Geheimauftrag K

A surprisingly stylish spy flick, based in Munich and London.

It has a few twists (some of them predictable) but the aspect that intrigued me most was the information exchange.

It's all done with tremendous subtlety, and you could easily watch the entire film and miss most of the exchanges.

I had a similar experience with "Funeral in Berlin".

That's what I like about a spy film, when you can watch it superficially and miss what is really going on. So the film becomes a shill for real life spying, where the public see relative normality, but the spies, though present in the normal life of the public around them, are functioning on a completely different level.

I would have to watch this film several times to pick out and understand all of the communications.

The film was made in 1968, and is very much of that era (which I like).

An almost decent production after the James Bond model. Stephen Boyd has not the strength and the charm of Sean Connery or Roger Moore, Timothy Dalton or Pierce Brosnan, he is in the category of George Lazenby, a slightly better than the latter. The story is in the Bond spirit, but much simpler and more predictable. The other actors are somewhat OK. Robert Hoffmann and Jeremy Kemp have small roles. Leo McKern and Michael Redgrave stand out. And the Scandinavian "beauty" named Camilla Sparv is better at marrying very rich and influential men in the world of film than in acting.

Stephen Boyd, with all the on screen charisma of a G I Joe, is a spy-cum-toy manufacturer. Really. They go a long way round before revealing his espionage activities for sure, but we're clued in.

The great Michael Redgrave shows up about three-quarters of an hour into the piece and altogether racks up three short scenes. Too bad. He always has screen charisma.

Other interesting actors come and go, including Jane Merrow and Jeremy Kemp. The big baddie is the always interesting Leo McKern. With Redgrave on a short leash and Merrow, Kemp and McKern on the side of evil, the movie suffers a severe charisma imbalance.

The case is baffling, that's for sure. But after about an hour one loses interest in it.

Oh, Camilla Sparv, sex appeal's answer to vanilla, is on hand as Boyd's convenient main squeeze who quickly falls onto the hands of his enemies.

Being no Boyd fan, I had a tedious time waiting for Redgrave's paltry appearances.

Stephen Boyd made several films during the mid-to late 60's, which all seem to have "slick" plots in which he portrays a wealthy, sophisticated, cosmopolitan character sporting perfectly coiffed hair. Neither the hairstyle nor the roles seemed to suit him well, and I'll bet he was vastly relieved to switch to westerns like Shalako and The Man Called Noon in the '70's. Assignment K, however, is probably the best of the "smooth hair" movies. He's a international spy in this one and a lot of the action takes place in a ski resort so the scenery is beautiful and wintry. He and Camilla Sparv play well together and, best of all for Stephen Boyd fans like me, he is on-screen throughout the entire film, no cameos here - a major plus for this movie. Leo McKern, another wonderful character actor, turns up once again as the bad guy. (Remember him as the irascible, but lovable Captain Brandt in Lisa?) Assignment K is fairly fast-paced and somewhat exciting, especially if you enjoy a little romance with your espionage. And the ending will surprise you!

Long time since I saw this but remember liking it.

I don't think it is out on dvd.

Certainly it is never on tv anymore.

I try not to be nostalgic but in the 1970s and 1980s broadcast tv in the UK showed lots of films and I sat and watched them.

There is a British cable channel that shows old films,and I love it but it hows mostly British films,where are the old Hollywood films?

Anyway I am a spy/war/crime film fan so dvd companies get this one out there.