IMDb-BEWERTUNG
6,5/10
8273
IHRE BEWERTUNG
Eine Anthologie von vier Horrorgeschichten, die sich um ein mysteriöses Mietshaus im Vereinigten Königreich drehen.Eine Anthologie von vier Horrorgeschichten, die sich um ein mysteriöses Mietshaus im Vereinigten Königreich drehen.Eine Anthologie von vier Horrorgeschichten, die sich um ein mysteriöses Mietshaus im Vereinigten Königreich drehen.
- Regie
- Drehbuch
- Hauptbesetzung
Ann Barrass
- Horror Film Actress (Segment) "The Cloak"
- (Nicht genannt)
Roy Beck
- Camera Crew
- (Nicht genannt)
Empfohlene Bewertungen
Peter Duffel directed this anthology film that stars John Bennett as a Scotland Yard Investigator looking into the disappearance of two films stars(played by "Doctor Who" star Jon Pertwee, and Ingrid Pitt) who were last seen in an old house they had let while filming a new movie. The real estate agent tells him four tales about the mysterious house: 'Method For Murder' - A writer comes to believe his character(a mad strangler) has come to life. 'Waxworks' - Peter Cushing plays a retired man who becomes fascinated with a waxwork version of Salome, much to his regret; 'Sweets For The Sweet' - A man(played by Christopher Lee) treats his young daughter harshly out of fear, bringing an ironic fate upon himself. 'The Cloak' - The film star buys a cloak that turns him into a vampire. Good set of tales here, with fine direction and music score; Last tale is best, a real treat.
Four stories written by Robert Bloch about various people who live in a beautiful, old mansion and what happens to them. The first has Denholm Elliott as a novelist who sees the killer he's writing about come to life. Some spooky moments and the twist at the end was good. The second has Peter Cushing becoming obsessed with a wax figure resembling his dead wife. The third has Christopher Lee who has a child (Chloe Franks) and is scared of her. It all leads up to a pretty scary ending (although the ending in the story was MUCH worse). The last is an out and out comedy with Jon Petwee and Ingrid Pitt (both chewing the scenery) and a cape that turns people into vampires! There's also a cute line about Christopher Lee playing Dracula.
This is a good horror anthology--nothing terrifying but the first one and the ending of the third gave me a few pleasurable little chills. Also the fourth one is actually very funny and Pitt makes a VERY sexy vampire! Also the house itself looks beautiful...and very creepy. It's well-directed with some nice atmospheric touches. A very good and unusual movie score too. All in all a good little horror anthology well worth seeking out. Try to see it on DVD--the Lions Gate one looks fantastic with strong colors and great sound.
This is a good horror anthology--nothing terrifying but the first one and the ending of the third gave me a few pleasurable little chills. Also the fourth one is actually very funny and Pitt makes a VERY sexy vampire! Also the house itself looks beautiful...and very creepy. It's well-directed with some nice atmospheric touches. A very good and unusual movie score too. All in all a good little horror anthology well worth seeking out. Try to see it on DVD--the Lions Gate one looks fantastic with strong colors and great sound.
Don't let the title fool you, there is no blood in this film. THE HOUSE THAT DRIPPED BLOOD is a rather tame, four part anthology film about an old manor, and the untimely deaths of its occupants.
First, Denholm Elliot is a horror writer who moves into the house seeking inspiration for his next book. He no sooner dreams up a creepy character, than it appears to have come alive!
Next, Peter Cushing visits a wax museum, only to find something quite unexpected concerning one of the figures.
In the third segment, Christopher Lee is either a heartless father to his young daughter, or she is far more than she appears to be.
Finally, John Pertwee is a jaded horror actor, who stumbles upon a certain, very familiar cape in an occult shop. Lighthearted terror and mirth ensue. Co-stars Ingrid Pitt!
The wraparound story has a Scotland Yard detective trying to solve these cases. Entertaining, though not very frightening, it's still good to see Cushing and Lee in anything!...
First, Denholm Elliot is a horror writer who moves into the house seeking inspiration for his next book. He no sooner dreams up a creepy character, than it appears to have come alive!
Next, Peter Cushing visits a wax museum, only to find something quite unexpected concerning one of the figures.
In the third segment, Christopher Lee is either a heartless father to his young daughter, or she is far more than she appears to be.
Finally, John Pertwee is a jaded horror actor, who stumbles upon a certain, very familiar cape in an occult shop. Lighthearted terror and mirth ensue. Co-stars Ingrid Pitt!
The wraparound story has a Scotland Yard detective trying to solve these cases. Entertaining, though not very frightening, it's still good to see Cushing and Lee in anything!...
In the English countryside there stands a house, a seemingly benign, ramshackle abode nestled amid the undergrowth and enveloped in mystery. Unfortunate incidents occur to those who stay at the place, as a detective finds out while investigating the disappearance of its' latest dweller. While on the case, he hears of four separate tales of woe that befell those who rented the house, each more macabre and chilling than the last, in Peter Duffell's marvelous horror-comedy 'The House That Dripped Blood.'
An anthology film consisting of four separate stories concerning the titular homestead, 'The House That Dripped Blood' is vintage British horror. Written by Robert Bloch (and an uncredited Russ Jones), the tales within the film are each and all entertaining, full of suspense and chills. The segments vary both in tone and in quality, with the Christopher Lee led "Sweets To The Sweet" impressing and frightening the most, and Jon Pertwee's camp parody "The Cloak" being the weakest offering of the bunch. The other two, "Method For Murder" and 'Waxworks" have their moments, but don't match the sinister atmosphere and psychological terror of Lee's segment and seem unfortunately rushed to market.
In anthology films, it's not uncommon for segments to vary in length, but the first two seem far shorter than the last ones, and this imbalance produces jarring effects. "Method For Murder" and 'Waxworks" breeze by- and while the lengthy, penultimate "Sweets To The Sweet" works brilliantly- the final episode, "The Cloak," feels like it's dragging on in comparison to what came before it. Its considerably lighter tone also means that it feels somewhat inconsequential and pointless. The three preceding stories are full of dark, seedy horror that sometimes drifts into humorous territory; while "The Cloak" fully embraces the comedic and comes across as rather silly and facile.
Though still entertaining, as the whole film is overall- not to mention being technically polished. Ray Parslow's cinematography is striking, and while this isn't exactly a Dario Argento film; it's got an assured visual style that's most impressive. Credit for the film's look must also go to Tony Curtis, whose work as art director has produced distinct results. Additionally, the score from Michael Dress is atmospheric and foreboding, and Peter Tanner's editing is swift and seamless. For a relatively low-budget affair, 'The House That Dripped Blood' has a lot to offer viewers.
Including some fine performances from a large cast of talented actors. Denholm Elliott and Joanna Dunham do good work in "Method For Murder," with Elliott's portrayal of a man descending into madness being especially notable. Peter Cushing is terrific as a lonely man inexplicably drawn to a waxwork figure in "Waxworks," and is on screen for far too short a time. Christopher Lee dominates the film as an austere father in "Sweets To The Sweet," giving a performance both restrained and intense that lingers in the mind long after the credits have rolled. From "The Cloak," Ingrid Pitt does memorable work, though is underutilized and overshadowed by her screen partner; the miscast Jon Pertwee (in a role, one might add, tailored for Vincent Price, who would have been perfect).
'The House That Dripped Blood' is a highly enjoyable anthology film that will thrill and chill in equal measure. Well written by Robert Bloch and featuring stylish visuals and an emotive Michael Dress score, the film readily impresses. Though the segments vary in quality, all are entertaining and one- "Sweets To The Sweet"- is nothing short of brilliant. Boasting a cast of stars performing strongly and deft direction from Peter Duffell, 'The House That Dripped Blood' is a fantastic voyage of fun and fear that is sure to frighten, please and amuse.
An anthology film consisting of four separate stories concerning the titular homestead, 'The House That Dripped Blood' is vintage British horror. Written by Robert Bloch (and an uncredited Russ Jones), the tales within the film are each and all entertaining, full of suspense and chills. The segments vary both in tone and in quality, with the Christopher Lee led "Sweets To The Sweet" impressing and frightening the most, and Jon Pertwee's camp parody "The Cloak" being the weakest offering of the bunch. The other two, "Method For Murder" and 'Waxworks" have their moments, but don't match the sinister atmosphere and psychological terror of Lee's segment and seem unfortunately rushed to market.
In anthology films, it's not uncommon for segments to vary in length, but the first two seem far shorter than the last ones, and this imbalance produces jarring effects. "Method For Murder" and 'Waxworks" breeze by- and while the lengthy, penultimate "Sweets To The Sweet" works brilliantly- the final episode, "The Cloak," feels like it's dragging on in comparison to what came before it. Its considerably lighter tone also means that it feels somewhat inconsequential and pointless. The three preceding stories are full of dark, seedy horror that sometimes drifts into humorous territory; while "The Cloak" fully embraces the comedic and comes across as rather silly and facile.
Though still entertaining, as the whole film is overall- not to mention being technically polished. Ray Parslow's cinematography is striking, and while this isn't exactly a Dario Argento film; it's got an assured visual style that's most impressive. Credit for the film's look must also go to Tony Curtis, whose work as art director has produced distinct results. Additionally, the score from Michael Dress is atmospheric and foreboding, and Peter Tanner's editing is swift and seamless. For a relatively low-budget affair, 'The House That Dripped Blood' has a lot to offer viewers.
Including some fine performances from a large cast of talented actors. Denholm Elliott and Joanna Dunham do good work in "Method For Murder," with Elliott's portrayal of a man descending into madness being especially notable. Peter Cushing is terrific as a lonely man inexplicably drawn to a waxwork figure in "Waxworks," and is on screen for far too short a time. Christopher Lee dominates the film as an austere father in "Sweets To The Sweet," giving a performance both restrained and intense that lingers in the mind long after the credits have rolled. From "The Cloak," Ingrid Pitt does memorable work, though is underutilized and overshadowed by her screen partner; the miscast Jon Pertwee (in a role, one might add, tailored for Vincent Price, who would have been perfect).
'The House That Dripped Blood' is a highly enjoyable anthology film that will thrill and chill in equal measure. Well written by Robert Bloch and featuring stylish visuals and an emotive Michael Dress score, the film readily impresses. Though the segments vary in quality, all are entertaining and one- "Sweets To The Sweet"- is nothing short of brilliant. Boasting a cast of stars performing strongly and deft direction from Peter Duffell, 'The House That Dripped Blood' is a fantastic voyage of fun and fear that is sure to frighten, please and amuse.
Another Amicus Production anthology starring Christopher Lee and the late Peter Cushing. It seems like you can never go wrong with those two - or Amicus for that matter; classic performances by both men indeed. I don't consider these tales terrifying but they offer substance and quality that becomes enjoyable to the viewer. I won't go into any detail concerning each tale, but like usual, they all represent a unified theme. The conclusion is satisfying and I would love the opportunity to own this film. A fun way to spend your afternoon if you cherish the usual setup from Amicus - and, if you're not familiar, why not get acquainted?
Wusstest du schon
- WissenswertesPeter Cushing (Philip Grayson) tried to get out of his contract so that he was not away from his sick wife Helen, but he had to carry on. Helen Cushing died in January of 1971, a month or so before this film was released.
- PatzerPaul Henderson's coffin opens on the right side to attack Inspector Holloway. Later, the coffin opens on its left.
- Zitate
Paul Henderson: That's what's wrong with the present day horror films. There's no realism. Not like the old ones, the great ones. Frankenstein, Phantom of the Opera, Dracula - the one with Bela Lugosi of course, not this new fellow.
- VerbindungenFeatured in The Amazing World of Kreskin: Peter Cushing (1973)
- SoundtracksString Quartet No. 14 in D minor, D 810 (Death and the Maiden) - First movement: Allegro
(uncredited)
Composed by Franz Schubert
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The House That Dripped Blood
- Drehorte
- Weybridge Hall, Weybridge, Surrey, England, Vereinigtes Königreich(Jacquelin's Museum of Horror)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 500.000 $ (geschätzt)
- Laufzeit1 Stunde 42 Minuten
- Seitenverhältnis
- 1.85 : 1
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By what name was Totentanz der Vampire (1971) officially released in India in English?
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