IMDb-BEWERTUNG
6,4/10
1865
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuExperiences of two Air Force sergeants during the 1948 Berlin Airlift.Experiences of two Air Force sergeants during the 1948 Berlin Airlift.Experiences of two Air Force sergeants during the 1948 Berlin Airlift.
- Auszeichnungen
- 1 Nominierung insgesamt
Dante V. Morel
- Dante V. Morel
- (as Capt. Dante V. Morel)
John R. Mason
- John R. Mason
- (as Capt. John R. Mason)
Gail R. Plush
- Gail R. Plush
- (as Capt. Gail R. Plush)
Mack Blevins
- Mack Blevins
- (as Capt. Mack Blevins)
William A. Stewart
- William A. Stewart
- (as Capt. William A. Stewart)
Alfred L. Freiburger
- Alfred L. Freiburger
- (as 1st Lt. Alfred L. Freiburger)
Gerald Arons
- Gerald Arons
- (as 1st Lt. Gerald Arons)
James Wilson
- James Wilson
- (as 1st Lt. James Wilson)
Richard A. Kellogg
- Richard A. Kellogg
- (as 1st Lt. Richard A. Kellogg)
Roy R. Steele
- Roy R. Steele
- (as 1st Lt. Roy R. Steele)
James H. Blankenship
- James H. Blankenship
- (as S/Sgt. James H. Blankenship)
Harold E. Bamford
- Harold E. Bamford
- (as S/Sgt. Harold E. Bamford)
D.R. Simmons
- D.R. Simmons
- (as S/Sgt. D.R. Simmons)
Empfohlene Bewertungen
9sbox
Spooky airlift film in which the bad seem good and visa versa. This movie was made in 1950. As such, Berlin is accurately portrayed as a destroyed city. Portrayed is perhaps the wrong word. The reason is because the city was still a giant rubble pile. Great dialogue and excellent story make this the premiere film concerning the American and British airlift to save Berlin from the Soviets. The malevolent opportunism demonstrated by the German locals, lend a tragic, yet realistic touch to this movie. Lovelorn American servicemen eat up female German desperation, and thus the stage is set for tragedy.
To say that a film is dated because it was shot on location in 1950 (which, I suppose, is history for most of us now) is pretty inadequate. If anything makes this film still interesting it is BECAUSE it was shot on location in 1950. As a young German who only knows a wealthy comfortable democratic Germany I find the very setting the most intriguing, as is the case with the more serious "Germania anno Zero" by Rosselini. The film has its values, however, but is, admittedly, more on the entertaining side. Nice to spot later Haimatfilm and TV favourites in a Hollywood production. If you like Berlin and don't mind an "old" look, watch Billy Wilder's "One, Two, Three", shot 10 years later. To me as funny as "Some Like it Hot", and that means VERY funny.
The shooting of the film on location in Germany is what makes the whole film work and memorable. The story in itself is not really that great, but probably it grasps our attention because of the surroundings: the ruins, the gloomy statues and the simple and down-to-earth life of the common people. Had it been a Hollywood stage production, there wouldn't have been much to it, but once the movie enters Berlin it gets to another level. The same goes for the acting. Acting among the local population with only two brought-in American actors in the cast ( the main characters ) must have been an inspiration.
This is film is one of the best true-life adaptations of an historical event - The Berlin Airlift. It was made on location in Berlin with the full cooperation of the US Military who actually played minor acting roles with the exception of the principal actors. The movie does an excellent job in portraying the bleak situation that the Berliners had to endure as a result of the Soviet blockade along with all the wrecked structures all of the city and the hording of black market staples such as coffee and coal. The most interesting portrayal in this film is the Paul Douglas character of that of an American seargant who has no love for the Germans and goes out of his way to be rude and act like a true "occupation" taking revenge out on a former Nazi prison guard that tormented him while he was a prisoner.
Its probably the most realistic portrayal of an American soldier after the war when technically the US Army was an occupation force along with the British and French. In addition, the portrayal of the German widow who really hated the Americans was probably realistic as well. These characters seemed more than stereotypes which was common in films portraying the political situation at the time. It does a good job in showing how ordinary soldiers and people can have divided loyalties and wrestle with the adverse situation that befell them in Berlin at the time. Truly a time capsule of Postwar Berlin.
Its probably the most realistic portrayal of an American soldier after the war when technically the US Army was an occupation force along with the British and French. In addition, the portrayal of the German widow who really hated the Americans was probably realistic as well. These characters seemed more than stereotypes which was common in films portraying the political situation at the time. It does a good job in showing how ordinary soldiers and people can have divided loyalties and wrestle with the adverse situation that befell them in Berlin at the time. Truly a time capsule of Postwar Berlin.
Part docu and part drama--it's a look at life in post-war Germany. It's entertaining and educational. Clift made this and "The Search" while in Germany in the late 1940s. Seeing Berlin as it was then-is shocking and eye opening. Then look at Syria, among other
places today, and see how far we haven't come....
Wusstest du schon
- WissenswertesThe film was made in occupied Germany. All scenes were photographed in the real locations associated with the story, including episodes in the American, French, British and Russian sectors of Berlin.
- PatzerThroughout the film, Montgomery Clift's army uniform has sergeant stripes, then it doesn't, then it does, etc.etc.
- Zitate
Frederica Burkhardt: When you live in a sewer, you soon discover that the sewer rats are best equipped to survive.
- Crazy CreditsAt the end of the movie, the "Hollywood" stars (Clift, Douglas etc.), are not credited, however a panoramic coda does credit the principal military service members who portrayed themselves in the film. It shows them standing at attention in front of a C-54, with their names and ranks scrolling across.
- VerbindungenReferenced in Einer weiß zuviel (1950)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Big Lift?Powered by Alexa
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.300.000 $
- Laufzeit
- 2 Std.(120 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen