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Gimme Shelter

  • 1970
  • GP
  • 1 Std. 31 Min.
IMDb-BEWERTUNG
7,8/10
13.506
IHRE BEWERTUNG
Mick Jagger, Keith Richards, Mick Taylor, Bill Wyman, and The Rolling Stones in Gimme Shelter (1970)
Trailer for Gimme Shelter
trailer wiedergeben0:31
1 Video
61 Fotos
KonzertDokumentarfilmMusikThriller

Füge eine Handlung in deiner Sprache hinzuWhen three hundred thousand members of the Love Generation collided with a few dozen Hells Angels at San Francisco's Altamont Speedway, the bloody slash that transformed a decade's dreams in... Alles lesenWhen three hundred thousand members of the Love Generation collided with a few dozen Hells Angels at San Francisco's Altamont Speedway, the bloody slash that transformed a decade's dreams into disillusionment was immortalized on this film.When three hundred thousand members of the Love Generation collided with a few dozen Hells Angels at San Francisco's Altamont Speedway, the bloody slash that transformed a decade's dreams into disillusionment was immortalized on this film.

  • Regie
    • Albert Maysles
    • David Maysles
    • Charlotte Zwerin
  • Hauptbesetzung
    • Mick Jagger
    • Keith Richards
    • Mick Taylor
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    13.506
    IHRE BEWERTUNG
    • Regie
      • Albert Maysles
      • David Maysles
      • Charlotte Zwerin
    • Hauptbesetzung
      • Mick Jagger
      • Keith Richards
      • Mick Taylor
    • 105Benutzerrezensionen
    • 60Kritische Rezensionen
    • 85Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Gewinne & 1 Nominierung insgesamt

    Videos1

    Gimme Shelter (1970)
    Trailer 0:31
    Gimme Shelter (1970)

    Fotos61

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    Topbesetzung44

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    Mick Jagger
    Mick Jagger
    • Self
    Keith Richards
    Keith Richards
    • Self
    • (as Keith Richard)
    Mick Taylor
    Mick Taylor
    • Self
    Charlie Watts
    Charlie Watts
    • Self
    The Rolling Stones
    The Rolling Stones
    • Themselves
    Bill Wyman
    Bill Wyman
    • Self
    Marty Balin
    Marty Balin
    • Self
    • (as Jefferson Airplane)
    Sonny Barger
    Sonny Barger
    • Self
    Melvin Belli
    Melvin Belli
    • Self
    Dick Carter
    • Self
    Jack Casady
    Jack Casady
    • Self
    • (as Jefferson Airplane)
    Mike Clarke
    • Self
    • (as The Flying Burrito Brothers)
    Sam Cutler
    • Self
    Spencer Dryden
    Spencer Dryden
    • Self
    • (as Jefferson Airplane)
    Chris Hillman
    Chris Hillman
    • Self
    • (as The Flying Burrito Brothers)
    John Jaymes
    • Self
    Paul Kantner
    Paul Kantner
    • Self
    • (as Jefferson Airplane)
    Jorma Kaukonen
    Jorma Kaukonen
    • Self
    • (as Jefferson Airplane)
    • Regie
      • Albert Maysles
      • David Maysles
      • Charlotte Zwerin
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen105

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    9lee_eisenberg

    the end of rock 'n' roll

    There's sort of two documentaries here: one shows the actual concert in Altamont, and the other shows the Rolling Stones watching the footage to see where everything went wrong. In the concert part, one can easily tell that all the peace and love inherent in Woodstock was unfortunately not to be here; in the review part, one can see that the Stones are stoned.

    Yes, I guess that we have to admit that the '60s were great while they lasted, but this was unfortunately the end (no doubt the whole Manson thing also contributed). But either way, it's a great documentary. I suspect that the Stones got satisfaction by working on it.
    10bazibazbaz

    It used to be a lot more than Only Rock'n'Roll

    When you see this movie you really understand how sanitised, safe and corporate the music scene is today.

    The Stones were possibly the biggest band in the world at the time, so by today's standards it seems unbelievable they'd put on a free concert where the venue was changed at the last minute, the set was still being constructed as the 300,000 very fried looking hippies turned up, and there was no security for their satanic majesties except for the San Francisco Hell's Angels who were paid in beer and brought along pool cues with lead weights at the end for added security - as well as the standard knives and baseball bats. And they weren't afraid to use them, even on the bands, especially Jefferson Airplane's Marty Balin.

    Throw in some of the original Satanic rock band's finest sinister creations and you get the real deal, not some pantomime metal/goth horror facsimile. At the time many people really did believe that they could change the world and looked to bands like the Stones as leaders of the counterculture, and you really get the impression things like this mattered a hell of a lot more, but after Altamont, well...

    Nevertheless, the version of Under My Thumb that Jagger delivers as he's watching the terrible action unfold in front of him is, for whatever reason, devastatingly understated and desperate, compared to all the OTT cavorting earlier in the set. But it's the genuine craziness of the 'fans' that makes this film seem like it was shot on another planet. Gimme Shelter is the most rock'n'roll film ever made, for all the right and wrong reasons.
    teddyryan

    Essential

    I can't get enough of Mick Jagger in his prime. New York City. 1969. He introduces himself and then says, "Welcome to the breakfast show." This guy is the man. But, then comes Altamont. This part is frightening. It makes you see why the 60s was so f-ed up. You've got British concert promoters playing the stereotypes to a tee. You've got hippies using the words, "groovy." You've got all the evidence to believe that flower children were as stupid as portrayed in their modern context. But, the most scary thing...it is what is. The Hells Angels are brutal. They get angry and they get picked on. The retaliate like a wild animals. People are being beaten with sticks and women are crying, but the show goes on. Yes, this was the end of peace/love. If the foundations of WOODSTOCK were to give us any hope in a hippie ideal, they were not there for THE ROLLING STONES. And, so we point the finger. But don't point it at Mick Jagger. He did his best. And, there's a freeze on him at the end, just as the roaring guitar of Keith Richards explodes into "Gimme Shelter." It is one of the coolest moments I have yet to witness on celluloid.
    8dtburr

    Get the DVD

    This sort of "artistic documentary" marks a milestone in our culture and it's really a must-see for people interested in history. The DVD version contains important additional features such as excerpts from a long KSAN call-in show the next day. Some of the callers were principals in this event and their commentary is valuable. In addition, there are some incredible still photo collections on the DVD that go even further to capture the climate at this event.

    There is a lot of talk about "Hells Angels" this and that in the reviews here. The Hells Angels were not the primary problem - it was a terrible combination of sloppy organization, third parties who reneged on deals and contributed to the problem, and the concert-goers themselves. As some callers to the KSAN show commented, "I was at Woodstock, and Altamont was completely different. Nobody came together. We had no spirit of community. The whole thing was hurried and stayed tense throughout." So imagine 300,000 people working hard to get their groove on quickly - since the concert was only confirmed a day or two prior - using whatever they could roll up in a paper, stir into their cheap wine, or drop on a sugar cube. Then their heroes come up onto the 20'x20'x3'-high stage and viola, you have a massive problem on your hands whether security was Superman, Sgt. Joe Friday and his partner Bill Gannon, Acme Security out of Walla Walla, or the Hells Angels. There was going to be violence. It certainly didn't help that the organizers told the HA to park their bikes right next to the stage. With the crowd as it was, that was guaranteed disaster for a few people.

    What a way to end the '60s flower power era.
    9KnightsofNi11

    A harrowing must see

    October 1969 marked a month of tragedy for rock and roll. The Rolling Stones were on their US tour when they stopped to play a free concert at the Altamont Speedway in San Francisco. It was a concert event that was supposed to be the Woodstock of the West, but it ended up being just the opposite. Hell's Angels were hired for security and, as the chaos of the show ascended, the Angels became more and more violent towards the crowd until the night ended in the stabbing and murdering of at least one of the concert goers. Gimme Shelter is the documentary which focuses on this tragic occurrence in brutal detail. The film mixes concert footage of the Rolling Stones, footage of the night at Altamont, as well as the band watching and reflecting on that terrible night. It's an extraordinary and harrowing film which will shake you to your core as you watch the raw, unedited footage taken at Altamont and the unending brutality which seems so unnecessary and so easily preventable. It's a remarkably disturbing experience to watch Gimme Shelter.

    I honestly believe it was a stroke of genius to make this film so simple. There was no need to tamper with the Altamont footage or add anything extraneous to it. Gimme Shelter is perfect in the way it just shows us all of the actual footage from the concert, as well as leading up to the concert. There's no narration, no extra pictures or clips. It is just the footage put together in a way that details that terrible night in the straightest way possible. There could not be a more thorough account of the events at Altamont. This is the finest way to view something this out of the ordinary. The footage we watch in Gimme Shelter is stunning and unforgettable. It's safe to assume that 99% of the audience at that show was on acid, and the results are amazing to watch. There is an incredible amount of footage of people having wild acid trips, doing all sorts of bizarre things. It is amusing to watch at first, but quickly becomes deadly when Hell's Angels are introduced into the equation. Thus we have a scenario that is nerve racking to witness unfold and we are then filled with immense anxiety and dread as the situation grows into the tragedy it morphed into by the end of the night.

    Of course, what makes Gimme Shelter more than just a simple reflection on the tragedy at Altamont Speedway is the footage of the Rolling Stones watching the Altamont footage and reflecting on it all. The shock and awe is very obvious in their reactions and hearing what they have to say about it is fascinating. They don't say much about it because of all the shock, but they say enough and they display enough body language to convey their loss for words at this event and how horrified they are that something like this had to happen under their watch. This is possibly the saddest aspect of the entire situation. The fact that someone was murdered is horrific enough, but the fact that it had to happen in the name of rock and roll is deafeningly sad. It is painful to watch the messages of peace and love flourish in that concert audience, only to be violently contrasted by the over reactions of Hell's Angels. It's a sickening occurrence that seems to evoke more innate sadness than anger. It's terrible to watch but it makes Gimme Shelter one of the most powerful and provocative documentaries you will ever see. This film is an incredible experience that you will not soon forget.

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    • Wissenswertes
      After viewing concert footage, police identified Alan Passaro, a local Hell's Angel, as the man who stabbed Meredith Hunter. He was arrested and charged with murder. At his trial, closer examination of the footage showed that Hunter had pulled a gun before Passaro pulled his knife. Passaro was acquitted on grounds of self-defense.
    • Zitate

      Grace Slick: You don't hassle with anybody in particular. You gotta keep your bodies off each other unless you intend love. People get weird, and you need people like the Angels to keep people in line. But the Angels also - you know, you don't bust people in the head - for nothing. So both sides are fucking up temporarily; let's not keep FUCKING UP!

    • Alternative Versionen
      Re-released in 1992 with some uncensored dialog and some more brief nudity; this version is rated R.
    • Verbindungen
      Edited into Everything You Always Wanted to Know About Swing But Were Afraid to Ask (1999)
    • Soundtracks
      Jumpin' Jack Flash
      Written by Mick Jagger & Keith Richards

      Performed by The Rolling Stones

    Top-Auswahl

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    FAQ18

    • How long is Gimme Shelter?Powered by Alexa
    • What Happened to the Hells Angel Who Stabbed the Man at the Altamont Concert?
    • Why did Meredith Hunter pull out a gun?

    Details

    Ändern
    • Erscheinungsdatum
      • 13. Mai 1971 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Criterion (United States)
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Rolling Stones on Tour: Gimme Shelter
    • Drehorte
      • Muscle Shoals, Alabama, USA(Playback of tracks in studio)
    • Produktionsfirmen
      • Maysles Films
      • Penforta
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    • Weltweiter Bruttoertrag
      • 999 $
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    Technische Daten

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    • Laufzeit
      • 1 Std. 31 Min.(91 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
      • 4-Track Stereo
    • Seitenverhältnis
      • 1.37 : 1

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