The Flying Nun

"The Flying Nun" was developed by Screen Gems writer Bernard Slade ("Bewitched", "The Partridge Family") from a book by Tere Ríos titled "The Fifteenth Pelican". Following the cancellation of "Gidget", ABC rushed to get Sally Field into her second starring sitcom- a role she was reluctant to accept and grew to hate. Field later stated that she was not treated with respect by some of her directors, and at times more like a prop. The hour-long pilot was filmed on location in San Juan, Puerto Rico with shots used as the series' opening and closing. The series hit the ground running as an instant hit but ratings dropped throughout the first season. The producers tried to compensate by changing the comedic format to broad slapstick in the second season before returning in the third and final season to its sweet, heart over laughs, light nature. During its run, co-star Marge Redmond, who also narrates each episode, was nominated for an Emmy Award for Outstanding Supporting Actress in a Comedy Series.

Reflecting upon the series after recently watching each episode, "The Flying Nun" was a ludicrous sitcom in an era of ludicrous sitcoms. Unfortunately, it was nowhere as sophisticated as "Bewitched", as endearing as "I Dream of Jeannie", as affable as "Mister Ed", or even matching the entertaining level of "Gilligan's Island". "The Flying Nun" was a series continually searching for its identity, reformatted each season. It struggled to find the balance between heart and laughs, but the rare times it did was very enjoyable. Plot lines were often dry and predictable, and at times completely misguided and lacking execution. Episodes excelled when it combined an engaging plot, clever dialogue, the warmness of the convent's heartfelt work, and well-placed comedy. Some of the best were feel-good offerings and those focused on being touchingly dramatic, especially "Antonio's Mother".

I felt it was easy to see that Sally Field was struggling to get into her role as Sister Bertrille early in Season One. But when she did embrace it audiences were rewarded with the warm, good-natured personality they came to admire in her similar character of "Gidget". Sister Bertrille serves as a great role model for everyone, hopefully inspiring them to be a better, more caring person. She had nice chemistry with Alejandro Rey, helping make Carlos' exasperated character relatable. Madeleine Sherwood played her sage, straight-laced superior very well as a figure who adhered to policies but made every effort to do the right thing. Emmy-nominated Marge Redmond sets up situations nicely through narration and as a sounding board for Sister Bertrille. Shelley Morrison's Sister Sixto was the most dependable source of comedy with her mispronoucation of the English language giving whole new meaning to situations. Vito Scotti's Police Captain Fomento was the focus of Season Two's new slapstick approach, but it was often too forceful and strained.

"The Flying Nun" would have perhaps been better served as an uplifting dramatic series in the vein of "Touched by an Angel".

This show is quite simply an inspiration for the soul. It is always morally uplifting (forgive the pun, it was not intentional) to watch Sally Field as Sister Bertrille, the spunky, spirited, warm hearted nun who just happens to be able to fly, because of her light weight and because of the aerodynamics of the cornette that she wears. Of course, this is not in any way realistic; how could a little cornette generate over 90 lbs. of lift except in gale force winds? However, this is not what matters; in fact I think it only adds to the magic of the show. The point of the series is to show what humans are like at their best; Sister Bertrille is so upbeat that everyone is cheerfull when she is present (that is, except for Carlos when she wants him to do something for the convent, but even he gets over it). As I said above, Sally Field was perfect as Sister Bertrille (I wonder what it was like for her to constantly be a character who, for all intents and purposes, did not have much of a social life), but the central supporting actors were excellent as well. I feel that Alejandro Rey deserves special mention for his performance of Carlos Ramirez, the suave playboy who gets nervous whenever Sister Bertrille is even in the same room. In the first season, the guest stars were also excellent; for example, there was the well respected Celia Lovsky, who in Science Fiction circles is famous for her performance of T'Pau, in the classis episode "Amok Time" of Star Trek, and there was also Elinor Donahue, who among other things played Elie Walker in the first season of the Andy Griffith Show. Unfortunately, in later episodes, the guest stars were not of this high quality: it seems to me as if most of them overdid their parts, making them unrealistic and somewhat icky sweet. Despite this, The Flying Nun is a show that one can always get enjoyment and inspiration out of, if one watches it in the proper frame of mind. Unfortunately, nowadays most people with their pessimistic, jaded outlook on the world are unable to appreciate the magic of this show. Perhaps this is why TV Guide placed this series in their list of 50 worst shows of all time (when I saw Flying Nun and Hogan's Heroes on that list, I thought to myself, WHAT???, but now that I realise why they did that, I can only lament on the state that this world has come to). If only TV Land placed this wonderful show at a more accessible time, rather than the late night slot that they have it on now ! (I have heard that TV Land is going to take this show off the air as of September. I can only pray that this will not be the case.)

Watching a show like "The Flying Nun" is like experiencing part of a 60's time capsule (in the best sense) because it's light years away from today's television fare. Starring the young Sally Field as a novice at the Convent San Tanco in Puerto Rico (who, incidentally, can fly) and co-starring such worthies as Madeleine Sherwood (as Mother Superior), Alejandro Rey (as playboy Carlos Ramirez) and Marge Redmond (as Sister Jacqueline), the makers of the show actually triumphed over its admittedly outrageous premise and crafted a series full of humor and heart. Field was ideally cast as Sister Bertrille (the former Elsie Etherington) who eventually wins over even the staid Mother Superior with her undeniable charm, high spirits and always good intentions. The gradual way in which she endears herself to The Reverand Mother (beautifully played by the gifted Sherwood) and the often exasperated Carlos, is unexpectedly moving. The show is beautifully photographed as well, and sports a truly lovely musical score. Marge Redmond (who served her convent apprenticeship as a Nun in "The Trouble With Angels" the year before), is a warm and wise sidekick for Sister Bertrille. There are several up-and-coming future stars as well. The first two seasons are now out on DVD and they have stood the test of time. It's easy to call the series just a throwback to a more innocent era, but there's more to it than that. Just watch the wonderfully touching episodes in the first season--the truly touching "Tonio's Mother", "The Dig-in" and "The Sister and the Old Salt". They tug at the heartstrings without being the least bit cloying. And for those who demand variety, there's "With Love From Irving" in which Sister Bertrille is stalked by a lovesick pelican! As a bonus, several episodes feature Field singing, something she did very well, and the songs are charming as a result. Vividly restored on DVD, "The Flying Nun" remains as enjoyable as ever--can't wait for season three!

Some of these reviews are as silly as this show! Really, we're going to argue about the aerodynamics of her flying? Complaining about the accuracy of accents of Spanish? It's a show called "The Flying Nun".... This is NOT a realistic show, the title should be a tip-off. I am a logical person, so when I watch something meant to suspend disbelief, I DO, or don't watch it. No, this isn't a great show, but it is entertaining, fun, and cute. It isn't boring, even if it is pretty insipid.

Sally Field is a fantastic actress and is very likeable, in fact there is not chance this show would have lasted more than a season without her. Even if she doesn't like the show, she made the character(not the plot devices) believable, she made the show what it was.

I watched this as a kid on reruns, I thought the idea was stupid, but you know what? I still watched it and liked it anyway! it is really a truly absurd show, but it is clean and fun and safe to let your children watch. How many shows can you say about these days? Even "children's shows" are filled with violence and sexual innuendo. I see this as more of a children's show than anything, and funny enough, if it were a cartoon people would not be nearly as hard on it because, I suppose, adults assume it is meant to be silly and not take it seriously.... Any adult should be able to use enough logic to do the same with a live action film, it isn't meant to be realistic, not one bit.

I have watched scattered episodes, so I can't tell you how good the whole series is, but if you expect something wholesome with an absurd plot that is still entertaining, you at list can find some enjoyment in it.

This series was cute and funny during its original run -- but I was a kid going to Catholic school and maybe I was biased. But watching it now on TVLand, it's amazing that it still works. I think it's very nicely photographed, the music is wonderful, and probably the main thing is, that while it doesn't present a realistic portrayal of most of Latin America, it really doesn't talk down to or stereotype the characters either. So what if they all speak such magnificent English????