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A special sideshow torture exhibit has the power, according to showman Dr. Diablo, to warn people of evil in their futures. Ore by one, skeptical customers stand before the Fate Atropos to be shown the greed and violence they are hiding.

This has been called the worst of the Amicus anthologies. That may be true, but it is still enjoyable. Written by Robert Bloch ("Psycho"), starring Burgess Meredeth, Peter Cushing and a young Jack Palance, and directed by Freddie Francis... how can you go wrong?

Some stories are better than others. The cat story was a bit weak, whereas the Hollywood tale was pretty good and "Man Who Collected Poe" was probably the best, if for no other reason than it featured a Poe-themed house.

Interestingly, we have a being named "malfeasor" (literally "wrongdoer"), which seems to clearly be the inspiration behind the villain in "Witchboard".

"Torture Garden" is, overall, a fun if unexceptional horror anthology from Amicus, a company that specialized in that sort of thing for a number of years. With a screenplay written by Robert Bloch of "Psycho" fame, and efficient direction by Freddie Francis, it's unfortunately a little uneven. It's divided into four segments, and segments two and three aren't quite as punchy, and more amusing than anything; segment one, which is rather leisurely paced, would have been better off as the third in the movie.

The ever wonderful Burgess Meredith is a sort of host for the proceedings, playing a sideshow personality named Dr. Diabolo, who takes various customers into his "torture garden" and places them in front of an exhibit that can foretell their futures, and see the darkness buried within each of them.

"Enoch" stars Michael Bryant as Colin, a man in need of money who thinks he'll get it from his dying uncle (Maurice Denham). After accidentally causing the old man's death, he discovers what kinds of secrets his uncle had been keeping, and they revolve around a spooky "cat" that will develop a powerful hold on him. This is interesting and atmospheric stuff, with a great denouement and enjoyable shock moments.

In "Terror Over Hollywood", cunning and ambitious young actress Carla (Beverly Adams) manages to make the acquaintance of some power players in the business, including veteran star & producer Bruce Benton (Robert Hutton). She soon finds out that there's a reason why Benton and company are able to maintain a facade of youth. This leads to a real hoot of a revelation, which gives this episode its element of "horror".

"Mr. Steinway" is definitely something different: the only story this viewer has seen that can claim to be a love triangle between a journalist, Dorothy (Barbara Ewing), a star pianist, Leo (John Standing), and Leo's piano. Yup, a musical instrument. This is rather cheesy stuff, and entertaining, but hardly scary.

Peter Cushing and Jack Palance star in "The Man Who Collected Poe", about two men obsessed with the legendary author. Ronald Wyatt (Palance) is determined to find out everything that he can about just what kinds of things Lancelot Canning (Cushing) is hoarding. As it turns out, Lancelot truly has the treasure to beat them all. At least we can say that this movie ends with the best story of the bunch.

Taken as a whole, the movie is enjoyable for horror fans, although it is somewhat plodding and has its ups and downs. The top notch cast makes it a worthy viewing; John Phillips, Michael Ripper, Bernard Kay, David Bauer, Niall MacGinnis, Hedger Wallace, Clytie Jessop, and Timothy Bateson also appear. It's also noteworthy for having American stars (Palance and Meredith) be top billed. It's not the best of the Amicus anthologies, but it's not bad at all either.

Seven out of 10.

There is not very much to add here. Torture Garden is entertaining and has a good amount of atmosphere and some good performances but is also a rather uneven film, and there are stronger Amicus anthology films around (understandably as this was a reasonably early effort for them). Also agree with the general consensus that the first and last segments are the best and the second and third come up short.

The story linking the four segments is mostly very well done, it's suspenseful, it's fun, intriguingly written, ties the segments beautifully and succinctly and it has the bonus of having Burgess Meredith playing his tailor-made role with delicious relish. Some might find that the carnival setting's somewhat gaudy, but to me that was effective, it suited the atmosphere and carnivals are so in the first place anyway to an extent. It is a shame though that Diablo's real identity was a little too obvious and the ending can be smelt a mile off.

Of the four segments, The Man Who Collected Poe comes off the most successfully. It is very macabre, very intelligently written and has a good deal of suspense. It is also the best-looking segment of the four, with the Gothic atmosphere evoked wonderfully. Jack Palance is devilishly enjoyable here, he's over-the-top but also very menacing, vintage Palance really. Peter Cushing proves himself to be a great contrast, a more subtle performance but very dignified and urbane. Enoch has a very creepy ambiance and doesn't go through the motions at all with the scares. The cat didn't look too cute personally, and does bring the right amount of chills as the antagonist of the story.

Conversely, Terror over Hollywood and particularly Mr. Steinway don't fare anywhere near as strongly. Terror over Hollywood at least had a very intriguing subject, but it descend into weird silliness often and while striking Beverly Adams is rather too pretty and lightweight for the over-ambitious diva, when she does try to bring some menace or hard edge it feels very forced. Mr. Steinway is very dull from the get go and goes so overkill in the absurdity factor that it is really difficult to take seriously or be scared by it, only the piano's unsettling final attack prevents it from completely falling apart. John Standing is also rather bland here.

Visually, Torture Garden's not one of the better-looking Amicus anthology productions and it's less than beautiful-looking, but it doesn't look too cheap at all either. In fact, it's very competently made and gives off a very nice atmosphere. Some of the sets are a touch tacky, with the exception of The Man Who Collected Poe and the appropriate carnival setting and the editing occasionally may lack slickness, but it's very stylishly shot, that takes maximum Gothic effect to imaginative heights, and the lighting's not too garish, in fact the use of colour is very like watching a Mario Bava film. James Bernard's score is rousing, haunting and thrillingly booming, Robert Bloch's script is skillful and combines many horror elements with wit and creepy atmosphere without feeling too over-stuffed and Freddie Francis directs engagingly at least for the first and last segments and the linking story. And while the acting in Torture Garden is very varied, Palance, Cushing and Meredith are incredibly strong and are more than enough to make one stick with the film.

Overall, entertaining and above-decent but uneven, with one outstanding segment, one great segment and two misfires, along with a compelling story linking them together. Worth seeing also for the strong performances from Palance, Cushing and Meredith. 6.5/10 Bethany Cox

I'm a big fan of the horror anthology film in general. I'm an especially big fan of the ones made by Amicus. This is the second of their portmanteau films, following Dr. Terror's House of Horrors. This isn't their best but it's still entertaining. It's written by Robert Bloch and directed by Freddie Francis. There are four stories plus the linking/wraparound story.

The first story is "Enoch," about a no-account who causes the death of his uncle while trying to extort money from him. Later he discovers the bizarre source of his uncle's wealth: a telepathic cat named Balthazar with a peculiar appetite. A weird but unique tale. The next story, "Terror Over Hollywood," is the weakest. An ambitious (and unlikable) actress discovers the secret of how movie stars stay so youthful-looking. Lame. The third story is "Mr. Steinway," about a reporter who becomes involved with a concert pianist. Too bad his piano is the jealous type! A little silly but fun. Finally, there's "The Man Who Collected Poe," which is about two Edgar Allan Poe collectors (Jack Palance, Peter Cushing) and the extremes they go to for the sake of their obsession. This is my favorite story in the film.

The linking story has a sideshow showman named Dr. Diablo (Burgess Meredith) taking five people into a back room where they get to see their future. This leads into the other stories and finishes the movie with the expected twist about Diablo that, while amusing, will surely surprise no one. The best stories are the first and the last but the linking story is fun in its way, due to Burgess Meredith's performance. As I said, this isn't one of Amicus' better horror anthologies but it isn't bad either. The segments are interesting and feel fresh, not just rehashes of older stories. It's a good time-passer.

After seeing "The Torture Garden" I have now seen every Amicus anthology. The wrap around story is particularly interesting; especially since I am a big fan of circus sideshows/midway attractions. Anyways; Burgess Merideth plays the evil carnival barker; ushering in 5 un suspecting people; and telling them to look into the shears of a wax figure. In the shears each person see's a sin that will be committed in their future; giving them an opportunity to stop it.

The problem with Torture Garden is that it's like a bad sandwich; the meat is so awful; it makes you want to throw it away and eat the bread. The first story and the last story are very good; but the two in the middle are very stale and boring.

Overall; this is definetly worth buying; especially for a fan of classic horror and while the second and third stories are infact "Torture"; the first and last make up for it. The wrap around story is superb and the ending is quite surprising.

Rating: 7.7/10

A collection of short horror episodes where freak show proprietor Burgess Meredith invites a group of patrons to experience their own futures. The best, in my opinion, is the one with Jack Palance, who is a great admirer of Poe. He visits the private collection of the world's foremost collector of Poe memorabilia, only to find the true source of the collection.

Another character has his comeuppance, tortured by a cat--payment for his greed, irresponsibility, and impatience.

In another, a greedy, ambitious young woman plays her cards too well, but overlooks something which proves here undoing.

In the silliest, a young blonde gets between a man and his love for his "killer" piano. As a matter of fact, as killer piano movies go, it's one of the best.

The stories are uneven in quality, but are well produced and interesting. I would give this a marginal recommendation. It has a very good cast and reasonably good script.

Dr. Diablo (Burgess Meredith) runs a circus carnival sideshow called Torture Garden. In there he offers to tell four people their futures which we then see played out. Story 1 has a man (Michael Bryant) letting his uncle die to search for the money he thinks the old man has hidden. Instead he finds a lethal cat. Story 2 has starlet Carla Hayes (Beverly Adams) discovering why stars stay looking so young. Story 3 has a woman fall in love with a world famous pianist--until his piano gets jealous (don't ask). Story 4 has Jack Palance playing an Edgar Allan Poe fanatic who plans to rob a Poe collector (Peter Cushing) but finds more than he bargained for.

OK--story 1 and 4 are easily the best. Story 2 is pretty stupid and story 3 is just ridiculous--the good acting keeps it from completely falling apart. The acting, with the sole exception of Adams, is very good--Bryant is excellent and Meredith and Palance chew the scenery. Adams is a very beautiful woman--but no actress. Also, for some reason, story 1 has an excellent music score which is completely missing from the rest of the film. There's very little blood or violence here and the "twist" ending comes as no surprise. A real mixed bag here--this isn't as good as "The House That Dripped Blood" or "Dr. Terror's House of Horrors" but worth a look for horror fans. Robert Bloch wrote all four stories too.

Just like their main rival Hammer Films, British production company Amicus Productions was attempting to conquer the lucrative horror market in the 1960s and 70s. While Hammer found success with their literary properties such as Dracula, Frankenstein and the Wolf Man, Amicus found a niche in portmanteau films; anthology tales containing multiple stories, with each featuring one of the hapless chumps gathered together for the opening scenes. The first was Dr. Terror's House of Horrors, directed by Freddie Francis and starring Peter Cushing, and Terror's moderate success led to Torture Garden, with both director and star returning. We open at a fairground sideshow, where showman Dr. Diablo (Burgess Meredith) is inviting customers into his tent for some cheap thrills. When the group fail to be impressed by Diablo's shtick, he dares them behind the curtain where more terrifying revelations await them. It will cost them an extra five bob though.

Naturally, the group's curiosity gets the better of them, and they proceed behind the curtain. Awaiting them is a motionless fortune teller (Clytie Jessop) holding a pair of shears. Stare into the shears, Diablo tells them, and their destiny will appear before them. First up is Colin (Michael Bryant), who holds back his rich uncle's (Maurice Denham) medicine as he lays dying in the hope of finding out where his dough is hidden. The uncle dies however, so Colin searches for the loot. What he stumbles upon is a demonic cat who demands murder in exchange for gold coins. Next is Carla (Beverly Adams), a Hollywood up-and-comer who steals her best friend's date for the night, and winds up at the table of big time producer Eddie Storm (John Phillips) and heartthrob actor Bruce Benton (Robert Hutton). Benton has been around for years but hasn't seemed to have aged a day. She soon discovers his secret and the reason why stars of the silver screen maintain their youthful beauty. The third story, seen through the eyes of Dorothy (Barbara Ewing), tells of her doomed romance with concert pianist Leo (John Standing), and how their relationship comes under threat when Leo's piano becomes jealous with murderous rage.

Torture Garden saves the best story for last, and features two screen heavyweights in Jack Palance and Peter Cushing. In The Man Who Collected Poe, Palance plays Poe enthusiast Ronald, who visits renowned Poe collector and the possessor of the greatest screen name ever, Lancelot Canning. Canning has collected everything from the great writer's possessions to his actual manuscripts, but Ronald notices that some of these unpublished writings have been scribbled on 1966 paper. Like all anthology films, some stories work better than others. The first three segments range from passable to downright terrible, with the third part, Mr. Steinway, proving the most ridiculous and forgettable. Amicus would go on to make more, such as The House That Dripped Blood, Tales from the Crypt and The Vault of Horror, and Torture Garden may just be the most disposable of the bunch. It's worth seeing for Palance and Cushing trying to out-ham each other in what is the only truly engrossing story of the bunch, and Burgess Meredith has fun in what is essentially a re-hash of his Penguin character from the Adam West Batman television series. As a complete film, it's both too camp to be scary and not camp enough to be charming.

TORTURE GARDEN is the second in a series of seven Amicus horror anthologies. If THE MONSTER CLUB is included as part of the series, this would make eight movies. Although, that movie is very different from the others.

I look upon the Amicus anthologies with great memories as I used to love them when I was in my teens. My feelings for them today are just as strong.

TORTURE GARDEN is a very misleading title for this movie because there is no torture and no garden.

The movie has been unfairly maligned by IMDb users. I will put up an argument in its defence.

The linking story in this movie is easily one of the best found in Amicus anthologies. It provides a long but highly interesting introduction that had me hooked from the first moment. Burgess Meredith gives a truly magnificent performance as the sinister showman, Dr. Diabolo. He persuades a group of fairground visitors that he can show them real horror. Four of the visitors have their futures predicted and this constitutes the framework for the stories.

The first story sees Michael Bryant as a somewhat opportunistic young man who allows his uncle to die just so he can get his hands on his money. The uncle has a mysterious cat that leaves coins behind every time someone is killed. Bryant ends up going on a mini killing spree to get the money. In the end, he goes crazy and is locked up. He thinks he's free of the cat, but is he? Watch and see. This story provides a solid start to the movie. Michael Bryant gives a great performance as a greedy man who is driven to insanity.

The second story takes a very different course to the first. In this quirky tale, Beverly Adams plays an actress determined to find out why other actors manage to stay young. This story is very much maligned. I admit that one really has to suspend disbelief when viewing this story but I found it entertaining and Miss Adams looked very glamorous in her part.

The third story sees Barbara Ewing as a journalist falling in love with a pianist, played by John Standing. This strange piano with a mind of its own becomes jealous of their affair and decides to do something about it. This is easily the weakest story in the movie. It not only requires suspension of disbelief but is mostly boring to sit through. The end is unintentionally funny but not really entertaining enough to endure the rest of the story for. John Standing is very bland in his role and his performance is flat and lifeless. However, he can't really be blamed for that given the absurd story he has to work with. Barbara Ewing fares better, giving everything she's got, but even she can't save this story.

The final story and easily the best puts the movie back on track. Jack Palance is a fanatic of Edgar Allan Poe's work. He meets a fellow fanatic, played by the late great Peter Cushing. Cushing lets him into a secret - Poe has come back from the dead and is writing new stories. The finale of this story is very confusing but interesting to watch. Jack Palance does little more than stand around smoking a pipe in this and the linking story. Another IMDb user has stated on the comments page that Christopher Lee would have been a better choice for the role. I certainly agree with that analogy.

Freddie Francis directs the material he is given very well, adding a particularly unique effect at the end of each story. When the transition is made from a story back to the linking story, a pair of scissors is seen and heard cutting a ribbon. This creates the effect of snapping both the character and the audience out of what is presented as a kind of nightmare. Some excellent camera angles in the first story help to make it seem more macabre than it really is. Some intelligent editing is employed in the third story to try covering up its absurdity.

Overall, TORTURE GARDEN has its flaws but is a must-see for fans of the Amicus anthologies, fans of other Amicus movies or fans of portmanteau horror movies. If my summary provides the movie with enough appeal in your eyes, check it out. You'll enjoy it!

Amicus' second of eight horror anthology features, following the box office success of DR. TERROR'S HOUSE OF HORRORS (1965), is the weakest of the bunch. And that's rather unfortunate since this one boasts portmanteau specialist Freddie Francis at the helm, Robert (PSYCHO) Bloch in charge of adapting his own short stories and such big names as Burgess Meredith, Jack Palance and Peter Cushing rounding out the cast. At a carnival, feisty Dr. Diablo (Meredith) shows off his "Torture Garden" horror exhibit to paying customers and as a special treat allows five patrons to come into a back room to have their futures predicted by a statue of the goddess Atropos (Clytie Jessup - seemingly having a difficult time staying still!), who holds "the shears of fate." We then get four terror tales, two that are decent (though really nothing spectacular) and two that are rather weak.

In "Enoch," greedy Colin Williams (Michael Bryant) discovers he's the sole heir of his terminally ill Uncle Roger's (Maurice Denham) estate. Before Colin can discover where his estranged relative's never-ending surplus of gold coins is coming from, his uncle passes on. Colin then searches the mansion, finds a secret hatch under a bed leading to an underground crypt and digs up a coffin. Inside are a skeleton and still-living cat. The cat turns out to be an evil witch's familiar who can provide wealth in exchange for being fed human flesh! Next up in "Terror Over Hollywood," unscrupulous, fame-hungry starlet Carla Hayes (Beverly Adams) will do anything to make it in the movies. She ends up getting her big break (or so she thinks) after being cast in a lead role opposite timeless superstar Bruce Benton (Robert Hutton) but then discovers top Hollywood players are being replaced by synthetic doubles. I suppose that explains this segment's robotic acting. Tale #3 (the silliest of the bunch) is called "Mr. Steinway" and finds Dorothy Endicott (Barbara Ewing) falling in love with pianist Leo (John Standing), only to discover his prized piano is haunted by the spirit of his domineering late mother.

The final segment - "The Man Who Collected Poe" - will probably provide the most interest to horror fans. It stars Jack Palance as abrasive and obsessive Edgar Allan Poe enthusiast Ronald Wyatt, who meets his match when he comes across wealthy Poe collector Lancelot Canning (Peter Cushing). Canning reluctantly allows Wyatt to accompany him back to his home to show him part of his extensive collection of Poe memorabilia, including some unpublished manuscripts. Wyatt gets a little pushy and violent; eventually finding out that one particular piece of the collection sets it part from any other. This tale, along with the first one, make this uneven anthology worth a look. The wraparound segments (also featuring Michael Ripper as a customer who doesn't seem to want his future foretold) and production values are adequate.

Amicus always managed to get great casts for their anthological films especially, and the fact that one or two decent American actors/actresses are present here merely, emphasises the point.

Burgess Meredith plays Dr. Diablo with marvellous relish in the linking story about a fairground charlatan who presides over "the sheers of fate" (held by an actress who can't keep still!).

Predictably, the stories are of variable quality and, like Dr. Terror's House of Horrors, some of the execution is stagey, mainly because the sets are so cheap-looking.

Story 1 about a dead witch who possesses a cat and causes a inheritor to rue his greediness is satisfactorily macabre and entertaining; Story 2 is more mysterious than horrific but the story about androids is, at least, relatively original; Story 3 is a distinctly silly episode about a piano "with a mind of it's own", who kills it's player's lover; Story 4, however, is the "piece de resistance" about the resurrection of Edgar Allan Poe (wonderful idea by Robert Bloch!). The performances in this story are also worthy of mention - Jack Palance almost puts Peter Cushing in the shade with his eccentric hamminess as a Poe fanatic, but both of them really do bring the best out of the script.

Overall, this compendium has it's faults but some of it's excellent acting and inventive script-writing push it to my second favourite Amicus film (behind The House That Dripped Blood).

Okay, this was a decent picture of anthology horror. Four stories here, possible futures .

The first is one where a greedy nephew kills his uncle, only to unleash an ancient horror.

The second, a young starlet does anything to get ahead, to her tragic demise.

The third, a grasping girlfriend confronts her boyfriend's haunted piano. This is the silliest of the four, really.

The fifth involves a Poe fanatic who discovers a fellow Poe fanatic has resurrected the writer, with horrific results. Probably the best story, but Jack Palance looks silly trying to affect an effete British accent.

Ideally suited to someone like me who has little or no attention span left to movies; 4, maybe 5 short takes of macabre with a wraparound involving Dr Diablo, who may or not be the Devil, introducing a number of people to their possible futures thanks to Destiny's hands of fate cutting threads of life or something.

A guy and a cat in the brain, an actress gets a job for life, a killer piano and an Edgar Allan Poe fan club meet from the pen of Robert "Psycho" Bloch.

It's kind of fun spotting the twists or guessing the punchline as each gets more morality forced down their throat in order for them to CHANGE THEIR WAYS! Proving this has less to do with Dead of Night than A Christmas Carol.

In terms of horror it's pretty soft and amiable but equally instantly forgettable.

I'm a fan of the Amicus horror anthologies, but Torture Garden, despite a promising title, was pretty weak. Most of the stories, despite being written by Psycho scribe Robert Bloch, are on the level of really lame episodes of The Twilight Zone.

The only stand-out is the Poe story, and Jack Palance's hammy creepy performance; this is one of my most favorite things the character actor has ever done, and it completely goes against "type," creating a hysterical, utterly nutty character of the stripe Vincent Price usually plays. Cushing is also good in this story, but he's playing straight man to Palance so he doesn't have a whole lot to do other than be foreboding and "Cushingly." The Poe segment was really on the level of the AIP Poe anthologies, and would have fit right in.

Mention should also be made of Burgess Meredith as "Dr. Diablo," who gleefully exudes evil and chews the scenery while wearing a top-hat and smoking from a long cigarette-holder (not unlike the Penguin character he was playing at the same time on the Batman TV series). However, Meredith's cackling ham isn't enough to recommend this film for anything other than the Poe segment. And as far as the Amicus end-of-movie twists go, the one in this movie is pretty lame. My advice is to fast-forward to Poe, then fast-forward towards the end framing-sequence which briefly picks up the Poe thread once again.

This has a splendid opening with the fairground and staring Burgess Meredith really good as the man in change and introducing us to the Robert Bloch written anthologies four little films. The first one is okay with the black cat and the dying uncle as Maurice Denham but seems to drag. The last story as The Man Who Collected Poe is rather good with Jack Palance, a little over the top but still always nice to see him, and of course Peter Cushing who is always, surely, better than everyone. It is nicely done and a very impressive tale. Unfortunately the two middle ones are not at all good. Terror Over Hollywood is poor and although Beverly Adams tries but she seems too young for the part. With the Mr Steinway, which I suppose the story is given a decent name, but the killer piano is terrible. Back to the end Meredith again and if we know what is going to happen it is still pretty good and I liked how the scissors gets them each time.

Freddie Francis directed this four-part horror anthology told by carnival sideshow barker Dr. Diablo(played by Burgess Meredith) to his eager patrons wanting to know about their futures. Tales are: 'Enoch' - An heir discovers evil sorcery at work in his new cottage. 'Terror Over Hollywood' - A young woman discovers why some celebrities don't appear to age, much to her regret. 'Mr. Steinway' - A woman finds that her romantic rival is a piano. 'The Man Who Collected Poe' - Starring Peter Cushing & Jack Palance as Poe enthusiasts who discover that one of them has taken things too far. Mediocre film has three weak first tales before a memorable final one; it's quite good, but the film as a whole is not.

A very good anthology of tales, written by Robert Bloch and directed by Freddie FRancis, for Amicus, an icon of this kind of movie. The tales are uneven, sure, but they are all at least good, till the perfect final one, the Man who collected Poe, with Jack Palance and Peter Cushing, a great idea, and a marvelous tale to watch. Very good Burgess Meredith as Diabolo the Great, the host for these tales. Unfortunataly for us all, this kind of movies are a thing from the past and today we don't get any more gems like this. A must see

Not as good as Dr Terrors House of Horrors. This really is a B movie, the piano one is okay, as is the Edgar Allan Poe, but overall it's weak, especially the ending, the acting is hammy, the sets are basic, I'd much more recommend the Twilight Zone instead.

I didn't think the cinematography was all that good either and the the cast are kind of wasted on this material. The main problem though is in the script writing.

I'm slightly surprised by all the positive reviews here because I really didn't think the film was anything special but really quite ordinary, lacking any charm or actual scares.