IMDb-BEWERTUNG
6,4/10
1864
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuExperiences of two Air Force sergeants during the 1948 Berlin Airlift.Experiences of two Air Force sergeants during the 1948 Berlin Airlift.Experiences of two Air Force sergeants during the 1948 Berlin Airlift.
- Auszeichnungen
- 1 Nominierung insgesamt
Dante V. Morel
- Dante V. Morel
- (as Capt. Dante V. Morel)
John R. Mason
- John R. Mason
- (as Capt. John R. Mason)
Gail R. Plush
- Gail R. Plush
- (as Capt. Gail R. Plush)
Mack Blevins
- Mack Blevins
- (as Capt. Mack Blevins)
William A. Stewart
- William A. Stewart
- (as Capt. William A. Stewart)
Alfred L. Freiburger
- Alfred L. Freiburger
- (as 1st Lt. Alfred L. Freiburger)
Gerald Arons
- Gerald Arons
- (as 1st Lt. Gerald Arons)
James Wilson
- James Wilson
- (as 1st Lt. James Wilson)
Richard A. Kellogg
- Richard A. Kellogg
- (as 1st Lt. Richard A. Kellogg)
Roy R. Steele
- Roy R. Steele
- (as 1st Lt. Roy R. Steele)
James H. Blankenship
- James H. Blankenship
- (as S/Sgt. James H. Blankenship)
Harold E. Bamford
- Harold E. Bamford
- (as S/Sgt. Harold E. Bamford)
D.R. Simmons
- D.R. Simmons
- (as S/Sgt. D.R. Simmons)
Empfohlene Bewertungen
Just saw The Big Lift. Bought the DVD for 3 dollars. Out-dated since it was filmed on location in Berlin in 1950 at the beginning of the Cold War. However, the camera work, the on-location shots, the use of real military people as actors, and the out-standing performances by Monty Clift and Paul Douglas make this an entertaining night at the movies.
The acting is so good, it doesn't seem like a film at all. Somewhat slow in parts, but overall pretty good. Even a surprise ending. Paul Douglas steals the movie & there is one very disturbing scene in the film in which he is fantastic. Also, you get to see how really handsome Monty Clift really was before the car accident and party-life style aged him way before his time.
The acting is so good, it doesn't seem like a film at all. Somewhat slow in parts, but overall pretty good. Even a surprise ending. Paul Douglas steals the movie & there is one very disturbing scene in the film in which he is fantastic. Also, you get to see how really handsome Monty Clift really was before the car accident and party-life style aged him way before his time.
The shooting of the film on location in Germany is what makes the whole film work and memorable. The story in itself is not really that great, but probably it grasps our attention because of the surroundings: the ruins, the gloomy statues and the simple and down-to-earth life of the common people. Had it been a Hollywood stage production, there wouldn't have been much to it, but once the movie enters Berlin it gets to another level. The same goes for the acting. Acting among the local population with only two brought-in American actors in the cast ( the main characters ) must have been an inspiration.
Montgomery Clift had made his screen debut in 1947 in The Search and in the short period of four years made some films considered now as classics. He was also in Red River. The Heiress, and A Place in the Sun. The Big Lift doesn't belong in that category.
Still it's an intriguing idea that George Seaton. With only five actors in the plot, have the rest of the film be actual army personnel and German civilians. And the amateur cast does fine playing themselves. I guess it saved a whole lot salary. It gives the movie a documentary feel to it.
Monty and Paul Douglas are two American GIs participating in The Berlin Airlift. This was America and it's allies Great Britain and France in a joint effort to airlift supplies into Berlin after Stalin closed off ground access to Berlin in an effort to force the other three occupying powers out of Berlin.
It was a great propaganda victory for the west at the beginning of the Cold War. Fed a hungry city at the same time calling Joe Stalin's bluff. One Harry Truman's best decisions as President, a win/win for sure.
The story involves Clift and Douglas and their interaction with some German civilians they hooked up with. Clift is a sensitive soul as he always is and Douglas is the rough hewn, but kindly type he usually is. They have differing views about the Germans from fighting them in the late War which was only five years old at the time The Big Lift was made.
Let us say that both of them learn something from their experiences by the time the film ends and the Berlin Airlift is officially over.
Not in the pantheon of great films for Clift and Douglas, but an interesting and in this case historical piece of cinema.
Still it's an intriguing idea that George Seaton. With only five actors in the plot, have the rest of the film be actual army personnel and German civilians. And the amateur cast does fine playing themselves. I guess it saved a whole lot salary. It gives the movie a documentary feel to it.
Monty and Paul Douglas are two American GIs participating in The Berlin Airlift. This was America and it's allies Great Britain and France in a joint effort to airlift supplies into Berlin after Stalin closed off ground access to Berlin in an effort to force the other three occupying powers out of Berlin.
It was a great propaganda victory for the west at the beginning of the Cold War. Fed a hungry city at the same time calling Joe Stalin's bluff. One Harry Truman's best decisions as President, a win/win for sure.
The story involves Clift and Douglas and their interaction with some German civilians they hooked up with. Clift is a sensitive soul as he always is and Douglas is the rough hewn, but kindly type he usually is. They have differing views about the Germans from fighting them in the late War which was only five years old at the time The Big Lift was made.
Let us say that both of them learn something from their experiences by the time the film ends and the Berlin Airlift is officially over.
Not in the pantheon of great films for Clift and Douglas, but an interesting and in this case historical piece of cinema.
Found this one recently on DVD at my local market. Have mixed feelings about it. On the negative side there is the picture quality with too high a contrast, plus an abysmal and tinny-sounding soundtrack. Storywise, the first 27 minutes were superfluous and my interest as a spectator was only aroused from minute 28 onwards. I reckon the whole gamut could have been locked into a 1h 35m stint instead of the two hours it took in reality.
On the positive side, however, the film is a very interesting insight into the Berlin under blocade of the 1950's. Filmed on location with the Berliner people, you couldn't ask for a greater dose of realism. Some of the scenes are overlong, notably those within aircraft, which gets boring. What interested me were the character developments of the four main protagonists, plus the "russian spy". I found Montgomery Clift's character too weak and passionless and was more interested by the character portrayed by Paul Douglas, as well as that portrayed by Cornell Borchers ( I was most unpleasantly surprised when I realised what her real intentions were ). A most impressive moment in the film is when Clift confronts Borchers on her past in front of the house in rubble. As he leaves her, disgusted, a great part of wall comes tumbling down ! I don't know whether it was done on purpose, or whether it was just a coincidence during the filming. Whatever the hypothesis, it was most impressive.
My appreciation of the film on balance is definitely positive in relation to its plot and character development but oh how I wish they could have given it a clear stereo soundtrack !!!
On the positive side, however, the film is a very interesting insight into the Berlin under blocade of the 1950's. Filmed on location with the Berliner people, you couldn't ask for a greater dose of realism. Some of the scenes are overlong, notably those within aircraft, which gets boring. What interested me were the character developments of the four main protagonists, plus the "russian spy". I found Montgomery Clift's character too weak and passionless and was more interested by the character portrayed by Paul Douglas, as well as that portrayed by Cornell Borchers ( I was most unpleasantly surprised when I realised what her real intentions were ). A most impressive moment in the film is when Clift confronts Borchers on her past in front of the house in rubble. As he leaves her, disgusted, a great part of wall comes tumbling down ! I don't know whether it was done on purpose, or whether it was just a coincidence during the filming. Whatever the hypothesis, it was most impressive.
My appreciation of the film on balance is definitely positive in relation to its plot and character development but oh how I wish they could have given it a clear stereo soundtrack !!!
This is film is one of the best true-life adaptations of an historical event - The Berlin Airlift. It was made on location in Berlin with the full cooperation of the US Military who actually played minor acting roles with the exception of the principal actors. The movie does an excellent job in portraying the bleak situation that the Berliners had to endure as a result of the Soviet blockade along with all the wrecked structures all of the city and the hording of black market staples such as coffee and coal. The most interesting portrayal in this film is the Paul Douglas character of that of an American seargant who has no love for the Germans and goes out of his way to be rude and act like a true "occupation" taking revenge out on a former Nazi prison guard that tormented him while he was a prisoner.
Its probably the most realistic portrayal of an American soldier after the war when technically the US Army was an occupation force along with the British and French. In addition, the portrayal of the German widow who really hated the Americans was probably realistic as well. These characters seemed more than stereotypes which was common in films portraying the political situation at the time. It does a good job in showing how ordinary soldiers and people can have divided loyalties and wrestle with the adverse situation that befell them in Berlin at the time. Truly a time capsule of Postwar Berlin.
Its probably the most realistic portrayal of an American soldier after the war when technically the US Army was an occupation force along with the British and French. In addition, the portrayal of the German widow who really hated the Americans was probably realistic as well. These characters seemed more than stereotypes which was common in films portraying the political situation at the time. It does a good job in showing how ordinary soldiers and people can have divided loyalties and wrestle with the adverse situation that befell them in Berlin at the time. Truly a time capsule of Postwar Berlin.
Wusstest du schon
- WissenswertesThe film was made in occupied Germany. All scenes were photographed in the real locations associated with the story, including episodes in the American, French, British and Russian sectors of Berlin.
- PatzerThroughout the film, Montgomery Clift's army uniform has sergeant stripes, then it doesn't, then it does, etc.etc.
- Zitate
Frederica Burkhardt: When you live in a sewer, you soon discover that the sewer rats are best equipped to survive.
- Crazy CreditsAt the end of the movie, the "Hollywood" stars (Clift, Douglas etc.), are not credited, however a panoramic coda does credit the principal military service members who portrayed themselves in the film. It shows them standing at attention in front of a C-54, with their names and ranks scrolling across.
- VerbindungenReferenced in Einer weiß zuviel (1950)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.300.000 $
- Laufzeit
- 2 Std.(120 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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