Die gefürchteten Vier

There are so many remarkable things about 'The Professionals.' Conrad Hall was the Director of Photography and was nominated for an Oscar -- he didn't win but he should have. The 1967 Oscar ceremony threw as many awards as it could to 'A Man For All Seasons.' I love watching big, beautiful, widescreen westerns and this is one of the best shot. Hall's use of camera filters, his incredible dust storm and his location scouting were all impeccable. I don't pretend to understand the mechanics of camera photography. I do know, however, when something looks gorgeous. 'The Professionals' is a stunningly beautiful film and it is a shame that it doesn't get a greater audience today.

The second remarkable thing is the quality of the cast. The top seven actors and actresses billed were top grade lead or supporting actors at one point in their careers: Burt Lancaster, Lee Marvin, Robert Ryan, Woody Strode, Jack Palance, Claudia Cardinale and Ralph Bellamy. It would be interesting to try and add up the number of Oscar nominated pictures and performances that the above group compiled throughout their careers. Even if these seven weren't enough, they get wonderful support from the gorgeous Maria Gomez and reliably ubiquitous Jorge Martinez De Hoyos. Jorge Martinez De Hoyos is a classic Mexican "Hey! It's That Guy!" supporting actor and I always welcome seeing him in a picture. He makes much out of a minor part as the goat keeper who wants to 'help.' The lead performances are terrific and well written. This may well be my favorite Woody Strode performance. He (as seemed to happen for him) doesn't get a lot to say, but the value of his character to the group of four professionals is unquestioned and undeniable. When Marvin wants an assault to look like an attack by the Federales, Lancaster may be the guy with the dynamite, but it is Strode firing explosive arrows that makes it happen. Some of his best work where he is a featured player. And I love that when the question of race is brought up by Bellamy, Marvin snorts with contempt that he would have trouble working with a consummate professional of any colour. Strode doesn't lead, but this was a very positive part and showed white and black relying on each other to get a mutual job done. Of the other leads I would add that Lancaster has the best part (much of the humour, action and girls), Marvin is amazing, and Claudia Cardinale is so stunning a beauty it hurts to look at her.

A tougher part was for Robert Ryan. He was maybe too good of an actor for a part that wasn't well written. Ryan is game but I thought his part as the horse handler wasted him. In his later years Robert Ryan was quite sick and he was sick during this production. I don't think he was the problem though. His character is sick for much of the film but as a person, one gets the impression that Ryan was still quite robust. His character doesn't seem to fit in as well or have anything to do. He is adrift. Maybe part of it comes from playing a character who values animal life over human. I say again though that in this movie he is good, but not right for the part.

'The Professionals' is an adventure film and Western filmed in the style of 'The Magnificent Seven' and a model itself for 'The Wild Bunch' which followed. It straddles the worlds of old Western and new Western. It has a moral ambiguity and over-arching plot which makes me think of the film as a kind of Western/Film-noir. When you look at the cast though, Lancaster, Marvin, Bellamy, Palance and of course Ryan were all noir stalwarts of varying degree. Maybe some of that quality is what attracted them to the script.

This is a great Western that doesn't quite reach the top tier where films like 'The Wild Bunch' sit, but it is high on the second level for me. The ending may not strike some as satisfying and I've seen it argued that this was an attempt with other Westerns to illustrate American interventionist foreign policy of the time. Those conclusions can be discussed by others because I think of the assault on the Hacienda, the time-buying duel in the canyon, Burt's use of explosives in the pass and a terrific opening credits instead. This is a great Western that has been unduly forgotten. I really wish it has won the Oscar for cinematography -- Oscars can make films more marketable and enduring. If you're a fan of Westerns, you're no fan until you've watched 'The Professionals.'

I love Lee Marvin .

Ever since , as a kid , I saw him in Paint Your Wagon , ive loved watching him in movies .

A real man's man . An alcoholic who looked twenty years older than he was but what a natural on the big screen .

This is the story of an arrogant Texas millionaire hires four adventurers to rescue his kidnapped wife from a notorious Mexican bandit.

My favourite western of all time is The Magnificent Seven and this definitely has the feel of that great film.

Two brilliant actors in Marvin and Lancaster fighting it out for top billing just like Bryner and McQueen did six years earlier.

Everyone on show is on top of their game .

Marvin , rough and ready as usual . Burt Lancaster doing his own stunts . Woody Strode looking cool and Robert Ryan being Mr Pessimism. Even Jack Palance is totally convincing as the Mexican war lord .

The story is easy to follow and the ending is satisfying even though it didn't work out as they all would have hoped .

The Professionals is a brilliant watch .

Though not as perceptively grim in tone and style as Sam Peckinpah's epitaph The Wild Bunch, Richard Brook's The Professionals almost certainly inspired the former and was also one of the last great westerns Hollywood ever produced. Made at a time when the 'classical' era was waning, Brooks went entirely nostalgic, creating a story about John Wayne-like characters completely loyal to their cause but also flawed in many ways.

The cast is superb. The exotic beauty of Claudia Cardinale is great fodder for the main cast of Burt Lancaster, Lee Marvin, Robert Ryan and Woody Strode. Although Ryan and Strode have considerably less screen time, the relationship between Lancaster and Marvin is terrifically fleshed out along with Brooks' steady hand guiding the entire process of four men on the hunt to rescue a millionaire's kidnapped wife only to realize all is not as it seems.

Despite the fact that this film will forever be compared to the ones it inspired like The Wild Bunch or The Dirty Dozen, it should be admired on its own terms. It is a very entertaining and satisfying film with solid writing, acting, directing and editing along with some stunning cinematography of the American southwest. Compared to today's films, who could ask for anything more?

Set in the aftermath of the Mexican revolution, this action drama concerns the rescue of a Mexican lady (Cardinale) who is married to a rich, older, white man (Bellamy.) She has been taken from her American home back down to Mexico by notorious outlaw Palance. Bellamy hires a motley crew of mercenaries to retrieve Cardinale, promising them $10,000 each upon her return. The crew is led by tough as nails Marvin and includes free-wheeling dynamite-man Lancaster, sensitive rustler Ryan and archery expert Strode. This foursome sets out across punishing desert terrain to reach Cardinale and bring her back to the U.S. border. The job is at least as difficult as they expected and getting back to the border is as hard, if not harder, than getting to Palance's lair was. The film has an exceptional ensemble cast of pros. The members of the rescue team form an uneasy affection for one another. Stern Marvin and toothy, off-the-cuff Lancaster make a great pair. Ryan adds years of presence to his smallish role and Strode is his usual imposing physical entity. Palance is always a great villain and has some decent moments here. Bellamy does a nice job with his sketchy character. Cardinale is amazingly curvy and attractive even in the dusty surroundings. There is also a healthy dose of strong action, much of it taking place in the impressive domain of Palance. Dots of humor along the way relieve the tension. Time hasn't been particularly kind to Maurice Jarre's offbeat score and the film could have been just a tad shorter, but overall it is an interesting and absorbing action film.

Based on novel by Frank O'Rourke titled ¨A mule for the Marquese¨ and screen-written with fine eye by Richard Brooks ; it deals about some aging mercenaries who get chance redeem themselves . A wealthy magnate named Grant (Ralph Bellamy) employs a group of expert mercenaries, as the title characters, to rescue his wife (Claudia Cardinale), from the clutches of Raza (Jack Palance)who allegedly abducted her . The bunch (Woody Strode, Robert Ryan) is led by Fardan(Lee Marvin) and Dodworth(Burt Lancaster). The two mercenaries (Marvin,Lancaster) and Raza (Palance) had previously fought in Mexican Revolution and entering in City of Mexico along with Pancho Villa and Emilio Zapata.

A kidnapping and its rescue is the subject of this stunning adventure , an epic in every sense of word. Exciting, funny and well acted , especially by Burt Lancaster as tough soldier-of-fortune. It was deservedly nominated to Academy Award for direction, screenplay, cinematography and score. Photographed in Technicolor and Panavison by Conrad Hall in Valley of Fire State Park and its Coyote Pass and Deah Valley (Nevada) where was built a Mexican headquarter for the Mexican guerrilla. Exceptional soundtrack by Maurice Jarre, now classic, with Mexican and military music. Directed and screen-played with magnificent style by Richard Brooks (Elmer Gantry, In cold blood, lord Jim) who subsequently directed another good Western titled ¨Bite the bullet¨ with Gene Hackman and Candice Bergen .The ¨Professionals¨ is an authentic must see, not to be missed for buffs of the genre. A successful movie during its theatrical release because of its awesome acting, dialog, score are world class.