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Black Emanuelle - Stunden wilder Lust

Originaltitel: Emanuelle in America
  • 1977
  • Not Rated
  • 1 Std. 32 Min.
IMDb-BEWERTUNG
5,2/10
2123
IHRE BEWERTUNG
Black Emanuelle - Stunden wilder Lust (1977)
DramaHorrorMystery

Füge eine Handlung in deiner Sprache hinzuHedonistic photojournalist Emanuelle goes undercover to expose the seedy lives of rich and powerful sex cultists and snuff film peddlers in America and Europe.Hedonistic photojournalist Emanuelle goes undercover to expose the seedy lives of rich and powerful sex cultists and snuff film peddlers in America and Europe.Hedonistic photojournalist Emanuelle goes undercover to expose the seedy lives of rich and powerful sex cultists and snuff film peddlers in America and Europe.

  • Regie
    • Joe D'Amato
  • Drehbuch
    • Maria Pia Fusco
    • Ottavio Alessi
    • Piero Vivarelli
  • Hauptbesetzung
    • Laura Gemser
    • Gabriele Tinti
    • Roger Browne
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,2/10
    2123
    IHRE BEWERTUNG
    • Regie
      • Joe D'Amato
    • Drehbuch
      • Maria Pia Fusco
      • Ottavio Alessi
      • Piero Vivarelli
    • Hauptbesetzung
      • Laura Gemser
      • Gabriele Tinti
      • Roger Browne
    • 51Benutzerrezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos39

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 35
    Poster ansehen

    Topbesetzung36

    Ändern
    Laura Gemser
    Laura Gemser
    • Emanuelle
    Gabriele Tinti
    Gabriele Tinti
    • Alfredo Elvize, Duke of Mount Elba
    Roger Browne
    Roger Browne
    • The Senator
    Riccardo Salvino
    Riccardo Salvino
    • Bill
    Lars Bloch
    • Eric van Darren
    Paola Senatore
    Paola Senatore
    • Laura Elvize
    Maria Piera Regoli
    • Diana Smith
    Giulio Bianchi
    • Tony
    Efrem Appel
    • Joe
    Matilde Dall'Aglio
    • Woman Watching Snuff Movie
    Maria Renata Franco
    • Zodiac girl #2
    Giulio Massimini
    • Waiter at Venice Party
    Stefania Nocilli
    • Model Janet
    Carlo Foschi
    Bruno Alias
    • Party Guest in Venice
    • (Nicht genannt)
    Fernando Arcangeli
    • Antonio Ramirez
    • (Nicht genannt)
    Salvatore Baccaro
    Salvatore Baccaro
    • Charlie
    • (Nicht genannt)
    Erminio Bianchi Fasani
    • Party Guest in Venice
    • (Nicht genannt)
    • Regie
      • Joe D'Amato
    • Drehbuch
      • Maria Pia Fusco
      • Ottavio Alessi
      • Piero Vivarelli
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen51

    5,22.1K
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    Empfohlene Bewertungen

    fertilecelluloid

    Pleasant and pernicious

    If pernicious is a stronger word for ugly, then it applies here, but I'm not referring to the "snuff" footage sequence, I'm referring to the non-sex/non-horror scenes. They're so unbelievably boring and poorly acted that you could end up leaving the theatre (or living room) and missing out on the sleaze.

    The film's soundtrack is outstanding and captures the era wonderfully.

    As always, Laura Gemser is captivating and too sexy for words, and the film's explicitness verges on hardcore for most of the time and crosses the softcore line once or twice.

    But it's the "snuff" footage sleaze fans want and it doesn't disappoint. Almost SALO-esque in its intensity and terribly well executed, it arrives in context but blurs its context quickly because it is unexpectedly extreme and realistic.

    Worth seeing once or twice. Or owning, if the inclination's there.
    kenneymljken

    The Personification of Joe D'Amato's Work

    There are basically two kinds people in this world: those who like smut and those who don't. Those who like it should revel in the work of Aristede Massaccesi, a.k.a. Joe D'Amato. Those who don't should stay as far away from it as humanly possible. However, I see myself as that rare someone who is able to walk the line that divides them. I can watch a D'Amato film from beginning to end but will have a storm of mixed feelings afterwards. The first Joe D'Amato film I saw was either "Emmanuelle Around the World," "Emmanuelle in Bangkok" or "Emmanuelle and the Last Cannibals." I saw them on Showtime and/or the Movie Channel (now called Starz) back in late '92 and early '93. I was not familiar with D'Amato at the time; I was intrigued by the star, Laura Gemser. I had seen her in another Emmanuelle film called "Emmanuelle, Queen of Sados" (not directed by D'Amato) and was struck by her exotic beauty. I had always been a fan of 70s movies and many of the Gemser and D'Amato films had the texture of kung fu movies, exploitation movies and other genres of that time. Unfortunately, the cable stations stopped showing them and the only ones I could find at the local video stores were the aforementioned "Emmanuelle, Queen of Sados" and "Black Cobra," a soft-core film directed by D'Amato, with Gemser and Jack Palance. But finally in 1995 I jumped on the information superhighway, and thanks to many cult films sites on the net, I was able to find many if not all of these films and purchase them. Upon receiving the videos, I soon realized that I wasn't as seasoned a Joe D'Amato fan as I thought. I watched "Black Emmanuelle," Gemser's first outing in the title role, and "Erotic Nights of the Living Dead I was shocked in find her in a hard core scene in the former with Angelo Infanti, the same guy who blew up Michael Corleone's wife in "The Godfather!" I'm not going to say I've never watched pornography but it wasn't what I was looking for. In fact, I would find out later, and much to my relief, that a body double was used to substitute Gemser in the scene. I was still however shocked to find these films I had seen late on Friday and Saturday nights contained graphic, often violent scenes of hardcore sex. It took some adjusting but I found that I was still curious. I tried to find "Emmanuelle in America," the unofficial grand daddy of 'em all, on the net but tracking it would prove not to be so simple. The online store that was supplying it appeared to have ran out of copies. So I went on to buy other D'Amato films like "Caligula, the Untold Story." Though I was taken aback by the graphic scenes, I wasn't surprised by them. Finally I found another site that carried it. Though I was anxious, I must admit I was eager to see it, especially the infamous "snuff" film (at this point, I feel obligated to point out that it is well documented that the snuff footage seen in the movie was staged, so please don't go awry trying to contact the FBI to confiscate the film). I finally saw `Emmanuelle in America,' and its most famous seen. I found I wasn't as jaded as I thought, as I found myself quite disturbed by the footage. Emmanuelle thought she saw it in a dream, but when her boss at the paper shows her photos of the crime, she replies (much to my shock), "Amazing." I burst out laughing at her quip, but when the film reached its anti-climactic end, I was surprised to find that Emmanuelle did not further investigate the sadistic crime, then I thought to myself, "It's a Joe D'Amato flick. What do you expect?" And I burst out in laughter again.
    DJ Inferno

    Don´t believe the hype!!!

    After reading the reviews to this film and being a huge Joe D´Amato-fan since a long time my expectations were more than immense! The story is about beautiful reporter Emanuelle (played by D´Amato-darling Laura Gemser) who wants to write a sensational story about perverse sexual practicals of America´s high society. Meeting (and even more than that..!) an influential politician Emuanuelle finds a trail to the legendary/notorious snuff-movies where real humans are tortured and killed on film...

    A very interesting story, but sadly the execution is only average, because "Emanuelle in America" is nothing else but typical 1970s standard soft sex! When you´ve seen one example of the endless Emanuelle-series you´ve seen´em all - this movie is no exception! In my opinion, the sickest scene is featured in the 30th minute when a naked girl caresses the dick of a horse. Then nothing´s gonna happen... After one hour the first blow job-scene is brought on and in the last third the movie there are some short hardcore takes filmed.

    And then at the very end you´ve got to see those notorious snuff-sequences..! Yes, they are extremely violent! Yes, they are extremely disturbing!! However they have a pretty short running time from about 15 seconds all together and they are quite similar to those featured in Pasolini´s "Salo". And I can´t get rid of that feeling director Joe D´Amato only added them to give this after all very tame movie some shocking and provoking impulses..!

    If you want to see a real sick Joe D´Amato-movie watch his splatterfest "Buio Omega" instead!!!
    Jens-28

    The sickiest of sick!

    The late smutpeddler, Joe D'amato, has released hundreds of disgustin' sleaze epics but the 100 min. uncut version of "Emanuelle In America" takes the cake. Horsemasturbation, hardcore porn, castrations and the most vile "snuff" images you ever will see on film. Canadian maverick David Cronenberg was actually inspired by this flick to make his masterpiece, "Videodrome". Forget "Salo", "Caligula", "Man Bites Dog", "Man Behind The Sun" and "Cannibal Holocust" cuz this one will eat your mind!
    5BA_Harrison

    Not the 'ultimate exploitation experience' that I had hoped for.

    Extreme depravity, hardcore sex, and ultra violence: I'd heard that this sleazy offering from Italian trash-movie king Joe D'Amato (Aristide Massaccesi) was the epitome of exploitation, so I borrowed a copy from a friend and settled down to enjoy a prime slice of deviancy. Unfortunately, this supposedly spicy dollop of D'Amato sauce actually turned out to be rather bland.

    Laura Gemser plays Emanuelle, an investigative reporter determined to get her scoop, whatever the risk. Using her womanly wiles, she digs up the dirt on an organised-crime boss and his harem, some lust-crazed Venetian aristocrats, and a sex club for lonely women where our horny heroine eventually stumbles on the story of the century when she discovers a couple enjoying a genuine snuff movie.

    The first half of the movie is rather dull, packed with plentiful female nudity but hardly any of the 'rough stuff' that I had read so much about; only a brief scene involving a happy horse named Pedro is worthy of note.

    Eventually D'Amato hits his stride and, during an orgy scene, he delivers the first of many hardcore moments; from here on in, the XXX action is more plentiful, but the clumsy direction and editing means that they are far from erotic.

    At the end of the movie, Joe throws in a smattering of very gory pseudo-snuff footage for good measure, but this only serves to make the film feel even more disparate. The end result is neither a soft-core adventure, a hardcore porn movie or an all out gore-fest, but a disappointing (and often boring) half-assed mixture of all three.

    See it so that you can talk knowledgeably about the genre to like-minded sickos, but don't expect anything too amazing.

    Handlung

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    • Wissenswertes
      The infamous snuff footage in this film inspired David Cronenberg to write "Videodrome"(1983).
    • Patzer
      Gemini has an entirely different dubbing voice (and accent) in her two scenes.
    • Zitate

      Emanuelle: Don't you think that a hot bath is nice as a lover's caress?

    • Alternative Versionen
      A region-free USA DVD is available from Blue Underground. This version runs at over 100 minutes and is completely uncut, featuring all the hardcore footage and 'snuff' footage.
    • Verbindungen
      Featured in Loose Enz: The Venus Touch (1982)
    • Soundtracks
      Celebrate Myself
      Written by Nico Fidenco

      Performed by Armonium

    Top-Auswahl

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    FAQ1

    • What are the differences between the Softcore and Hardcore Version?

    Details

    Ändern
    • Erscheinungsdatum
      • 7. Januar 1977 (Westdeutschland)
    • Herkunftsland
      • Italien
    • Sprache
      • Italienisch
    • Auch bekannt als
      • Emanuelle negra en América
    • Drehorte
      • New York Daily News Building - 42nd Street, Manhattan, New York City, New York, USA(Emanuelle meets with her editor)
    • Produktionsfirma
      • New Film Production S.r.l.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 32 Min.(92 min)
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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