Mary, Bloody Mary

Mary is a vampire, but her reflection shows in the mirror completely normal. She also carelessly walks around during the daylight, and although it's not explicitly mentioned, I'm pretty sure that she can resist the effects of garlic and crucifixes as well. This all just to say that "Mary, Mary, Bloody Mary" (got to love title!) is a very unconventional vampire movie, but also one that is strangely absorbing and intriguing in spite of the ultra-thin story lines and the obvious budgetary restrictions. The film was directed by the Mexican born Juan López Moctezuma, who also made the '70s cult/exploitation highlights "Alucarda" and "The Mansion of Madness". Those who have seen these brilliant – in my humble opinion, at least – flicks know they can expect anything from Moctezuma. "Mary, Mary, Bloody Mary" is less flamboyant and bizarre than the other two, but still a uniquely compelling tale about a reluctant condition, hunger for love and the search for roots (bloody roots!). Mary is a successful painter, traveling around in Mexico with a handsome drifter that she met in an abandoned mansion where she was forced to spend the night. She desperately tries to hide it from Ben, but Mary needs to drink human blood in order to survive. So she occasionally drugs an unsuspecting victim and slits his (or her) throat with a hairpin. A duo of police inspectors follows the trail of beastly murders, but there's another mysterious figure pursuing Mary. Someone who also kills and drains all the blood from the bodies. "Mary, Mary, Bloody Mary" is full of odd little details that makes me cheerful, like the fact that the opening credits appear very late and totally randomly into the film, or the brief but very recognizable supportive role for cult-monument John Carradine. What makes me slightly less cheerful is the totally redundant and gratuitous animal cruelty (I sincerely doubt that the shark and turtles were fake). Lead actress Cristina Ferrare is a natural beauty and she gives away a powerfully integer performance, but the film mostly benefices from that typically mid-70s ominous atmosphere and the non-stop sexual tension. Recommended to cult fanatics!

Mary, Mary, Bloody Mary (1975)

** (out of 4)

Forgotten Mexican horror film about an American painter named Mary (Cristina Ferrare) who is living in Mexico where she sells her works and also kills people for their blood. It turns out Mary is a vampire but not the traditional one with fangs. Since she has no fangs she must stab or slash the throats of her victims but soon she has a new man (David Young) in her life as well as a mysterious man (John Carradine) in black who appears to be doing the same type of murders. The term "less would have been more" certainly applied to this film because somewhere in this mess there's a good movie but sadly the direction is so poor and the film goes off in so many directions that you can't help but loose focus on the majority of everything going on. If you read the film details you're going to be reminded of George Romero's MARTIN, which would follow a few years later and it's pretty fair to say that the Romero film is a remake of this, although it's certainly much better done with many of the weak points left out. The film's screenplay never really makes anything clear including what's going on with Mary. We never really learn why she has no fangs or why she needs the blood at all. We never figure out why she keeps this guy in her life when he could have made another victim. There's a lesbian art seller who comes in then out of the movie without too much explanation. Even worse is that the film runs an incredibly overlong 91-minutes and while so much plot is left missing we get other scenes that just drag out for no reason. There's one sequence where a woman is hitchhiking yet it takes nearly two-minutes worth of screen time before she finally gets in the car where the action then starts. Why on Earth did they drag this out so much? The entire time of her waiting to get in the car adds nothing to the film other than the extended running time. Those wanting gory violence will probably have a smile on their face after the first murder, which is quite graphic as Mary is having sex with a man only to then cut his throat and out comes the red stuff. This first murder has a ton of gore in it but from this point on the murders become less gruesome and there are a few where no blood is shown. Those wanting nudity will find some here but it's mostly un-erotic stuff including the bit where the lesbian finally gets Mary in the bathtub. Ferrare isn't too bad in the role of Mary but she certainly can't compare with previous female vampires from the 70s. Carradine only appears in a few scenes as he apparently left the film before shooting was complete, which means we get a much younger stunt double running around with a cape over his face. MARY, MARY, BLOODY MARY has some very interesting ideas but sadly none of them ever come together. There's way too many dry spots but I'm sure with a little editing this thing could have been a little better. Romero's MARTIN certainly got the job done much better.

Actually I am surprised at the lack of comments on this one. I rented this late one night after eyeing the video box for months. I hesitated because I had never heard of the director/cast w/ the exception of the late John Carradine. I was more than happy with this picture. Mary has more than her share of nudity violence and gore. The paintings are weird. Some of the editing is ahead of it's time. I highly recommend this picture to anyone looking for cool low budget horror.

It was OK. The lead actress is beautiful. The story was a little hard to follow but at the end it all makes sense. Is she a vampire? what the heck is she? Are there more like her? What is the background? These questions were never answered. To me because the story just didn't have enough substance, I have to rate it low. I was asking questions the entire time and never got answers. The last 10 minutes pretty much sums up the entire movie, the rest of the movie is a lot of drama with some bloody scenes. Its really funny how the 70's treated bisexuality, there was one scene that kind of explained the bisexual summary but in today's time, its just laughable. The actors were OK, the direction was good, there was some nudity which added to the score. The story was short and lacked any substance. Just overall an OK movie in my book.

MARY, MARY, BLOODY MARY stars Cristina Ferrare as the serial exsanguinator of the title. All is well with her thirst-quenching endeavor, until she happens upon Ben (David Young), who sets her heart aflutter. Thankfully, romance doesn't slow her down one bit. The police are on the case, but there might also be a copycat on the prowl.

Director Juan Lopez Moctezuma presents us with a unique twist on the modern vampire tale. Instead of the usual trappings and tropes, he gives us a bizarre story of true bloodlust. This was a perfect Drive-In movie in its day, and still holds up well for Late-Night viewing. The grisly finale is a real grabber!

Watch for John Carradine in a small, but important role...