Alcatraz ist das sicherste Gefängnis seiner Zeit. Es wird angenommen, dass niemand jemals entkommen kann, bis drei wagemutige Männer einen möglichen erfolgreichen Versuch unternehmen, aus ei... Alles lesenAlcatraz ist das sicherste Gefängnis seiner Zeit. Es wird angenommen, dass niemand jemals entkommen kann, bis drei wagemutige Männer einen möglichen erfolgreichen Versuch unternehmen, aus einem der berüchtigtsten Gefängnisse der Welt zu fliehen.Alcatraz ist das sicherste Gefängnis seiner Zeit. Es wird angenommen, dass niemand jemals entkommen kann, bis drei wagemutige Männer einen möglichen erfolgreichen Versuch unternehmen, aus einem der berüchtigtsten Gefängnisse der Welt zu fliehen.
- Regie
- Drehbuch
- Hauptbesetzung
- Exam Guard
- (as Matthew J. Locricchio)
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The cast is stellar but low key throughout. Clint Eastwood plays the ringleader of the escape, Frank Morris. Eastwood portrays Morris as being a low key, intelligent and yet charismatic individual who uses both his brain and personality in the lead up to the escape. His nemesis is the cold, ruthless and at times even vindictive prison warden played by Patrick McGoohan in a role that seems tailor made for him even if he only pops up in the film every so often but does so to great effect. Appearing about mid-way through the film to aid in the escape are the Anglin twins who are the played with charm and charisma by Fred Ward and Jack Thibeau. Along the way we meet some of Alcatraz's other prisoners including Paul Benjamin as English, Roberts Blossom as the painter Doc, Frank Ronzio as long term prisoner Litmus, Bruce M. Fischer as the appropriately named prison animal Wolf and Larry Hankin as potential escapee Charley Butts (though the name of the actual prisoner was changed for the film). The performances are all low key which adds to the atmosphere and suspense of the film immensely.
The entire film has an atmosphere of menace and suspense to it. From the moment Morris is brought to the island, director Don Siegel places the viewer into the exact same situation the character (and by extension the real prisoner) finds himself in: a world confined to a small piece of island where time passes by slowly, escape seems impossible and, thanks to fellow prisoners like Wolf, death could potentially hit you at any moment. The film was shot inside the infamous prison itself, the film therefore has a strong sense of authenticity to it that is hard to achieve in a studio set. Sequences such as Morris' time in solitary confinement in D-block or the escape attempt itself showcase this fact.
That sense of authenticity is combined with the work of those behind the camera to create the aforementioned atmosphere. The solitary confinement sequence, for example, is inter-cut by Ferris Webster to include shots of the sun rising and setting over the prison to help give the audience a sense of time that I suspect would have been a luxury to anyone who has ever experienced it. The score from Jerry Fielding is, like the rest of the film, low key to be point of barely being noticeable yet highly effective when it is used. The one thing that brings that atmosphere though is the cinematography of Bruce Surtees which gives the entire film a cold look akin to a permanently gloomy day and permanently dark nights. The result is a film that keeps you on edge the whole time, even if you know how it ends.
Which, in a way, brings us to the script. Richard Tuggle's script, based on the J. Campbell Bruce book of the same name, has the feeling of being a meticulously researched, well thought out piece of writing. The script stays very true to the known facts of the escape with only a few minor changes (such as the name of the potential fourth escapee for example). As a result this film isn't fast paced or action packed. The story builds as we see Morris settling into the prison, adjusting to it, formulate the escape plan and then work towards carrying it out. There's plenty of suspense along the way as each stage has its own risks and potential to go wrong, which keeps the viewer waiting to see what happens next. The result is that the escape attempt itself is made all the more powerful in terms of its suspense. Yet Tuggle keeps his characters at the center and keeps their characterizations firmly anchored in reality. As a result the script makes the film real and suspenseful without ever letting never letting the facts, overwhelm the people.
Escape From Alcatraz is a superb example of how to bring a true story to the screen. From its low key but effective performances to its authenticity and sense of menace, the film is highly effective both as a docudrama and as a suspense film. While those who can only stand the fast pace editing and highly stylistic films of today might find it utterly dull, others will find a fascinating true story brought to life in fine form.
F L Morris had spent a lifetime navigating the prison system before his arrival on Alcatraz. From his infant years until his teens Morris was shuffled from one foster home to another, and he was convicted of his first crime at the youthful age of only thirteen. By the time he reached his later teens, Morris' criminal record would include a multitude of crimes ranging from narcotics possession to armed robbery, and he had become a professional inhabitant of the correctional system. He spent his formative years in a boys' training school, and then graduated.
Morris was credited by prison officials as possessing superior intelligence, and he earned his ticket to Alcatraz by building an impressive resume of escapes.
Frank's accomplices in the "Great Escape" were equally well acquainted with the dark world of organized crime. Brothers John and Clarence Anglin were also serving sentences at Alcatraz for bank robbery, having been convicted along with their brother Alfred. All three had been incarcerated at the Federal Penitentiary in Atlanta when they first became acquainted with Morris, and John and Clarence were eventually sent to Alcatraz following a sequence of attempted escapes.
i wud love to explain in detail but then....
After months of long preparation the inmates had completed fashioning all of the gear they needed for their escape, This what Clint had really shown his acting by the Direction of Siegel! I love the entire detail structure of the movie and wud be on my favo's...i have almost watched it more than 15times!!and Will do too...
Watching the movie, I was very impressed with how accurate the movie mirrored what my sense of prison life and the escape would be like based on my impressions of the prison and the island during the tour. Having had walked around the space of the prison in the dim evening light really enhanced my sense of the movie's environment.
Small details like the painting of black shadows for sharp tools that they shared in the tour were also present in the movie, very authentic. The lack of action per se perfectly captures the actual mood of the prison, where boredom reigned, and I thought the film balanced this well with an entertaining cast of characters and well-timed action. Eastwood's silently intense attitude was a good fit for the role and the drama and atmosphere of the escape scene was done perfectly.
In short, I'd highly recommend the evening tour on Alcatraz, followed by a viewing of "Escape from Alcatraz", you will not be disappointed.
***Worth reading Wikipedia after watching this film. It can enrich the film experience and we can feel the real story with feelings. The Anglins (They robbed banks, no killings) sending flowers to mom every year.. turning up to funerals as ladyboys... We cannot hate them...
Wusstest du schon
- WissenswertesAlcatraz was one of the few prisons in America at the time to have hot water for showers. This wasn't a compassionate decision, but was intended to keep the prisoners from becoming too used to cold water in case they did get out of the prison and try to swim off the island.
- PatzerWhen Morris meets the warden on his arrival, the warden states that no newspapers, or magazines carrying news, are issued to the prisoners. However, Morris' library duties later include delivering issues of The Saturday Evening Post and Ebony, publications containing news items in each issue.
- Zitate
Frank Morris: There's always the possibility that some asshole will be offended. Isn't there?
- Crazy CreditsOpening credits prologue: JANUARY 18, 1960 SAN FRANCISCO
- SoundtracksD Block Blues
by Gilbert Thomas Jr.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Alcatraz. Fuga imposible
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 43.000.000 $
- Eröffnungswochenende in den USA und in Kanada
- 5.306.354 $
- 24. Juni 1979
- Weltweiter Bruttoertrag
- 43.005.351 $
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1