Mondo Cannibale Teil 3: Die blonde Göttin der Kannibalen

This film was released in 1980 ..around the time most Italian cannibal films were being filmed and released. This was possible the worst one I've seen next to cannibal terror ( and both films share footage) the so called cannibal tribe in this movie is more like a bunch of average Joe's wearing towels and clown makeup and I've noticed no women ( more like a sausage party than a primitive cannibal tribe) the acting is horrible and the plot wreaks but i still find it enjoyable in a comedic way. And I've seen Al Cliver in a lot of other great films like Zombie...the beyond...rulers of the city and joe d'amatos endgame

Prof. Taylor (Al Cliver) and his family are attacked on their boat by a group of cannibals. Taylor is taken back to the village and barely survives, losing his young daughter and left arm (!) in the process. He spends the next decade or so manic and recovering in New York City with the help of his nurse Ana (Lina Romay). When he finally comes to his senses, Taylor - with aid from his rich benefactors - mounts another journey into the jungle to rescue his daughter. Problem is that she is now married to the head of the tribe and, most likely, hates her one- armed daddy.

Always down for a little exploitation, director Jess Franco got his cannibal groove on in the late 70s/early 80s and shot this one in the south of Spain. The cannibals are laughable (one is spotted wearing a wedding band) and look like they were grabbed in a Lowes parking lot (not far off actually as Franco says they hired gypsies). Plus, they wear goofy make up that makes them look like they are members of the baseball gang in THE WARRIORS. Sabrina Siani, memorably nude in Fulci's CONQUEST, shows where she got her start as the grown up daughter-turned- cannibal-queen. Franco calls her the "most stupid" person he has ever worked with in the Blue Underground disc's documentary. He then stops himself short and says that he has worked with many dumb leading ladies and that she is up there in the top. He also has kind words for Cliver, saying he was professional and sober which "for a Latin person is a miracle." While the film isn't even close to the genre's best offerings, it moves along fast enough, features some skin and delivers some gory goods (yeah, I'm easy to please tonight). One thing is for sure though, you will be singing the "Oh, oh, oooooooh" cannibal theme over and over by the time the film is done.

Being a great fan of the prolific Spanish Exploitation deity Jess Franco, I always believe negative feedback to a Franco flick I haven't seen to be exaggerated. It is undeniable that the man's impressive repertoire of about 200 directed movies includes masterpieces as well as big-time stinkers (and everything in-between). However, I do tend to enjoy even those Franco films that most people find awful. This is not the case with this film, however. "Mondo Cannibale" (aka. "Barbarian Goddess"/"White Cannibal Queen"/"Cannibals"/"Mondo Cannibale 3") is Franco's attempt at the Cannibal sub-genre which, with its gruesome and uncompromising films, was very successful in Italy at the time. Right after the abysmal French "Terreur Cannibale" (in which Franco was also involved), "Mondo Cannibale" is the second-to-worst Cannibal film I have ever seen and it has replaced "Sadomania" in its rank as the worst Franco-flick I've seen. "Mondo Cannibale" is, by the way, not to be confused with Umberto Lenzi's "Il Paese Del Sesso Selvaggio" (1972) and Ruggero Deodato's "Ultimo Mondo Cannibale" (1979), two classic Italian Cannibal films which are titled "Mondo Cannibale I&II" in many countries. This abysmal Franco flick is therefore often referred to as "Mondo Cannibale 3".

For whatever reason, a scientist (Al Cliver) brings his wife and young daughter with him on an expedition deep in a jungle filled with hungry cannibals. His wife gets eaten, and he escapes without his daughter (!), after his hand has been chopped off. Years later, the scientist comes back for his daughter, along with a couple of bored rich people who don't believe in his story and are just there to have fun. The cannibals are in the meanwhile, worshiping the daughter (who has blossomed into a beautiful bare-bosomed blonde)as a 'white goddess'...

There is so much wrong with this film that I hardly know where to begin: The jungle is not a jungle. It is a very neat assembly of palm-trees, probably somewhere in Spain or Southern France. It is so neat that the expedition is capable of going there in cars. Sometimes, one can even see Western buildings in the background. The 'savages'are entirely white guys. Some of them sport mustaches, sideburns and hip hair-cuts. Other wear watches or gold rings. Even though they clearly hate 'whites' (which is odd since they are white themselves), the cannibals declare the white girl their goddess on sight. The child, by the way, has brown hair, which magically becomes blond when she grows up. The main hero is apparently cowardly enough to leave his child daughter behind with a bunch of cannibals, but insanely brave enough to go back there after years, with two other men and three women to face the entire cannibal tribe... I could go on and on about the film's inconsistencies; however, the incredible logical errors are actually the most fun factor of the film. Sadly, all the rest is very boring. The seemingly never-ending monotonous drum banging is annoying as hell.

The Cannibal genre has many great Italian films to offer for anyone interested. The genre's only true masterpiece is Ruggero Deodato's "Cannibal Holocaust" (1980), but there are many other gruesome and disturbing ones to watch, most notably Deodato's "Ultimo Mondo Cannibale" and all of Umberto Lenzi's Cannibal films. Jess Frano's take on the genre is a disaster. The budget was obviously tiny, but that's hardly an excuse, as Franco has proved on many occasions that he is perfectly capable of making great films on a tiny budget. The man has to be saluted for dabbling in about any Exploitation/Horror sub-genre imaginable. This film is still awful and hard to sit through. Not even Franco's muse and real-life wife Lina Romay can save this. One to be avoided, unless you are writing a book on Jess Franco.

White Cannibal Queen (1980)

* 1/2 (out of 4)

Al Cliver plays a researcher who heads into the jungle with his wife and young daughter. They are attacked by a group of cannibals with the wife being eaten and the daughter kidnapped but Cliver escapes with only an arm cut off. Flash forward ten years and Cliver heads back into the jungle to locate his daughter who is now a goddess to the cannibals. It's true that Franco would be hired to jump on a bandwagon whenever a certain genre got hot and that's the case with this French film that tries hard to follow in the footsteps of various cannibal films from Italy. If you hated those Italian films due to the graphic nature of the violence, which included animals killings then you might get something more out of this sense it's violence free towards animals. With that out of the way this film is still pretty bland as Franco seems to forget (or didn't know) what made those Italian films work and that's that they played out well as adventure films. That's not the case here as the story is pretty bland and there's nothing to really keep you glued to the film. The performances are all rather bland but the attractive cast does feature Cliver, Lina Romay, Robert Foster and Pamela Stanford. Sabrina Siani plays the grown up daughter and at least walks around nude to keep things moving. The incredibly bad English dubbing makes for some laughs especially when Franco shows up sounding like a cowboy from Texas. The cannibals themselves are all laughable with their horrible body paint and silly dances but hey, this is a low-budget Franco film.

This Spain/Italy/France co-production results to be a scary movie about cruel indigenous cannibalistic tribes , it is filled with some genuine fright , horror and doom . A man (Al Cliver) who lost an arm and his family -his wife and daughter- , while cruising through the jungle when their boat was attacked by a tribe of mangler cannibals . Later on , he organizes an expedition with some unfortunate travelers (Lina Romay , Olivier Mathot , Pamela Stanford, Antonio Mayans) and he goes back ten years later to bring back his teenager daughter who was held captive by the heinous tribe , only to find that she grew up into a beautiful blonde woman (Sabrina Siani) who became the cannibals' queen . Where the natives are pleased to Meat you! Kidnapped by cannibals! Raised to eat human flesh! .She grew up to be her queen !. Now her father is looking for her !.

A ruthless , barbaric , authentically disgusting flick packing inexplicable disturbing occurrences , shocks , thrills , suspense , chills , hair-rising events with horrible mangling and being extremely gory . It follows in the wake of the cannibalist films from Umbert Lenzi , and, especially , the really a brutal fake documentary : ¨Ruggiero Deodato's Cannibal Holocaust¨ that resulted to be the mother of all cannibal films , the most savage , the most controversial movie ever made and the most horrific tale in modern history . Mondo cannibale (1980) is a below average yarn with too much chilling scenes , filled with sleaziness and non-sense of style . It is full of killings , nudism , sexual violence , disfigured people, grisly murders by means of slashing , ripping to death , killings in cold blood executed by ominous cannibals , loathsome and loads of blood and gore . A mysoginist movie with plenty of nudism , sadistic frames , graphic cannibalism , explicit scenes of violence and made in extremely scary style , no for squeamish . This Terror/Cannibal Movie displays lousy special effects with cutting , chopping , hacking , beheading , stomach ripped out and other cannibalistic frames .Stars a second-clas cass with B-Italian actor Al Cliver and the beautiful Sabrina Siani who wonderfully dresses in thong . And involving some familiar faces from Jesús Franco , such as : his real wife Lina Romay as Candy Coster , Shirley Knight , Olivier Mathot , Pamela Stanford Antonio Mayans and as usual , a cameo by Jess Frank himself as a swindler.

Mediocre cinematography by Juan Soler filmed on location in Serra de Sintra, Portugal ,where Franco shot several films ; however , being faded by the odd colouring of the old VHS, I would like to see this get remastered on blu-ray . It contains anticlimatic musical score composed by composer Roberto Pregadio . A disconcerting horror movie with no much interest and badly made by Jesús Franco. He often used a lot of pseudonyms , among the aliases he used, apart from the names Jess Franco or Franco Manera, were Jess Frank, Robert Zimmerman, Frank Hollman, Clifford Brown, David Khune , Toni Falt, James P. Johnson, Charlie Christian, David Tough , among others. In many of the more than 180 films he's directed he has also worked as composer, writer, cinematographer and editor. Jesús's influence has been notable all over Europe . Jess was a Stajanovist, restless writer, producer, director who played and realized over 200 pictures. His career spans over 50 years with a few successes and lots of flops, making all . From his huge body of work we can deduce that Jesús Franco is one of the most restless directors of Spanish cinema and often releasing several titles at the same time. Many of his films have had problems in getting released, and others have been made directly for video. More than once his staunchest supporters have found his "new" films to contain much footage from one or more of his older films. Jesús Franco is a survivor in a time when most of his colleagues tried to please the government administration. He broke up with all that and got the independence he was seeking and getting , at times great eye for composition. He was a hard-working filmmaker, directing a lot of ridiculous movies. However, making some acceptable films , such as : ¨We are 18 years old¨, ¨The awful Dr Orloff¨, ¨The Bloody Judge¨ , ¨Count Dracula¨, ¨99 women¨, ¨Parxismus, ¨The Blood of Fumanchu¨, ¨Faceless¨ and a few others. He always went upstream in an ephemeral industry that fed opportunists and curbed the activity of many professionals. But time doesn't pass in vain, and Jesus' production diminished since the 90s , but he went on working untin his death.