Füge eine Handlung in deiner Sprache hinzuSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no ma... Alles lesenSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.Someone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
- Police Captain Speer
- (as Warren Kemmerling)
- Herman Burmeister
- (as William Derringer)
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It all starts with an apology (or prologue if you prefer) that attempts to convince the audience that if electric eels can shock than who knows what's out in space(!?) This amounts to freeze framing the 'zombie movie' and superimposing laser bolts from the creature's eyes and an explosion onto the victim. That's great but the characters solving the crimes keep describing horrible mutilations (!?) I would say the acting is terrible but the lines they are given to say are horrendous. We never actually see a spaceship so 'it' apparently fell to earth on it's own. I'm dying to know how and why it's dressed like a mailman (or a factory worker in his coat sans the lunch box). The addition of a mysterious psychic (?) that shows up at inexplicable times means you know your in beer-cinema country.
Take it or leave it. I'm already stuck with my copy.
Disjointed, silly B movie. Not without some pleasures though. Keenan Wynn's fearful walk through a darkened underground car park worked for me, and there are a few unintended laughs here and there eg. William Devane's rather strange reaction to the sight of his dead daughter lying on a mortuary slab: he burps, and somewhat skittishly too. I wonder what Lee Strasberg would have thought of that. Perhaps William was expressing his heartfelt feelings toward the movie he found himself in. Actors get up to these tricks, you know.
And then there's Casey Kasem's police pathologist who is asked by a cop what colour the murderer's (still assumed to be human) skin is. Shaggy Kasem's reply of 'It's grey' is pleasantly creepy and recalls similar moments from Kolchak: The Night Stalker. In fact, Carl Kolchak's shadow looms large over this picture, even down to the unexpectedly spectacular denouement featuring a growling monster throwing cops bodily in all directions. VERY Kolchak.
Actually, damn it, I recommend this movie. It's enjoyable trash if you're in the right mood. But be warned - thanks to/in spite of post-production re-cutting (complete with inept Ed Wood type voice-over to fill in the plot holes) IT MAKES NO SENSE WHATSOEVER. Might be part of it's idiotic charm.
This movie is highly rewatchable, and is even better the second time around! Director John "Bud" Cardos piles on the cheeeze, yet manages to make it work. There are some truly effective, creepy sequences, especially the wham-bam finale, when the extraterrestrial terror faces off against the police force.
Devane and Crosby are a good pair, and Keenan Wynn is his usual crusty self as Owens' crusty boss. Watch for Richard Jaeckel as the top cop on the case. Casey Kasem is the pathologist! Special mention must be made of Jacquelyn Hyde as mystical medium De Renzy. Her encounter with the monster -in her living room!- is a must-see!
Don't blink, or you'll miss Phillip Michael Thomas in his microscopic role...
* 1/2 (out of 4)
A former convict turned reporter (William Devane) sees that his daughter has been brutally mutilated so he sets out to try and find the killer as does a detective (Richard Jaeckel) working the case. It turns out that a space alien has landing on Earth and is doing the brutal murders.
THE DARK has an interesting production history that is actually a lot more interesting than the film itself. Originally Tobe Hooper was to direct this film and he got several days into the production when he either quite or got fired. The somewhat notorious John 'Bud' Cardos took over the production and the end result is a rather tame sci-fi picture that's biggest problem is the fact that it lives up to the title.
I say that because this film was shot way too dark and often times you can't even tell what's going on. I mean, I'm all for movies keeping the monster in shadows and what not but the problem here is that whenever the alien goes on the attack it's so dark that you can't see anything. Or, at least, you can't see anything too clear. The other big problem with the picture is the fact that it drags so slowly that the 90-minute running time seems double that. There are non-stop scenes of people talking and fighting yet none of it is very entertaining.
It's really too bad that the film is so lame and doesn't feature that good of an alien or gore effects because the cast is actually pretty good. Devane is always worth watching and he turns in a nice performance here. Jaeckel is also very good in his role as is Jacquelyn Hyde and Keenan Wynn in their small roles. You can also look quick for Casey Kasem and Vivian Blaine. Who knows what might have happened with the film had Hooper stayed on but as it stands, THE DARK isn't a very good movie and it's not nearly the best "alien run amok" movies from this period.
A change of director mid-production (Tobe 'Texas Chain Saw Massacre' Hooper replaced by John 'Bud' Cardos) and a last-minute alteration to the plot (the original script's zombie replaced by a nasty extraterrestrial) undoubtedly contributed to The Dark's failure as an effective horror movie. But the worst thing about the film is the fact that it more than lives up to its title by being extremely dark, making it a real strain on the eyes throughout.
It's a shame, because there's a fun film in there trying to get out: Cardos isn't a 'great' director, but he's more than capable of delivering an entertaining B-movie as evidenced by his Kingdom of the Spiders and Mutant. The cast is also pretty good for this kind of fare, with William Devane and Cathy Lee Crosby making affable leads, and Richard Jaeckel suitably stoic as the beleaguered cop on the case Det. Dave Mooney. Also surprisingly good is Roger Kellaway's soundtrack, with dischordant music and eerie whispering voices providing plenty of atmosphere.
4.5 out of 10, rounded up to 5 for the pew pew alien eyeball police massacre at the end.
Wusstest du schon
- WissenswertesFrom the screenplay stage and all the way through to production, The Dark (1979)'s antagonist was an abused, autistic child who had been locked in an attic for his entire life. In the original script, his house burned down, allowing him to escape and take vengeance on the outside world. Toward the end of the shoot, the film's producers decided to capitalize on the success of Alien: Das unheimliche Wesen aus einer fremden Welt (1979) and demanded extensive re-shoots to change the killer into an extra-terrestrial.
- PatzerThe murders occur in Santa Monica. Yet the police are driving black & white Los Angeles police cars, bearing L.A.'s "Protect and Serve" motto. They should be driving Santa Monica police cars, which at the time were blue & white.
- Zitate
Sherman Moss: I'm not afraid of the dark; I'm afraid of what's in it.
- VerbindungenEdited into The Dark (2018)
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Box Office
- Budget
- 2.700.000 $ (geschätzt)