Testa di sbarco per otto implacabili

The king of average, mediocre Italian action movies, Alfonso Brescia, does his best work in this action-packed, anti-war commando story, released in 1967. "Hell in Normandy" may not be the best of a slew of Italian "commando" movies, but it's somewhere near the top of the pile, simply because Brescia manages to pack so much into a 90-minute running time.

American commandos, led by Captain Murphy (Guy Madison), parachute into occupied Normandy, where Lt. Strobel (Peter Lee Lawrence), a German spy, helps them penetrate a flamethrower installations which threatens the landings on Omaha Beach. Murphy is skeptical of his mission's practicality, but Strobel is fanatically dedicated to destroying the base, and the two butt heads several times before the film's bullet-ridden climax.

This was an Italian-French co-production, and was quite possibly shot in France – this is noticeable in the first few shots. For once, an Italian war films opens with the landscape actually looking like the country it represents. I can't count the times I've seen semi-arid climates and rock quarries passed off for "southern France", so Brescia's choice of shooting locations earns him major points in my book. The movie looks just as real throughout – uniforms, weapons, vehicles and sets all look very authentic. Many Italian directors, such as Leon Klimovsky and Umberto Lenzi, disregarded accuracy in favor of action, and that damaged their credibility. Here, one can respect the time and money Brescia puts into making his film look credible.

This was Guy Madison's first Italian war movie, and he hasn't grown comfortable yet in a part which he would eventually own in the genre – he's starred in several similarly-themed films, each helmed by a different director. Man, does this guy get around! That said, he seems a bit unsure of himself as Captain Murphy, quite possibly because the role has its limitations. Murphy is cynical and critical of the way his mission was planned by superiors and how he's been ordered to execute it, but that's about all he gets to say – and he says it so many times that his dialog gets old and worn out very fast.

In direct contrast, Peter Lee Lawrence seems to be enjoying himself as Lt. Strobel, and has plenty of good dialog as well as some physically active scenes to be involved in. From the moment we meet him, Strobel is obsessed with the success of his mission, even if it means killing anyone who gets in his way. But he also has a tender side, demonstrated in his love for the French partisan girl Denise (Erika Blanc), a relationship which never gets the full development it deserves.

Brescia then loads his supporting cast with familiar names and faces, most notably, Max Tarilli ("Hornet's Nest"), an always under-used and under-appreciated actor. Here, Tarilli is a vicious German Corporal who is hot on the trail of Murphy's commandos, and never ceases in his search. It's refreshing to see what talent Tarilli has, and he never appears less than fully convincing as the vicious-Nazi-type. Massimo Carocci, Pierre Richard, Giuseppe Castellano, Luciano Catenacci, Gianni Pulone, and Giovanni Ivan Scratuglia all have small parts, too, which give a necessary boost.

When stacked up against similar films, such as "Where Eagles Dare", "Attack and Retreat" or "Tobruk", this little action story doesn't hold up as well. But Brescia takes his craft seriously, and earnestly tries to make everything look and sound as good as possible given the circumstances. "Hell in Normandy" is a well-meaning war film with a good premise and enough good acting, suspense and violent action to keep it entertaining, even if it is all clichéd.

SGT. SLAUGHTER'S RATING: 3 Bullets

The enjoyably frantic 'Hell in Normandy' is a boisterously fun Italo-French WW2 actioner from infamous exploitation director Alfonso Brescia. While clearly under-budgeted, he effectively utilizes some authentic looking locations, and is blessed with a cracking cast, namely B-cult heroes Guy Madison, Peter Lee Lawrence and the positively incandescent heavenly body Erika Blanc! While Brescia is, perhaps, better known for unleashing his torrid grindhouse duo of 'The Beast in Space' and Sci-schlock disasterpiece 'Star Odyssey' on a wholly unprepared world, happily, Brescia also proves himself a capable B-Action filmmaker, jollying things along at a bracing pace, ably constructing some terse interludes, plus orchestrating a rowdy number of bullet-shredded exchanges as the daring squad's Gung-ho 'Suicide Mission' comes to a satisfyingly explosive climax! 'Hell in Normandy' is a rumbustious, hell-for-leather, switch the brain off for 90 minutes WW2 yarn that gives the luminous, flame-haired Euro-starlet Erika Blanc a chance to shine as heroic resistance fighter Denise.

Spaghetti/War film about a misfit outfit led by Guy Madison who carry out a suicide mission behind enemy lines , in Omaha Beach . The movie is set during World War II in the days just prior to the D-Day invasion. A special parachute unit is sent to destroy a German flame thrower installation on Omaha Beach . A group of two-fisted soldiers formed by various experts are drafted to go on a near-suicide mission and attempt to destroy an installation from a Nazi fortress . ¨Hell in Normandy ¨ is an entertaining film with Guy Madison as a stiff officer along with Peter Lee Lawrence posing as a Nazi lieutenant . Guy Madison leading a group of motley and eclectic soldiers for a dangerous assault on a beach . In the hands of hardboiled director Alfonso Brescia , alias Al Bradley , and a tough-as-leather cast , that's all the plot that's needed to make one rip-roaring wartime flick . Madison's mission is two-fold and in violent and cynical style : first turn his G.I.s into a valiant fighting unit being parachuted , then turn them loose on a French location in Normandy where they run into partisans (Erica Blanc) and there Lt. Strobel (Peter Lee Lawrence), a German spy, helps them penetrate a flamethrower installations which threatens the landings on Omaha Beach . The first half of the film allows the colorful cast of character actors to have their fun as they get their tails whipped into shape and develop shaky relationship with their leader . The final part is all action , as the brave commando wreak havoc and then run for their lives . The dangerous mission includes a selected group formed by a motley and varied squadron played by usual of Italian B-series . This is a rugged WWII actioner concerning about an experienced officer , he's assigned by Military staff to train a group of valiant G.I.s who get a chance to redeem themselves and later on , they pull off a extremely risked assignment called ¨Operation Gambit¨ . At the end they must participate in the suicidal mission behind the enemy lines , to wipe the German group by means of a violent assault over a strongly protected position .

Guy Madison as Capt. Jack Murphy assumes the character of commando leader along with Peter Lee Lawrence as Lt. Strobel in this ordinary wartime movie regularly directed by Al Bradley . This moving film packs frantic thrills , perilous adventures , relentless feats , and buck-loads of explosive action and violence . The noisy action is uniformly well-made , especially deserving of mention the rip-roaring final scenes on the beach fortress , including some spectacular shootouts , firing and bombing . Apart from the values of team spirit , cudgeled by Madison into his varied group , the film is full of feats , shots and thrills though contains excessive dialog and a lot of night scenes . The notorious Spaghetti actor , Peter Lee Lawrence is good in his usual tough role , here playing the unshakable lieutenant Strobel . Blond German youth Peter Lee Lawrence, who made his uncredited debut in Sergio Leone "For A Few Dollars More" (1965), was the hero in many Spaghetti Westerns. His short cinematographic history can be enclosed in nine years of Italo-Spain co-productions such as "More Dollars for the MacGregors" , ¨Winchester justice¨,"Pistol for a Hundred Coffins", ¨The man who killed Billy the Kid¨ , ¨Fury of Johnny Kid¨ and several others . Rough Guy Madison is good as leader of the motley pack together thwart the Nazi schemes, as well as the largely secondary cast with special mention to Philippe Hersent , Pierre Richard , John Bartha and Giovanni Ivan Scratuglia as Navy officer , all of them habitual secondary players in multiple Italian films and mostly playing brief interventions . Atmospheric and functional musical score and mediocre cinematography in Eastmancolor filmed by Fausto Rossi , being necessary an urgent remastering because the film copy is washed out . This is a wartime typical vehicle and into the ¨warlike commando genre¨ , in USA style which also belong the American classics as : ¨Dirty Dozen (Robert Aldrich) ¨ Where eagles dare(Brian G. Hutton) and Kelly's heroes(Hutton ), Tobruk (Arthur Hiller), Devil's Brigade (Andrew V McLagen) and many others .

The film is middling directed by Alfonso Brescia . He began directing muscle-men epics as "The Conqueror of Atlantis" ; ¨ The magnificent gladiator¨, ¨La Rivolta dei Pretoriani¨. After that , he continued with Spaghetti Western as ¨Winchester Bill¨ , ¨Ley Del Colt¨ , ¨I Giorni Della Violenza¨ , Adventure as ¨Zanna Bianca¨, ¨Amazons against Supermen¨ and warlike movie as ¨Objetivo Rommel¨ , ¨Misiones Ardientes¨ and this ¨Hell in Normandy¨. Rating : Average but entertaining .

Just before the D-Day invasion, a group of American paratroopers (led by Guy Madison) team-up with an American lieutenant impersonating a German officer (Peter Lee Lawrence) and a resistant fighter (Erika Blanc) to destroy a bunker on Omaha Beach with the controls of a device that would burn alive Allies in the water.

An Italian/French production, "Hell in Normandy" (1968) is titled "landing head for eight relentless" in Italian and "beachhead for relentless eight" in French (translated, naturally). There's some quality action and the Italian interpretation of American soldiers is entertaining. Meanwhile, redhead Erika Blanc spices things up as the French farm lass (she was 25 during shooting). The way her aged father is desperate to comply with the occupying troops of Hitler is an interesting touch.

On the dubious side, the American fatigues appear to be mid-60's Italian NATO uniforms with the wrong camouflage patterns and helmets, but passable for non-sticklers, I reckon. Meanwhile the German "secret weapon" and the Allied operation to destroy it smacks more of James Bond than history. Also, the Italian locations are a far cry from Normandy landscapes, but I've seen far worse geographical substitutions.

At the end of the day, this is comparable to 60's WW2 flicks, like "Battle of the Bulge" and "Anzio," just on a lower budget and from an Italish perspective.

The film runs 1 hour, 30 minutes.

GRADE: B-/C+

Peter Lee Lawrence plays a theatrical actor whose mission is to infiltrate and destroy a German flamethrower installation at Normandy Beach before the allied attack there. His mission is only partly successful, but he is able to join up with a squadron of paratroopers sent to finish the job and guides them to the installation. Hell in Normandy climaxes with fairly standard fast-paced war action.

Lawrence was 23 when he starred in this film, and his promising career would be tragically cut short six years later by his suicide. The rest of the cast mixes American and continental European actors and actresses, mostly of the spaghetti western genre. The acting is generally good, though Guy Madison seems a little uncomfortable with his sad-sack paratrooper captain at times. Erica Blanc is excellent as a brave and intelligent member of the local resistance.

Brescia's Hell in Normandy is a cleverly plotted and well-directed military action-adventure centered on events preceding the allied victory at Normandy during World War Two. The film is fictional and makes no pretense at engaging the realities of the battle. But it does remain mostly within the constraints of plausibility. The cinematography is very good - hardly unexpected from an Italian film. But the script is horrendous. The writer included several token American idiomatic clichés - probably at the insistence of the cast - but did way too much exposition through dialog. The version I saw was dubbed. Perhaps the dialog is better in Italian? Recommended for war film fans only.