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IMDbPro

Godfather of Harlem - Der Pate von Harlem

Originaltitel: Black Caesar
  • 1973
  • R
  • 1 Std. 27 Min.
IMDb-BEWERTUNG
6,4/10
4337
IHRE BEWERTUNG
Fred Williamson in Godfather of Harlem - Der Pate von Harlem (1973)
Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.
trailer wiedergeben2:20
1 Video
17 Fotos
ActionDramaKriminalitätThriller

Der in Harlem aufgewachsene Tommy Gibbs wird ein erfolgreicher Mafiaboss, gerät aber mit der rivalisierenden Mafia und seinem alten Feind, dem korrupten Cop McKinney, aneinander.Der in Harlem aufgewachsene Tommy Gibbs wird ein erfolgreicher Mafiaboss, gerät aber mit der rivalisierenden Mafia und seinem alten Feind, dem korrupten Cop McKinney, aneinander.Der in Harlem aufgewachsene Tommy Gibbs wird ein erfolgreicher Mafiaboss, gerät aber mit der rivalisierenden Mafia und seinem alten Feind, dem korrupten Cop McKinney, aneinander.

  • Regie
    • Larry Cohen
  • Drehbuch
    • Larry Cohen
  • Hauptbesetzung
    • Fred Williamson
    • Gloria Hendry
    • Art Lund
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    4337
    IHRE BEWERTUNG
    • Regie
      • Larry Cohen
    • Drehbuch
      • Larry Cohen
    • Hauptbesetzung
      • Fred Williamson
      • Gloria Hendry
      • Art Lund
    • 48Benutzerrezensionen
    • 62Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 2:20
    Trailer

    Fotos16

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    Topbesetzung21

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    Fred Williamson
    Fred Williamson
    • Tommy Gibbs
    Gloria Hendry
    Gloria Hendry
    • Helen
    Art Lund
    Art Lund
    • McKinney
    D'Urville Martin
    D'Urville Martin
    • Rev. Rufus
    Julius Harris
    Julius Harris
    • Mr. Gibbs
    • (as Julius W. Harris)
    Minnie Gentry
    • Momma Gibbs
    Philip Roye
    • Joe Washington
    William Wellman Jr.
    William Wellman Jr.
    • Alfred Coleman
    James Dixon
    James Dixon
    • 'Irish' Bryant
    Val Avery
    Val Avery
    • Cardoza
    Patrick McAllister
    • Grossfield
    Don Pedro Colley
    Don Pedro Colley
    • Crawdaddy
    Myrna Hansen
    Myrna Hansen
    • Virginia Coleman
    Omer Jeffrey
    Omer Jeffrey
    • Tommy - as a Boy
    Michael Jeffrey
    • Joe - as a Boy
    Allan Bailey
    • 'Motor'
    • (as Allen W. Bailey)
    Cecil Alonzo
    • 'Sport'
    Francisco De Gracia
    • Cab Driver
    • (as Francisco DeGracia)
    • Regie
      • Larry Cohen
    • Drehbuch
      • Larry Cohen
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen48

    6,44.3K
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    6claudio_carvalho

    The Rise and Fall of a Gangster

    In 1953, the delinquent teenager Tommy is raised in Harlem in a period of a racist American society. When he grows up, he becomes a hitman (Fred Williamson) working for the Italian mafia. When he steals accounting ledgers from the mafia, he becomes a powerful kingpin in Harlem, keeping the mobsters and the dirty police commissary McKinney (Art Lund) under his control. But his fall begins when he learns that his mistress Helen (Gloria Hendry) is betraying him with his best friend.

    "Black Caesar" is an American action film by Larry Cohen, with the dramatic story of the rise and fall of a black gangster in Harlem. The plot may be dated in the present days, but in 1973 it was a full of action classic of blaxploitation. My vote is six.

    Title (Brazil): "O Chefão do Gueto" ("The Big Boss of the Ghetto")
    DJAkin

    Great BLACK movie of the 70s!!

    This was a great movie for BLAXPLOITATION. I recently became a HUGE FAN of this kind of movie. Fred Williamson just OOZES the essence of COOL!!! He is cool all the way through the movie. He sure does get even with that JERK OF A RACIST cop!!! I was amazed how TENSE this movie became toward the end!!! Still, Fred Williamson was buff and cool the entire movie. The music was really good as well. There was some great James Brown music. "I paid the cost to be the boss." That song personified the wonderful Fred Williamson!!! I plan to watch the commentary here pretty soon. I was shocked though at the way Fred was shot in the street yet he continued to walk around New York and nobody seemed to really care that he was shot. Very sad.
    DJ Inferno

    Black coolness!

    Larry Cohen´s "Black Caesar" is next to the amazing "Foxy Brown" one of my absolute favorite Blaxploitation movies! It´s full of heavy gun violence, cynical humor and Fred Williamson in the lead is probably the coolest male Afro American actor of the 1970s! Take also note of the funky disco soundtrack by the Godfather of Soul James Brown! Will catch the indirect sequel "Hell Up in Harlem" soon, so watch out for my upcoming review!
    Michael_Elliott

    Decent Gangster

    Black Caesar (1973)

    ** 1/2 (out of 4)

    Classic blaxploitation film has Fred Williamson taking on all the crime bosses trying to make it to the top. However, as we all know, once you're at the top there's only one place left to go. I've heard a lot about this blaxploitation film over the years so I was happy to finally get to see it but in the end there's nothing too original here to keep it highly entertaining throughout. I think the biggest problem is that we've seen this type of gangster story countless times before and this one even borrows from some classic gangster films like Scarface and Angels with Dirty Faces. Those homages are fun but the film starts to wear out in the final half hour, although things do pick up for the exciting ending. Williamson turns in a fine performance in the title role and he really was one of the classics of the genre. His tough talk and cool style fit the genre perfectly and director Cohen really knew how to use him. There's all the typical stuff from this genre including the racist whites, cool talk and this one even features a terrific opening song from James Brown. The best scene in the movie is the one where Williamson confronts his father who left him as a child.
    6Coventry

    Veni, Vidi, Vici ... Tommy!

    This review's title obviously refers to a famous Julius Caesar quote, and personally I think the greatest thing about "Black Caesar" is the subtle title reference towards the great historical leader. I deliberately state "subtle" reference, because the name itself isn't mentioned anywhere throughout the entire film, but the similarities between protagonist Tommy Gibbs and the Roman emperor are clever and relevant. Tommy also builds his own way to the top; in this case the conquering of a mafia empire that quickly becomes as over sized, cluttered and unmanageable as the Roman Empire. His methods are also merciless and strategic, but he also gradually transforms into a dictator feared by his loved ones as well as the target of conspiracies and assassination attempts. I don't know about you, but I think it's quite an ambitious and intelligent concept for a supposedly simple and low-budgeted piece of 70's exploitation trash! That being said, I have to admit that I nevertheless expected even more from this blaxploitation classic. I'm certainly not an expert in this domain, but I've seen the most important ones ("Across 110th Street", "Ganja & Hess"), the most outrageously entertaining ones ("Foxy Brown", "Truck Turner") and the passable ones ("JD's Revenge", "Blackenstein"). "Black Caesar" somewhat balances between the first two categories, as the script isn't solid enough to be important and not cool enough to be outrageously entertaining. Basically it's just Fred Williamson looking mean and shooting white mobsters in the chest so that he can take their place in the New York gangster hierarchy. During this process he abuses and scares off the people he initially wanted to protect, like his mother and childhood friend. The film features too many dull parts and repetitive sequences. Every conflict is solved with a bullet and end with a close up of a dead body covered in thick and bright red blood syrup. The most memorable sequences include the intro, with a teenage Tommy enrolling the criminal life, a virulent taxi/on foot chase in busy NY streets and a sadist final confrontation between Tommy and his nemesis. Other terrific elements for exploitation fanatics to enjoy are the swinging soundtrack (with James Brown's unique voice) and authentically raw and gritty set pieces. Williamson is excellent, of course, but Art Lund gives an even more impressive performance as the disgustingly corrupt cop McKinney. Larry Cohen's direction is uneven, but it was one of the first ventures of this multi-talented and versatile cult genius. There's a sequel entitled "Hell Up in Harlem".

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    Handlung

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    • Wissenswertes
      While filming in Harlem, Larry Cohen was accosted by local gangsters who threatened to disrupt the shoot unless they were paid off. Instead, Cohen offered them small roles in the film. They helped so enthusiastically that they attended the premiere to sign autographs.
    • Patzer
      Tommy cuts off the left ear of the man in the barber's chair, but the ear he drops into the plate of spaghetti is a right ear.
    • Zitate

      Tommy Gibbs: That used to be home, sweet home, Pa. Top window. Rear

      Mr. Gibbs: Always seemed to me like a much bigger building.

      Tommy Gibbs: You must know what I do for a living.

      Mr. Gibbs: I'm not gonna lecture you. I don't have the right.

      Tommy Gibbs: Did it ever occur to you... That I've been waiting 25 years just to kill you?

      Mr. Gibbs: No. No. Wait, listen please. I mean, it was the depression. I mean, you don't know what it was like to... Then the war and my chance to get away. You never had those responsibilities. I mean, you never been trapped. Oh, no. Not knowing where to run or who to-- or who to hate. I was 20 years old, 20 years old when I enlisted. And I was a cook all through the war. I was a cook!

      Tommy Gibbs: You never sent home one allotment check. My ma had to scrub floors on her hands and knees for pennies!

      [pins his father against a wall pointing his gun at him]

      Tommy Gibbs: I'm gonna kill you!

      Mr. Gibbs: She-- she couldn't get no allotment! We wasn't married legal! Folks didn't bother much in those days.

      Tommy Gibbs: [lowers his gun and turns away] She never told me.

      Mr. Gibbs: I--I could have sent you something.

      Tommy Gibbs: Go on. Start walkin.'

      Mr. Gibbs: I didn't mean to break it to you that way. I mean, I wouldn't have said anything...

      Tommy Gibbs: Don't matter. Move on, before I change my mind. Pa! I don't ever want to see you again.

      Mr. Gibbs: I understand, son.

      Reverend Rufus: What are you going to do now? Kill your momma?

    • Alternative Versionen
      The European version included an additional scene before the end credits, where, after Tommy Gibbs is seen wandering in a neighborhood slum, a street gang robs him and fatally beats him up. This sequence was originally cut from U.S. prints, as AIP was already interested in making a sequel. However, in the late 1990s, when MGM bought the Orion Pictures library, the European cut made its way to home video, due to a mix-up on MGM's part. Therefore, all current video releases, to this day, feature this print.
    • Verbindungen
      Featured in Heiße Hölle Harlem (1973)
    • Soundtracks
      Down and Out in New York City
      Written by Bodie Chandler & Barry De Vorzon

      Performed by James Brown

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 6. Juni 1974 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Italienisch
    • Auch bekannt als
      • Black Caesar - Der Pate von Harlem
    • Drehorte
      • Los Angeles, Kalifornien, USA
    • Produktionsfirmen
      • American International Pictures (AIP)
      • Larco Productions
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    Technische Daten

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    • Laufzeit
      • 1 Std. 27 Min.(87 min)
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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