Männerwirtschaft

This is indeed one of the few tv series that are equal too if not better than the film and play it was based on. Simply shot and perfectly played, the scripts and the acting could not be better. These shows are fun to watch now not only for the style of clothing, but also for the fact that it's about two middle aged men! TV show-makers of today would do well to watch and learn from this classic.

This was the show that pretty much started the whole mismatched pair sitcom or at least the most memorable of that type. Tony Randall and Jack Klugman have perfect chemistry which the show really benefits from. The series had clever writing from start to finish. Not just one of the most memorable show from the 1970s, but also one of the memorable shows of all time.

I'm about the only person I know who prefers the first season (shot in cinematic style with a single camera) to later seasons, but even after they switched to the multiple-camera technique and live audience (with the accompanying broadening of the humor), it was still better than 90% of TV sitcoms ever (unlike, say, *Happy Days*, on which quality plummeted when they made a similar change).

The only thing that really interferes with my enjoyment of *TOC* is the horrible, horrible celebrity cameos.

I mean, Rodney Allen Rippy?

This show proves that opposites may not attract, but, with some work, they can at least peacefully coexist. Felix is not just compulsively neat, he literally worships at the altar of order. Oscar's philosophy is not to sweat the small stuff and thinks everything is small stuff. One of the reasons this show is still funny today is that most people have personalities that lie between these two extremes and can therefore sympathize and laugh at the actions of both men.

The first season focuses on the relationship between Oscar and Felix, pretty much stays in the same neighborhood as the 1968 movie from which it sprang as to story lines, and even has the same actresses from the film playing the Pidgeon Sisters. The first season is good, and helps establish the complete personalities of Oscar and Felix in a way a two hour film just doesn't have time to do, but I think it lacks something in the way of the energy and pace that the subsequent seasons had. "The Odd Couple" had the misfortune of premiering right before shows like "All In the Family" would give birth to modern television as we know it today, along with the frank discussion of controversial subject matter in a comic context.

Quite frankly, I think the show would probably have been canceled after its second season if it had not changed to the live set it used from seasons two forward and started broaching more modern topics like it did to help keep pace with the great changes that were taking place in television during the early 70's. I have to give credit to producer Garry Marshall - if he saw something that wasn't quite working in one of his shows, he wasn't afraid to make drastic changes to try and get things back on track. I would say that the "Odd Couple" is one of the few shows that managed to never jump the shark during its five year run. Considering the fact that it aired during a period of great change in American culture - 1970-1975 - that is saying something. Highly recommended.

Great comedic concept from Neil Simon—the slob and the neat freak, two divorced men living together in a small Manhattan apartment. But it's really Klugman and Randall that make the premise work so well—their chemistry is simply superb. Klugman seems a natural for Oscar the slob, with his sour expression and grouchy manner. Then there's Randall as Felix, with his no-fat body and absurdly picky manner. You just know he never played with mud pies or put on dirty socks.

It's amazing the writers get so many hilarious variations on the same theme—Felix carrying on with his finicky obsessions to an annoying degree. He just can't seem to help himself. At the same time, we can't help sympathizing with poor Oscar who retaliates by turning his bedroom into a city dump. Actually actor Randall pulls off a really difficult trick: he manages to make Felix annoying without being dislikable. Any hint of the latter and the show would have fallen flat.

And who can forget the superb supporting cast, especially hawk-nosed Al Molinaro as Murray, the New York City policeMAN. He fits amiably right in with whatever the shenanigans might be, maybe too amiably for a cop. Then there're the rest of the poker playing characters, plus the girls led by Klugman's real life wife Brett and Father Knows Best's Elinor Donahue. Since nearly all the hijinks occur in the small apartment, the writers have their work cut out for them, and rise to the occasion they do, with only an occasional misfire. My favorite parts are when some poor put-upon old lady gets enough of Felix's extremes and swats him with her purse—he always looks so surprised, like he can't figure out why. Anyway, it's one of the best character-based comedies of the 70's or any TV decade.