IMDb-BEWERTUNG
6,3/10
13.858
IHRE BEWERTUNG
Auf einer postapokalyptischen Erde kämpfen ein Zauberer und seine fairen Volksgenossen gegen einen bösen Zauberer, der sich bei seinem Eroberungszug der Technologie bedient.Auf einer postapokalyptischen Erde kämpfen ein Zauberer und seine fairen Volksgenossen gegen einen bösen Zauberer, der sich bei seinem Eroberungszug der Technologie bedient.Auf einer postapokalyptischen Erde kämpfen ein Zauberer und seine fairen Volksgenossen gegen einen bösen Zauberer, der sich bei seinem Eroberungszug der Technologie bedient.
- Auszeichnungen
- 3 Nominierungen insgesamt
Jesse Welles
- Elinore
- (Synchronisation)
Richard Romanus
- Weehawk
- (Synchronisation)
David Proval
- Peace
- (Synchronisation)
Jim Connell
- President
- (Synchronisation)
- (as James Connell)
Steve Gravers
- Blackwolf
- (Synchronisation)
Barbara Sloane
- Fairy
- (Synchronisation)
Angelo Grisanti
- Frog
- (Synchronisation)
Hyman Wien
- Priest
- (Synchronisation)
Christopher Tayback
- Peewhittle
- (Synchronisation)
Mark Hamill
- Sean
- (Synchronisation)
- (as Mark Hamil)
Peter Hobbs
- General
- (Synchronisation)
Tina Romanus
- Prostitute
- (Synchronisation)
- (as Tina Bowman)
Susan Anton
- Princess Elinore
- (Gesang)
- (Nicht genannt)
- …
Liz Bakshi
- Fairy Mother
- (Synchronisation)
- (Nicht genannt)
Ralph Bakshi
- Fritz
- (Synchronisation)
- (Nicht genannt)
- …
Victoria Bakshi
- Fairy Girl
- (Synchronisation)
- (Nicht genannt)
Charles Gordone
- Alfie
- (Synchronisation)
- (Nicht genannt)
Empfohlene Bewertungen
This cult/comic/anime movie ranks right up at the top of the list along with all the good ones - Heavy Metal, American Pop,etc. To the people who say the animation is no good and the story line is horrible I have two points to make: 1. Look at the year it was made. C'mon, trees were entertaining if you drank the right "Kool-Aid". and #2 - you don't like the animation and the story line, yet you can't wait for the new season of South Park to come on. This movie has all the necessary elements for any classic that stays in your heart long after you saw it. Unforgettable characters, one scene that reached out to you and you still can't get it out of your head, and that one catchy line that makes you smile every time you hear it. (For me it will always be "They killed Fritz!") This is a movie to enjoy over and over.
It's funny reading some of the comments on here, today, in the year 2004. Several people got it right, but to the several that got it wrong -- let us go back in time.
Bakshi's "Wizards" is not meant to be a cinematic masterpiece, but it reflected the time of my generation: The children born under the tip of a planet-killing nuclear bomb. Where, as one post commented, we went to school and learned Duck-And-Cover, and air raid sirens were tested once-a-week, every week of the year. We grew up in a world where the idea of surviving to the year 2004 was shaky, at best. And, as bizarre and B-movie bad as Wizards may be, it spoke to that segment of society that realistically expected the world to end, and another to take its place. Wizards has a place in my heart because my third birthday was around the Cuban Missle Crises, and I grew up with the story of how my parents weren't sure if it was worth planning a birthday party that may never happen. Sure, the bombs are still around today. But the ever-present, daily angst of them falling from the sky doesn't exist like it did in the '60s and '70s and '80s.
One more thing: Give Bakshi his due! Sure, he had his fair share of lemons, but if it wasn't for "Fritz The Cat," and "Wizards" and his other attempts -- there'd likely be no "The Simpsons," "South Park," "Ren and Stimpy," "Family Guy," Cartoon Network's Adult Swim and more -- as we know them today. There may have been Warner Brothers' Bugs Bunny, and Rocky and Bullwinkle, but they were still basically defined as children's entertainment(thus, always shown on Saturday morning). Bakshi defined the niche of adult animation with his efforts to get cartoons to grow up. And, if I'm not mistaken, his success (however you want to measure it) helped spawn "Wait 'Til Your Father Gets Home" -- the first adult animated TV show aired at night.
Bakshi's "Wizards" is not meant to be a cinematic masterpiece, but it reflected the time of my generation: The children born under the tip of a planet-killing nuclear bomb. Where, as one post commented, we went to school and learned Duck-And-Cover, and air raid sirens were tested once-a-week, every week of the year. We grew up in a world where the idea of surviving to the year 2004 was shaky, at best. And, as bizarre and B-movie bad as Wizards may be, it spoke to that segment of society that realistically expected the world to end, and another to take its place. Wizards has a place in my heart because my third birthday was around the Cuban Missle Crises, and I grew up with the story of how my parents weren't sure if it was worth planning a birthday party that may never happen. Sure, the bombs are still around today. But the ever-present, daily angst of them falling from the sky doesn't exist like it did in the '60s and '70s and '80s.
One more thing: Give Bakshi his due! Sure, he had his fair share of lemons, but if it wasn't for "Fritz The Cat," and "Wizards" and his other attempts -- there'd likely be no "The Simpsons," "South Park," "Ren and Stimpy," "Family Guy," Cartoon Network's Adult Swim and more -- as we know them today. There may have been Warner Brothers' Bugs Bunny, and Rocky and Bullwinkle, but they were still basically defined as children's entertainment(thus, always shown on Saturday morning). Bakshi defined the niche of adult animation with his efforts to get cartoons to grow up. And, if I'm not mistaken, his success (however you want to measure it) helped spawn "Wait 'Til Your Father Gets Home" -- the first adult animated TV show aired at night.
One thing i'll say for Ralph Bakshi's cult classic "Wizards": Its got brains. The whole political allegory coupled with a cautionary tale about fascism, propaganda and the amorality of technology really worked here. Rarely do you get this sort of thing in animated movies back in the 70s. The fact that it is coupled with an overall "fairy tale-ish" look that seems more at home among those cheap "ages 3 to 8" cartoons makes the viewing experience a very unique one.
It really is too bad that so much time and effort went into developing the whole underlying political themes that nothing much else went into the aspects of the film that would matter to most people, aka the dialog and the animation itself.
Though the story is simple enough to follow, the characters come across as just plain boring thanks to, IMO, horribly written lines and sub-par acting. Aside from Blackwolf the evil wizard and his good brother wizard Avatar, the rest of the characters sound like they are reading off a bedtime storybook and not engaging in dialog. Emoting comes in two extremes; either the actors ham up their parts to the point of annoyance, or there is hardly a hint of emotion behind the voices. Dialogue style also seems to inconsistently switch between an archaic "Shakespeare play" style (common in most fairy tale animated movies) and a typical "everyman" speaking style (how me and my neighbor would talk), sometimes within the same scene and by the same character.
I found it really difficult to get emotionally involved in the show. All of them have a stylized and even marginally grotesque look to them. Even the "good guys" like the elves have yellow eyes and sharp teeth; and the sub-standard animation did not help either. The animation is about as bad a cheap Flintstones holiday special with numerous animation short cuts like looping motion, re-used stock footage and out of sync sound effects. A good deal of rotoscoping was thrown in and I usually have no problems with that, Except in this case, the rotoscoped images were not "drawn over". There was no attempt to make the rotoscoped images blend with the style of the animation which led to a very disjointed feel during the battle scenes. The only time this jarring clash of animation styles actually worked was during the final climatic battle where the surreal images and the hauntingly dark rotoscoped footage effectively conveyed the hectic confusion of a real battlefield.(though i question the choice of retro jazzy background music)
To be honest, I found myself rooting most for Blackwolf's green gas-masked soldiers. ("THEY KILLED FRITZ!!"). Their little moments in the film really managed to get a chuckle out of me; they had a certain loony toons-like charm about them.
With a larger budget and a more experienced production team, Wizards could have been an avant garde work of art that entertains as well as conveys a message. What I discovered was an averagely animated film that does convey a message but falls short in the "entertainment" aspect. A couple of witty one liners here and there and some lush painted backgrounds is not enough to save this film from its numerous flaws.
By today's standards, Wizards will hardly be able to garner a mainstream following, nor would it impress the younger viewers anytime soon. It pains me to say this, but Wizards may forever remain as merely a cult classic curiosity of the 70s.
It really is too bad that so much time and effort went into developing the whole underlying political themes that nothing much else went into the aspects of the film that would matter to most people, aka the dialog and the animation itself.
Though the story is simple enough to follow, the characters come across as just plain boring thanks to, IMO, horribly written lines and sub-par acting. Aside from Blackwolf the evil wizard and his good brother wizard Avatar, the rest of the characters sound like they are reading off a bedtime storybook and not engaging in dialog. Emoting comes in two extremes; either the actors ham up their parts to the point of annoyance, or there is hardly a hint of emotion behind the voices. Dialogue style also seems to inconsistently switch between an archaic "Shakespeare play" style (common in most fairy tale animated movies) and a typical "everyman" speaking style (how me and my neighbor would talk), sometimes within the same scene and by the same character.
I found it really difficult to get emotionally involved in the show. All of them have a stylized and even marginally grotesque look to them. Even the "good guys" like the elves have yellow eyes and sharp teeth; and the sub-standard animation did not help either. The animation is about as bad a cheap Flintstones holiday special with numerous animation short cuts like looping motion, re-used stock footage and out of sync sound effects. A good deal of rotoscoping was thrown in and I usually have no problems with that, Except in this case, the rotoscoped images were not "drawn over". There was no attempt to make the rotoscoped images blend with the style of the animation which led to a very disjointed feel during the battle scenes. The only time this jarring clash of animation styles actually worked was during the final climatic battle where the surreal images and the hauntingly dark rotoscoped footage effectively conveyed the hectic confusion of a real battlefield.(though i question the choice of retro jazzy background music)
To be honest, I found myself rooting most for Blackwolf's green gas-masked soldiers. ("THEY KILLED FRITZ!!"). Their little moments in the film really managed to get a chuckle out of me; they had a certain loony toons-like charm about them.
With a larger budget and a more experienced production team, Wizards could have been an avant garde work of art that entertains as well as conveys a message. What I discovered was an averagely animated film that does convey a message but falls short in the "entertainment" aspect. A couple of witty one liners here and there and some lush painted backgrounds is not enough to save this film from its numerous flaws.
By today's standards, Wizards will hardly be able to garner a mainstream following, nor would it impress the younger viewers anytime soon. It pains me to say this, but Wizards may forever remain as merely a cult classic curiosity of the 70s.
This cartoon was one of those in the seventies when animation was almost dead. A few folks revived it with movies like Fritz the Cat, Lord of the Rings, Fire and Ice and Wizards. Although Wizards didn't do well during the prime time, it rocked as a midnight movie.
But, even with the simple plot, engaging characters and sporadic humor, one gets the impression that this movie was not well-planned. There is conventional animation, rotoscoping and overexposed film sometimes being used on the same screen. It also seems that they ran out of money and had to resort to stills with a narrator (nice voice)...
You'd think that this would make the movie worse; however, it gives the movie a charm that a slicker production wouldn't have...
But, even with the simple plot, engaging characters and sporadic humor, one gets the impression that this movie was not well-planned. There is conventional animation, rotoscoping and overexposed film sometimes being used on the same screen. It also seems that they ran out of money and had to resort to stills with a narrator (nice voice)...
You'd think that this would make the movie worse; however, it gives the movie a charm that a slicker production wouldn't have...
I found this movie as a teen and used to show it to friends the morning after parties. It's sort of a Saturday morning cartoon gone horribly awry. I've never seen animation like it before, though I understand Bakshi has other stuff out there. I like it better than Heavy Metal and American Pop. I found it while looking for Rock and Rule, which I didn't find very memorable. This, however, I saw once and had to see again! Everyone I've shown it to has liked it- it's a sci-fi fantasy cartoon with a moral message and enough plot and humor to keep things interesting. Again, great morning after type stuff, though perhaps a bit intense and/or slow at times.
Wusstest du schon
- WissenswertesThe horse-like animals had two feet instead of four because it was easier and cheaper to animate.
- PatzerWhen Avatar is telling the president about his brother, the narrator says that Blackwolf has been studying black magic for 5,000 years. But when Blackwolf is introduced, it says that the story takes place 3,000 years later.
- Alternative VersionenOn April 30th, 2005, as part of the Ralph Bakshi retrospective at the Egyptian Theatre in Hollywood, Bakshi's personal print of the film was shown, which was missing two pieces of narration:
- Susan Tyrrell does not read the opening shot's storybook title in her narration voice-over. In this print, the film's narration starts with "The world blew up in a thousand atomic fireballs...," in the next shot.
- The character of Nekron 99's (AKA Peace's) narrated introduction was also missing from the print.
- VerbindungenEdited from Triumph des Willens (1935)
- SoundtracksOnly Time Will Tell
Performed by Susan Anton
Top-Auswahl
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Details
Box Office
- Budget
- 1.200.000 $ (geschätzt)
- Laufzeit
- 1 Std. 22 Min.(82 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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