Der Herr der Karawane

I have fond memories of watching 'Caravans' as a youngster. I remember the soundtrack and still enjoy it today. The soundtrack makes the movie. Mike Batt composed one of cinema's most recognizable and most beautiful scores ever!

Michael Sarrazin stars as Mark Miller, who is sent to Kashkhan (fictional) in the Middle East to find Ellen Jasper, a Senator's daughter who was last seen 10 months ago. She is an American who married Nazrullah, and now has to live according to his and his country's rules.

Mark soon finds Ellen travelling with a caravan. When she refuses to leave, Mark travels with the caravan, as he needs proof that Ellen is alive and well. But when the leader, Zulffiqar (Anthony Quinn) decides to transport guns in the caravan, things get a bit more complicated. To make matters worse, Nazrullah is also desperate to find Ellen and he, too, is in pursuit of the caravan.

The film is set in 1948 and mostly takes place in a desert. I enjoyed the adventure element, and I always love watching movies about other cultures. Unfortunately, 'Caravans' was met with negative response. As for me, I really enjoyed it. Maybe because I never read the book and therefore didn't have anything to compare it with. Or maybe it wasn't well received because of the film's ending. I agree, I wasn't happy with the ending either, and I believe the film might have done better with a different ending. At least the soundtrack was a hit.

Despite the ending - which ruined some of the film's magic - I enjoyed it and still regard it as one of my most enjoyable adventure movies. Off course the stunning score helped a great deal.

So, OK, Citizen Kane this isn't. I re-read the original Michener book a few years ago and went looking for the movie. Only the largest video store in town had it, and you had to ask, because it was waaaay in the back stacks.

They simplified and Hollywood-ized the book's plot and removed much of Michener's trademark exposition on the good things, bad things, history and cultural foibles of Afghanistan. For that matter, they scrubbed out the word "Afghanistan" and made it a generic "country in the mid-East".

But it does have a lot of wonderful photography of Iran and a genuine bedouin people, who provided the extras for Anthony Quinn's "tribe". Iran had its revolution and became mostly closed to the West just a year after shooting, and it is almost heartbreaking to see all the magnificent countryside and archaeological sites that provide the backdrop, along with the knowledge that it is still so difficult, dangerous, and expensive to visit.

I had the exceptional opportunity to be one of two Americans in-country to witness the filming of Caravans. It was filmed outside Isfahan, Iran and I was then the American Vice-Consul in Isfahan (read: second banana, of two). Our Consul, my lovable, affable boss, was David McGaffey and he and our wives enjoyed several opportunities to visit the set and to dine with the cast. The real setting of the story, I believe, was in Afghanistan. My tiny claim to fame is that my desk was the one used by Joseph Cotton, who played the American Ambassador. I had inherited the ambassadorial-size desk as a result of the closing of a consulate in Khoramshar many years earlier -- it filled my tiny office such that I had to squeeze to get by and sit at it. The crew borrowed several other props from our consulate, including, most notably, our official metal seal, which they masked over to say Embassy instead of Consulate, as best I recall.

The actors were superb, as was the costuming. It is hard to imagine, for example, that only one or two actors had "real" guns and the rest of the army had cleverly-painted sticks. Alas, the direction sank the movie, to my everlasting disappointment. Caravans is a great Michener read, but the movie died and my "6" is, I think, charitable and a salute to the fine folks who graced Isfahan with their presence back then, for several fun-filled weeks.

The film's scenario would never happen except in a novel, or a soap opera where the central character has to "find herself".

An USA Intelligence operative goes into the Persian desert to find a missing diplomat's daughter. His journey involves gun-running Arab nomads, flash floods and lots of camels.

Nevertheless Caravans is good escapist fun. I could watch this film again and again, as it is great cinema. Two good bonuses are the scenery and the soundtrack. Mike Batt (a fellow Brit) composed the stirring music and it is worth buying the soundtrack CD alone (you may recall the minor pop chart hit-single by Babara Dickson, called Caravans).

An entertaining adventure with all the ingredients , set in the Middle East in 1948 , and concerning about an American emissary , Michael Sarrazin , sent by the Ambassador, Joseph Cotten , to find a senator's daughter , the gorgeous Jennifer O'Neill . After an unsuccessful marrying a native army officer , she has joined a caravan formed by the tribe Kochi led by Anthony Quinn travelling through the sunny desert .

Enjoyable and obscure film that failed at boxoffice . An unusual and colorful adventure with great cast and full of action , thrills , battles and being well treated oriental social habits from desert life . Anthony Quinn gives a nice acting , as usual ; Quinn work is well up to his ordinary high standards . Anthony played a lot of exotic roles such as : Osceola in Seminola , Crazy Horse in They died with boots on , Chief Yellow Hand in Buffalo Bill , Kublai Khan in Marco Polo , a bullfighter in Santo the magnificent , an Emir in Simbad the sailor , a Mexican rebel in Viva Zapata , Quasimodo in The hunchback of Paris , a Basque in The passage and here a sort of Zorba the Sheik . But the beauty and attractive Jennifer O'Neill is the real star of this film .And support cast is pretty good , such as Barry Sullivan , Joseph Cotten , Mohamad Ali and Jeremy Kemp .

Glowing colour and distinctive photography by Douglas Slocombe , including exhilarating and riveting exteriors from Iran , during Sha period and prior Jomeini . Rousing and catchy soundtrack by Mike Batt , including an unforgettable leitmotif .The motion picture ,produced by usual editor Elmo Williams , was professionally directed by James Fargo , though it has some flaws and gaps . As the spectacular outdoors , acceptable interpretation , and the size of the drama are not enough to make this one a memorable picture , but it remains in many ways an agreeable experience. James Fargo is a craftsman who started as an assistant director to Clint Eastwood films . He has directed Eastwood vehicles: The enforcers , Every which way but loose , and Chuck Norris : Forced vengeance . And other dramas and action movies as Second chances , Born to race , Riding the edge , Game for vultures , Voyage of rock aliens . He also made Tv episodes from Hunter , A team , Tales of gold monkey , among others .