Der Foltergarten des Dr. Diabolo

Amicus always managed to get great casts for their anthological films especially, and the fact that one or two decent American actors/actresses are present here merely, emphasises the point.

Burgess Meredith plays Dr. Diablo with marvellous relish in the linking story about a fairground charlatan who presides over "the sheers of fate" (held by an actress who can't keep still!).

Predictably, the stories are of variable quality and, like Dr. Terror's House of Horrors, some of the execution is stagey, mainly because the sets are so cheap-looking.

Story 1 about a dead witch who possesses a cat and causes a inheritor to rue his greediness is satisfactorily macabre and entertaining; Story 2 is more mysterious than horrific but the story about androids is, at least, relatively original; Story 3 is a distinctly silly episode about a piano "with a mind of it's own", who kills it's player's lover; Story 4, however, is the "piece de resistance" about the resurrection of Edgar Allan Poe (wonderful idea by Robert Bloch!). The performances in this story are also worthy of mention - Jack Palance almost puts Peter Cushing in the shade with his eccentric hamminess as a Poe fanatic, but both of them really do bring the best out of the script.

Overall, this compendium has it's faults but some of it's excellent acting and inventive script-writing push it to my second favourite Amicus film (behind The House That Dripped Blood).

I'm a big fan of the horror anthology film in general. I'm an especially big fan of the ones made by Amicus. This is the second of their portmanteau films, following Dr. Terror's House of Horrors. This isn't their best but it's still entertaining. It's written by Robert Bloch and directed by Freddie Francis. There are four stories plus the linking/wraparound story.

The first story is "Enoch," about a no-account who causes the death of his uncle while trying to extort money from him. Later he discovers the bizarre source of his uncle's wealth: a telepathic cat named Balthazar with a peculiar appetite. A weird but unique tale. The next story, "Terror Over Hollywood," is the weakest. An ambitious (and unlikable) actress discovers the secret of how movie stars stay so youthful-looking. Lame. The third story is "Mr. Steinway," about a reporter who becomes involved with a concert pianist. Too bad his piano is the jealous type! A little silly but fun. Finally, there's "The Man Who Collected Poe," which is about two Edgar Allan Poe collectors (Jack Palance, Peter Cushing) and the extremes they go to for the sake of their obsession. This is my favorite story in the film.

The linking story has a sideshow showman named Dr. Diablo (Burgess Meredith) taking five people into a back room where they get to see their future. This leads into the other stories and finishes the movie with the expected twist about Diablo that, while amusing, will surely surprise no one. The best stories are the first and the last but the linking story is fun in its way, due to Burgess Meredith's performance. As I said, this isn't one of Amicus' better horror anthologies but it isn't bad either. The segments are interesting and feel fresh, not just rehashes of older stories. It's a good time-passer.

A collection of short horror episodes where freak show proprietor Burgess Meredith invites a group of patrons to experience their own futures. The best, in my opinion, is the one with Jack Palance, who is a great admirer of Poe. He visits the private collection of the world's foremost collector of Poe memorabilia, only to find the true source of the collection.

Another character has his comeuppance, tortured by a cat--payment for his greed, irresponsibility, and impatience.

In another, a greedy, ambitious young woman plays her cards too well, but overlooks something which proves here undoing.

In the silliest, a young blonde gets between a man and his love for his "killer" piano. As a matter of fact, as killer piano movies go, it's one of the best.

The stories are uneven in quality, but are well produced and interesting. I would give this a marginal recommendation. It has a very good cast and reasonably good script.

After seeing "The Torture Garden" I have now seen every Amicus anthology. The wrap around story is particularly interesting; especially since I am a big fan of circus sideshows/midway attractions. Anyways; Burgess Merideth plays the evil carnival barker; ushering in 5 un suspecting people; and telling them to look into the shears of a wax figure. In the shears each person see's a sin that will be committed in their future; giving them an opportunity to stop it.

The problem with Torture Garden is that it's like a bad sandwich; the meat is so awful; it makes you want to throw it away and eat the bread. The first story and the last story are very good; but the two in the middle are very stale and boring.

Overall; this is definetly worth buying; especially for a fan of classic horror and while the second and third stories are infact "Torture"; the first and last make up for it. The wrap around story is superb and the ending is quite surprising.

Rating: 7.7/10

A special sideshow torture exhibit has the power, according to showman Dr. Diablo, to warn people of evil in their futures. Ore by one, skeptical customers stand before the Fate Atropos to be shown the greed and violence they are hiding.

This has been called the worst of the Amicus anthologies. That may be true, but it is still enjoyable. Written by Robert Bloch ("Psycho"), starring Burgess Meredeth, Peter Cushing and a young Jack Palance, and directed by Freddie Francis... how can you go wrong?

Some stories are better than others. The cat story was a bit weak, whereas the Hollywood tale was pretty good and "Man Who Collected Poe" was probably the best, if for no other reason than it featured a Poe-themed house.

Interestingly, we have a being named "malfeasor" (literally "wrongdoer"), which seems to clearly be the inspiration behind the villain in "Witchboard".