Coffy - Die Raubkatze

Very interesting movie. Pam is very hot looking as always. I think she was the Black Pamela Anderson of her time, only that her body is all natural and smoking hot!! Very surprised to see one of the co-stars in the movie was Alan Arbus of MASH fame. What a totally different direction for him playing a really nasty character compared to his really soft but firm part he played as Dr. Sydney Friedman in Mash. Also was very surprised that Turner Classics showed that movie including the nudity and graphic language on cable television. Any way, I enjoyed this movie and recommend this film if you want to see some great action and one great looking woman with a pretty great plot, great music sound track and one fantastic looking female lead character.

What a great film! After seeing "Friday Foster" last week which was a quite disappointment Pam found back to old qualities with this movie! The nerve-straining and tame political correctness of "Friday Foster" is fortunately totally missing, because "Coffy" follows straight up to some unwritten genre laws: the white are the bad guys, black ones the good - that´s how the rules of blaxploitation normally function! The story is simple: nurse Coffy takes revenge for her little sister, who was maltreated by the drug syndicate. Sometimes the film reminded me on Michael Winner´s "Death Wish", however Charles Bronson is a little milk boy in comparison to the tough and sexy Coffy: Pam shows her breasts every five minutes and when she doesn´t she kills a dozens of people instead. The scene when she blows away the head of an evil pimp is next to William Lustig´s "Maniac" the greatest headshot ever featured in a film! Loved also the hilarious girl brawl at the buffet! A great fun flick!!

By 1973 AIP had struck paydirt many times over with Black Caesar and its sequel, the two Slaughter films, several black/horror hybrids like Blacula, and of course the jungle prison sleazies, and now their first black superchick flick Coffy went into production. Jack Hill (The Big Doll House, The Big Bird Cage) was at the helm again, along with the tried-and-tested formula of Pam Grier and Sid Haig. Coffy is a nurse by day and avenging angel at night, tracking down the dealers who got her sister hooked on the Big H. She opens the film blowing the head off a dealer with a shotgun, then follows the trail of dead bodies to a bald hood named Omar and her crooked politician boyfriend, who she shoots in the balls. "Revenge is a virtue", the soundtrack blares; critics applauded the liberated ballsy lead character while decrying the level of sex and sadism. As revenge actioners go, Coffy don't come better. Grier in her first lead role is a sensation. Little wonder Tarantino tailor-made a film for her.

The first half of this film is interesting enough, with a strong and smart African-American woman in the lead role (Pam Grier of course), using her brains and body to seek vengeance on drug dealers who messed up her sister. It has a heavy 70's B-movie vibe to it, and there were times when it felt like the feminist aspects of Grier's character were undercut by things like women's tops flying open at what seems like every possible moment. However, the film really picks up steam is in the second half, which has interesting moments in the plot, action scenes that hold together well, and a few social messages delivered as well. Seriously, if the film hadn't gotten carried away in places early on, I think it would be much better regarded, and even as it is, it feels underrated to me.

It's an action movie first and foremost, and an entertaining one at that, but I loved how it talked about the overall system of drugs, starting with poverty being a factor in the chain stretching from users to pushers to all the way back to poor farmers in faraway places, many of whom are people of color. At the top in this system are the affluent, and a chain of mostly white businessmen, corrupt police, and corrupt politicians. The film doesn't hit us over the head with this, and there are good and bad African-American characters, as well as good and bad cops. With that said, images like the rope being put around a black man's neck and then him being dragged from a car, as well as a rich white guy getting off on using slurs and denigrating "exotic" women are pretty meaningful in addition to powerful.

It's really Pam Grier who makes this film though. She simply radiates beauty and strength, and the look in her eyes at times is every bit as mesmerizing as her often talked about body. Her acting may be a little uneven in places but it didn't bother me in the slightest, and I loved her overall performance, which had high entertainment value.

My favorite quote is from the politician (Booker Bradshaw), who is an interesting character in his own right: "You know, you've been listening to my political speeches. I thought you'd be more intelligent than to listen to crap like that."

if you've always wondered what was so great about Pam Grier, and haven't seen any of her movies from the seventies, look no further than Coffy. Coffy has it all, violence, pimps, drugs, nudity, sex, and it's served up with some severe camp and crazy dialogue. what sets this movie apart from other blaxploitaion movies is the excellent story and powerful performance of Miss Grier. I don't think anyone else could have pulled it off, and despite the low budget ambiance and feeling the movie took about a couple of weeks to make, Grier gives a performance worthy of her cult reverence.

the movie is a typical revenge story, with a not so typical hero-a black woman. Coffy's sister is hooked on smack and Coffy vows to herself to destroy the people responsible. Coffy works as a nurse by day, and prowls the clubs by night looking for the pusher who destroyed her sister's mind with drugs. Her search leads her to a pimp, a mobster, the cops, and a politician. In the end, she takes care of them all using her brains as well as her body, and damn do she have a body! Pam Grier makes this movie believable despite the obvious flaws of the low budget production. Her character never shows the weak side of femininity and fall into the ethos that women are at some point weaker than men. Coffy never breaks down to cry for help, waiting for a man or anyone else to help her-she does it all on her own. she kicks ass all over, and no other movie has done that with a female character, at least not anything credible. Coffy makes Thelma and Louise look like Laverne and Shirley.

Pam went on to make more movies of this ilk, but none were as popular nor as good as Coffy. what about Foxy Brown you ask? despite a better title, it doesn't compare to Coffy in either performance or content. Coffy served to bring Pam Grier into the main stream, as much as any black actress could be, and make her a star. all i can say is, thank you Quentin Tarentino for making Jackie Brown and proving her power and presence as an actress. See this movie, then see Jackie Brown, you'll see why Tarentino made it.