Königin der Wikinger

During the height of the breasts-on-display, low-budget-epic era in the mid-60's, Murray got off at the wrong "Bus Stop" and wound up flailing around in this sword and sandal howler. He plays the Roman ruler of a Celtic tribe in ancient Britain. The Celtic King dies and appoints one of his three daughters to rule in his place (even though she is virtually a figurehead because of the Roman occupation.) He picks Carita and, because her mother was a Viking, she is dubbed The Viking Queen. (Apparently, she picked up her mother's accent along the way even though she was raised in Britain?) Murray and Carita have an affection for one another, but it is put to the test when he leaves to fight an enemy and his second-in-command starts wreaking havoc on her people. Finally, she's had enough and rises to battle the Romans even at the expense of her relationship with Murray. Carita is lovely (as any former model should be), but her acting inexperience shows much of the time. Murray couldn't possibly be more miscast and he and Carita have only adequate chemistry at best. They do have their own little mini-Ben Hur chariot race which ends up in a swamp, but their great love is not aptly demonstrated in the film. Corri and Pagett play her sisters. One looks old enough to be her mother and dabbles in the occult while the other has a tentative love affair with a local bruiser played by Caffrey. Houston is a raving, rabble-rousing Druid priest who, at times, makes Victor Buono look subtle. Actors like Keir and Troughton attempt to give real performances, but are done in by the pedestrian script. The ad copy for this film promised all sorts of wild events on screen, but most of them are presented in a more-than-tame manner. There is also a heavy dose of hilarious feminine pulchritude on display as scantily-clad ladies show off their bodies with strategic arm, pasty and hair placement to cover the naughtiest bits while they lie around stroking and petting the various men of the cast. One, in particular (referred to as the Nubian slave) is an obviously Caucasian girl in blackface with "Star Trek" make up who probably has more costume changes than the lead! It's not the dullest film ever made and has a few intriguing moments and some eye-catching scenery and costumes, but doesn't hold up as history, nor as titillation.

The title is somewhat misleading in this mash up of historical epic and violent action picture. The script is so silly one simply has to laugh at it, but I'll get to that in a moment. At least it follows in the tradition of Hammer and is exceptionally good looking, with decent battle scenes and lovely female cast members.

The "viking queen" of the title is Salina (played by Finnish beauty Carita, in one of only two film roles), a young Briton living under the rule of Roman conquerors in ancient times. Her father, King Priam (Wilfrid Lawson) is sure that his people can peacefully co-exist with the Romans and conveys this belief to Salina, who inherits the role of queen when he passes on. But there's more. These Britons are part of a group of Druids - who pray to the Greek god Zeus. Salina embarks on a romance with nice guy Roman governor general Justinian (Don Murray of "Bus Stop"), but their happiness will be short lived thanks to Justinians' hateful and power hungry second in command, Octavian (Andrew Keir), and the restlessness of the natives.

Carita looks stunning, so some viewers may not care if her performance isn't all that hot. Murray looks quite out of place, and the excellent supporting cast (Niall MacGinnis, Donald Houston, Adrienne Corri, Patrick Troughton, et al) helps to keep this watchable, although it's sluggish at times. It attempts to be funny with a chariot race that ends in falls into the drink. With Don Chaffey in the directors' seat, the film does serve up doses of sex, violence and sacrifice, enough to maintain our interest for a while. Gorgeous Irish scenery complements the physical charms of the actresses. While one couldn't take it seriously, it does have an endearing camp factor going for it.

In any event, we have to hand it to Hammer for making this kind of thing as we sure don't see much like it anymore. As long as people go in knowing it's absolutely no history lesson and just accept it as escapist entertainment, they can find it diverting enough.

Six out of 10.

Although it has its quirks and is horribly mis-named (the Vikings entered the European scene 700 years after the movie's setting), this movie is a fun and engaging look at a much-overlooked historical stage. Some disbelief-suspension is required (the title character's accent, for example), but historical-fiction fans should find this film quite entertaining. While the costumes and characters (e.g. the sensational depiction of the Druids) might not be 100% believable, the plotline and settings more than make up for it. As a fan of both the old Hammer style and of Roman history, I was quite engrossed. I just wish they'd called it "Queen of the Celts"!

This was Hammer Films' sole foray into peplum territory: that it's not typical material for this outfit is also borne by the fact that the writing and producing credits aren't the usual Hammer stalwarts! Don Chaffey, who handles the proceedings efficiently enough, was something of an expert in the field - having directed Hammer's ONE MILLION YEARS, B.C. (1966) as well as the Ray Harryhausen extravaganza JASON AND THE ARGONAUTS (1963).

Actually, the plot isn't all that different from that of THE LAST ROMAN (1968-9) which I watched recently: while the latter was low-brow and solemn but rather interesting, this is low-brow and silly but undeniably fun. Thankfully, there's intrigue (resulting in plenty of snarling), action and sadism - not forgetting the beautiful Irish locations - to keep one watching. Still, the lazy scripting is so obviously a mishmash of elements without any rhyme or reason that it somehow seems to think of Druids, Vikings and Greeks (all distinct in culture, geography and timeline) as one and the same people!!

With respect to the cast: Carita (whose only film this was) is actually not too bad in the title role - though necessities of plot and an inevitable romance with the enemy leader prevents her from donning armor and turn warrior before the last 20 minutes of the film proper!; Don Murray, saddled throughout with an unbecoming hair-do, tries to keep his dignity as best he can; Andrew Keir (as Murray's jealous aide and the true villain of the piece), Niall MacGinnis and Patrick Troughton actually give good performances; however, Donald Houston's hammy turn as the High Priest of the Druid community is wildly entertaining - and Wilfred Lawson is equally embarrassing as the doddering and moribund Viking King.

Hammer Studios are, of course, most famous for their Gothic horror films but like any independent studio worth its salt, it chipped in with movies of many other genres that were popular at the time. Sword and sandal flicks were one such sub-genre that was favoured in the 60's and that led Hammer to make The Viking Queen. Set in 1st century Britain, it involves machinations between three sets of inhabitants of those islands – the indigenous Iceni people, the ruling Romans and the Druids. The drama revolves around the queen of the Iceni and the Roman governor, who fall in love but whose relationship has dark consequences.

This movie is historically about as accurate as Hammer's earlier One Million Years B.C. in which dinosaurs co-existed with well-groomed cave people. In this one we have a Viking queen - a few hundred years out and in the wrong country - lead the Iceni people – who were from a completely different part of the country - while the druids seem to worship Roman gods! But the film is hilariously unconcerned with such matters so neither should you be. And to be fair, if you roll with it this is a pretty successfully entertaining bit of hokum. The Viking Queen herself is played by a Finnish actress called Carita, her heavy accent makes her somewhat strange as the leader of the Britons but she has the requisite beauty that puts her into the same bracket as several other Hammer heroines. Like is normal for Hammer too, there are some pretty good character actors underpinning things, including Andrew Keir as the nasty Roman Octavian and Patrick Troughton as the progressively minded Briton, Tristam. Also, like Hammer, the film looks really handsome despite its low budget. The locations look great and the sets and costumes are all nice also. There's some salacious material included too to enliven things further such as a human sacrifice ceremony and a violent assault on the Iceni village by the rampaging Romans. It might all be nonsense but its pretty good nonsense.