Der Sklave der Amazonen

David (Michael Latimer), a hunting guide in the jungle, must dispatch a wounded leopard. In the process, David's inadvertently enters the sacred ground of the white rhino. That is a no-no; so, David must die. He touches the rhino's horn which opens a door to pre-history. We go in with him and the adventure begins.

This is part of the Hammer prehistoric collection and has the same feel, including actresses. The storyline is consistent and well organized. Of course, all the native dances are hokey but what do you expect from a 1967 jungle rendition? One day archaeologists will find that they did wear fur bikinis.

At last, somebody was bold enough to make a movie in which cave people speak English!

Heck, why not? Movie goers have heard English dialogue spoken as the apparent native language of Indians, Africans, Egyptians, Romans, Japanese, Chinese, Martians, Venusians, and Metalunans.

This Hammer production was made on the same sets as "One Million Years B.C.", released the year before. Martine Beswick is featured in both films. Pretty girls abound in this story of two all-female tribes -- one all blond, the other all brunette. The brunettes are ruled by Miss Beswick in royal bear skin cap and a crown of big animal teeth. Her tribe enslaves the blondes, including the well-endowed Edina Ronay. This manless society of frustrated females is discovered by hunter Michael Latimer.

Ah ha! This movie isn't about prehistoric times, it's just about prehistoric women. No wonder they speak English!

"Prehistoric Women" is the most endearing and lovable of Hammer Films' Cave Girls In Trouble films. I fell in love with it instantly during a late night creature feature screening at the age of 14 or so and pursued it for years before finally managing to tape it off cable. Now there are wonderful DVD releases of restored widescreen prints & home entertainment really never had it so good. It's garbage for sure but exquisite garbage, a kitschy sendup of Great White Hunter films that is so poker-faced that one is often tempted to conclude that Hammer was trying to be serious here.

Mesmerizingly filmed on interior soundstages made up to look like what a juvenile might think a jungle resembles, the film packs the visual authority of a classic "Star Trek" episode with a plot more fitting for a Playboy magazine cartoon. It's fun, sexy, campy, never boring, and perhaps the ultimate (sic) Jungal Trash movie, where white Anglo types go to exotic jungle locations to have all sorts of fascinating adventures, while the natives carry the luggage.

Martine Beswick may have found fame as a Bond girl ("From Russia With Love", "Thunderball") but her iconic image as a topless primal sex goddess rising from a dappled fake studio jungle pool will stick with me at least for the rest of my days. One might have wished that the movie had been made a couple years later so she could have turned to face the camera with her wonderful breasts, but half of the film's charm is that it was made during a different era. The tension between the juvenile sex fantasy it suggests and the need for staid British respectability (cough) adds to the fun.

A word must be said about the slack-jawed, lunk-headed portrayal of the native population of wherever this film is supposedly set. It's not racist so much as ignorant, or rather accuracy and cultural sensitivity were not the objectives. Same goes for the misogyny and sexism of the movie, which is buffoonish and groan-inducing, but hey, the target audience was white European males between the ages of 12 and 75, or whenever men stop responding to suggestive fantasies about cavorting with blond slave girls or being dominated by mean, leggy, shapely brunettes. Hubba-Hubba.

If you don't fall into that demographic you might want to try something else a bit more sober, or even better yet just down a couple of adult beverages & have fun laughing at the movie. And surprisingly there really isn't any content that goes beyond PG sensibilities and is actually wholesome enough for subversively twisted family entertainment. Just explain to the kids that it's a cartoon, really, and has about as much in common with the real world as a Three Stooges short. Great escapist guilty pleasure fun, and just as silly as it was in 1967. May it stay just as silly for another forty two years.

7/10; Check out something called "Luana - The Lady Tarzan" for the Italians' take on the themes at work here. The two would make a marvelous double-bill for a kitsch film festival or DVD rental night.

In 1966, Hammer studios gave the world its cave-girl classic One Million Years B.C., which featured a bevy of fur bikini-clad beauties, including the pneumatic Raquel Welch and the lissom Martine Beswick. The next year, obviously unwilling to consign a wardrobe full of skimpy animal-skin costumes to the skip, they also made Prehistoric Women (AKA Slave Girls), a ridiculous jungle adventure which saw Beswick once again playing a wildcat with a nasty streak.

Written and directed by Michael Carreras, Prehistoric Women is technically one of Hammer's weakest efforts: a poorly scripted studio-bound clunker with an unbelievably daft plot and some mind-numbingly bad performances. However, it is also one of those rare films that manages to be consistently entertaining simply thanks to its unrelenting awfulness.

Michael Latimer plays David Marchand, a jungle guide who is taken captive by savage, white rhinoceros worshipping natives who intend to sacrifice him to their god. Just as he is about to be killed, David touches their sacred rhino statue, which freezes time and opens a doorway into a kingdom where a tribe of big-breasted, brunette beauties, led by the heartless Queen Kari (Beswick), have enslaved a tribe of equally-buxom blonde babes.

After falling for a slave girl named Saria (Edina Ronay), and witnessing Kari's cruelty, David vows to help the blonde women overthrow their oppressors, a task made all the more difficult when he is clapped in irons for spurning Kari's sexual advances.

Featuring loads of native song and dance numbers to pad out the action (including a nifty solo routine from Beswick, who might not be the prettiest of Hammer's women, but certainly has one hell of a hot bod!), the occasional cat-fight, a gloriously naff jungle battle, and a silly surprise ending that makes no sense whatsoever, this film is sheer nonsense from start to finish. But it's fun nonsense, which earns itself a rating of 6/10 from this easily pleased viewer.

And, if nothing else, I did learn a vital lesson in jungle survival: never bow down in front of a charging rhino (even if it looks like it is made from papier-mâché and is being pulled along on a trolley!).

There's a scene at the beginning, which continues at the end, forming a frame for the main portion of this tale, and features a tribe of Negroes dancing. The star of this show is a young woman wearing her bottom very low on her slender loins.

Later, Martine Beswick, as the evil queen, does a strip tease/bikini dance to entice her male captive. He rejects her, so I doubt his balls are intact! Then she gets pissed and lashes out at him with a whip.

I suspect this movie is some brunette's fantasy about brutalizing the blondes they are jealous of, since the slave girls are all blondes, and the mistress race is all brunette.