The Flying Nun

This series was cute and funny during its original run -- but I was a kid going to Catholic school and maybe I was biased. But watching it now on TVLand, it's amazing that it still works. I think it's very nicely photographed, the music is wonderful, and probably the main thing is, that while it doesn't present a realistic portrayal of most of Latin America, it really doesn't talk down to or stereotype the characters either. So what if they all speak such magnificent English????

Watching a show like "The Flying Nun" is like experiencing part of a 60's time capsule (in the best sense) because it's light years away from today's television fare. Starring the young Sally Field as a novice at the Convent San Tanco in Puerto Rico (who, incidentally, can fly) and co-starring such worthies as Madeleine Sherwood (as Mother Superior), Alejandro Rey (as playboy Carlos Ramirez) and Marge Redmond (as Sister Jacqueline), the makers of the show actually triumphed over its admittedly outrageous premise and crafted a series full of humor and heart. Field was ideally cast as Sister Bertrille (the former Elsie Etherington) who eventually wins over even the staid Mother Superior with her undeniable charm, high spirits and always good intentions. The gradual way in which she endears herself to The Reverand Mother (beautifully played by the gifted Sherwood) and the often exasperated Carlos, is unexpectedly moving. The show is beautifully photographed as well, and sports a truly lovely musical score. Marge Redmond (who served her convent apprenticeship as a Nun in "The Trouble With Angels" the year before), is a warm and wise sidekick for Sister Bertrille. There are several up-and-coming future stars as well. The first two seasons are now out on DVD and they have stood the test of time. It's easy to call the series just a throwback to a more innocent era, but there's more to it than that. Just watch the wonderfully touching episodes in the first season--the truly touching "Tonio's Mother", "The Dig-in" and "The Sister and the Old Salt". They tug at the heartstrings without being the least bit cloying. And for those who demand variety, there's "With Love From Irving" in which Sister Bertrille is stalked by a lovesick pelican! As a bonus, several episodes feature Field singing, something she did very well, and the songs are charming as a result. Vividly restored on DVD, "The Flying Nun" remains as enjoyable as ever--can't wait for season three!

A novice nun at Convent San Tanco has the Reverend Mother up in arms: it seems she is so light that the winds pick up her starched habit and away she goes! Fun TV-series, adapted from Tere Rios' book "The Fifteenth Pelican", has Sally Field basically reprising her "Gidget" character in nun regalia. Although she has said this show was embarrassing for her, Sally is very appealing teaching the local kids English and singing them their lessons (oh yes, she was a Singing Nun too!). Her rapport with the other sisters is warm and friendly, and each week the Reverend Mother learned to loosen up a bit. After the location-rich pilot episode, the series got a little bit stuck in a studio-bound rut, but the flying sequences are always handled with comic flair. A few dud episodes (such as the one where the Reverend Mother and Field's Sister Bertrille changed personalities) didn't dim the overall appeal of "The Flying Nun", which was mostly blessed with fresh writing and a fast pace.

"The Flying Nun" was developed by Screen Gems writer Bernard Slade ("Bewitched", "The Partridge Family") from a book by Tere Ríos titled "The Fifteenth Pelican". Following the cancellation of "Gidget", ABC rushed to get Sally Field into her second starring sitcom- a role she was reluctant to accept and grew to hate. Field later stated that she was not treated with respect by some of her directors, and at times more like a prop. The hour-long pilot was filmed on location in San Juan, Puerto Rico with shots used as the series' opening and closing. The series hit the ground running as an instant hit but ratings dropped throughout the first season. The producers tried to compensate by changing the comedic format to broad slapstick in the second season before returning in the third and final season to its sweet, heart over laughs, light nature. During its run, co-star Marge Redmond, who also narrates each episode, was nominated for an Emmy Award for Outstanding Supporting Actress in a Comedy Series.

Reflecting upon the series after recently watching each episode, "The Flying Nun" was a ludicrous sitcom in an era of ludicrous sitcoms. Unfortunately, it was nowhere as sophisticated as "Bewitched", as endearing as "I Dream of Jeannie", as affable as "Mister Ed", or even matching the entertaining level of "Gilligan's Island". "The Flying Nun" was a series continually searching for its identity, reformatted each season. It struggled to find the balance between heart and laughs, but the rare times it did was very enjoyable. Plot lines were often dry and predictable, and at times completely misguided and lacking execution. Episodes excelled when it combined an engaging plot, clever dialogue, the warmness of the convent's heartfelt work, and well-placed comedy. Some of the best were feel-good offerings and those focused on being touchingly dramatic, especially "Antonio's Mother".

I felt it was easy to see that Sally Field was struggling to get into her role as Sister Bertrille early in Season One. But when she did embrace it audiences were rewarded with the warm, good-natured personality they came to admire in her similar character of "Gidget". Sister Bertrille serves as a great role model for everyone, hopefully inspiring them to be a better, more caring person. She had nice chemistry with Alejandro Rey, helping make Carlos' exasperated character relatable. Madeleine Sherwood played her sage, straight-laced superior very well as a figure who adhered to policies but made every effort to do the right thing. Emmy-nominated Marge Redmond sets up situations nicely through narration and as a sounding board for Sister Bertrille. Shelley Morrison's Sister Sixto was the most dependable source of comedy with her mispronoucation of the English language giving whole new meaning to situations. Vito Scotti's Police Captain Fomento was the focus of Season Two's new slapstick approach, but it was often too forceful and strained.

"The Flying Nun" would have perhaps been better served as an uplifting dramatic series in the vein of "Touched by an Angel".

The primary reason this series was as immensely popular with young girls as it was, was the relationship between Carlos Ramirez and Sister Bertrille (the secret is out -- most of the little girls of my era desperately wanted Sister Bertrille to run off with Carlos ... and no matter how TPTB tried to dissuade them, that fact never wavered). The two actors had amazing chemistry, a fact which no doubt reflected their friendship which lasted through the years. Forget the ludicrous premise and the almost cut-and-paste plot lines, the show has a gentle, genuine sweetness about it that just doesn't show up on TV these days. It's not treacly at all, despite the cynicism thrown at it. It's far from the worst TV show in the history of the medium. And it's a joy to see the work of Alejandro Rey, who had far too short a life.