendrix at Woodstock in 1969. Hendrix at Berkeley in 1970. Hendrix at the Isle of Wight in 1970.
All of which amounts to a balanced documentary of what made Hendrix memorable, which was his songwriting/performing. There are some references made via the interviews about the groupie scene and the drug scene, but nothing approaching a tabloid tell-all. No blathering conspiracy babble about Hendrix being murdered as opposed to how he reportedly died. No urban legends about Hendrix taking LSD a million times a day. The focus throughout by and large remains on the music Hendrix made.
My only criticism would be actually wanting more performance footage than was included in the initial theatrical release, rather than the one or two tunes from each of the concerts mentioned above. However, this is small potatoes.
Wusstest du schon
- WissenswertesAt the time of the film's production, Noel Redding was in the middle of a lawsuit against the Hendrix estate over what he felt were unpaid royalties, which is why he chose not to participate and only appears in archival concert footage.
- Zitate
Self - Interviewee: [Pete Townshend] I said to Jimi, I said, "Fuck it, man, we're not going to follow you on." So he said, "Well, I'm not going to follow you on." So, I said, "Listen, we are not going to follow you on and that is it. You know. As far as I'm concerned, you know, we were ready to go on now, our gears going to be there, its the end of it, you know." And, there was a certain look in his eye and he got on a chair and he played some amazing guitar, just standing on a chair in the dressing room. Janis Joplin was there. Brian Jones. Eric. And me and a few other people just standing around. And then he got down off the chair and just said, turned around to me, and said, "If I'm going to follow you, I'm going to pull all the stops."
- Alternative VersionenThe DVD features the opening and closing 2003 Warner Bros. Pictures plasters.
- VerbindungenFeatures Beat-Club (1965)
- SoundtracksRock Me, Baby
Written by B.B. King & Joe Bihari
Performed by The Jimi Hendrix Experience
Recorded at the Monterey International Pop Festival, June 1967
Produced by John Philips and Lou Adler
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- A Film About Jimi Hendrix
- Drehorte
- Monterey County Fairgrounds - 2004 Fairground Road, Monterey, Kalifornien, USA(Monterey Pop Festival)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 33.000 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1