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Das Blutgericht der gequälten Frauen

Originaltitel: La maldición de Frankenstein
  • 1973
  • Not Rated
  • 1 Std. 34 Min.
IMDb-BEWERTUNG
5,0/10
954
IHRE BEWERTUNG
Das Blutgericht der gequälten Frauen (1973)
HorrorScience-Fiction

Dr. Frankenstein und seine Assistentin Morpho werden gerade getötet, als sie ihre Schöpfung zum Leben erwecken.Dr. Frankenstein und seine Assistentin Morpho werden gerade getötet, als sie ihre Schöpfung zum Leben erwecken.Dr. Frankenstein und seine Assistentin Morpho werden gerade getötet, als sie ihre Schöpfung zum Leben erwecken.

  • Regie
    • Jesús Franco
  • Drehbuch
    • Jesús Franco
    • Mary Shelley
  • Hauptbesetzung
    • Alberto Dalbés
    • Dennis Price
    • Howard Vernon
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,0/10
    954
    IHRE BEWERTUNG
    • Regie
      • Jesús Franco
    • Drehbuch
      • Jesús Franco
      • Mary Shelley
    • Hauptbesetzung
      • Alberto Dalbés
      • Dennis Price
      • Howard Vernon
    • 30Benutzerrezensionen
    • 30Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos45

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    Topbesetzung14

    Ändern
    Alberto Dalbés
    Alberto Dalbés
    • Doctor Seward
    • (as Alberto Dalbes)
    Dennis Price
    Dennis Price
    • Doctor Frankenstein
    • (as Denis Price)
    Howard Vernon
    Howard Vernon
    • Cagliostro
    Beatriz Savón
    • Vera Frankenstein
    Anne Libert
    Anne Libert
    • Melisa
    Fernando Bilbao
    Fernando Bilbao
    • Monstruo
    Carmen Yazalde
    Carmen Yazalde
    • Madame Orloff
    • (as Britt Nichols)
    Luis Barboo
    Luis Barboo
    • Caronte
    Daniel White
    • Tanner
    • (as Daniel Gerome)
    Doris Thomas
    • Abigail
    • (as Doris Tom)
    Lina Romay
    Lina Romay
    • Esmeralda (in version "La maldición de Frankenstein")
    Jesús Franco
    Jesús Franco
    • Morpho
    • (as J. Franco)
    Eduardo Calvo
    Eduardo Calvo
    • Dr. Frankenstein
    • (Spanish version)
    • (Synchronisation)
    • (Nicht genannt)
    Eduarda Pimenta
    • Asistente de Vera Frankenstein
    • (Nicht genannt)
    • Regie
      • Jesús Franco
    • Drehbuch
      • Jesús Franco
      • Mary Shelley
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen30

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    4Witchfinder-General-666

    The Weird (But Tedious) Rites Of Franco

    I am generally a big fan of the highly prolific exploitation filmmaker Jess Franco, yet it is undeniable that his impressive repertoire includes ingenious films as well as big time stinkers. While this "Erotic Rites Of Frankenstein" of 1972 is not one of the most awful films Franco has ever brought to screen it definitely ranges among his lesser ones. The film has its positive aspects, including a certain delightful weirdness, but it is overall a bit too messy, and often quite boring. Still, for my fellow trash fans, there are some reasons to see the film. This is the first film ever starring Lina Romay, who subsequently became a Franco-film-regular and sleaze-queen. Romay was only 18 when this film was made, and she became director Franco's wife some time later. The film's storyline is weird and very absurd, and basically typical for a Franco flick. I will not go into detail, but I'll say this much: The story revolves about an insane scientist/sorcerer named Cagliostro (regular Franco-film star Howard Vernon), who has a cult of devoted freaks in his castle, and wants to create a human 'masterrace' by crossing beautiful women with Frankenstein's monster. Or whatever. Sounds like a lot of weird fun, I know, but sadly the film gets quite tiresome at times. There are two versions of the film, one of which is a lot sleazier. They basically shot the whole film twice, with the exact same things happening, only that the women are mostly clothed in one version and mostly fully naked in the other. My DVD contains the more prudish version, with the more explicit 'alternative' scenes as a bonus feature. I strongly recommend to watch the sleazier version, of course, since the sleaze factor is arguably the most recommendable thing about the film. The female cast is lovely to look at and mostly naked (in the interesting version). Also, there are some ridiculous and amateurish, but delightfully weird outburst of violence. The cinematography and settings are also very good. Howard Vernon enjoys a certain cult status among many of my fellow exploitation fans, and rightly so, if I am considered. The guy was certainly not the most brilliant actor ever, but he fit very well in the trashy Eurohorror roles that he played. Vernon's repertoire ranges from some excellent films (such Jess Franco's very own masterpiece "Miss Muerte") to god-awful (such as Jean Rollin's dreadful "Zombie Lake") and his presence actually makes films like this one a lot more worthwhile. This film of many aka. titles (such as "La Maldición De Frankenstein") is watchable (in the explicit version) for its weirdness, but one shouldn't expect too much. Among the Franco films I've seen (and those are quite many by now) this one doesn't rank at the very bottom, but it certainly ranges in the lesser half.
    Chris-773

    Frankenstein as told by the Marquis de Sade

    Once upon a time, I viewed a copy of Jess Franco's Virgin among the Living Dead. I thought the movie was slow, boring and utterly pointless. Henceforth, I made it my firm resolution to avoid any movie directed by Jess Franco again. However after catching "the Awful Dr Orloff" on tv I have over the years become an admirer of his unique filmic style and now suprisingly claim that Jess Franco can be considered an Auteur of Euro-trash cinema.

    The Erotic rites of Frankenstein is a very hard movie to track down. As far as I know it has never been released in the UK or America. Therefore, I was lucky enough to obtain a good widescreen copy on VHS from a car-boot sale. (These thing's always turn up in carboot sales!) The movie is a very imaginative and bizarre reinterpretation of Shelley's classic horror tale with and overtly sexual subtext.

    Dr Frankenstein finally bestows the gift of speech upon his creation. Unfortunately his triumph is short lived when he is attacked by a weird naked vulture woman who tears him to shreds in his laboratory. Vera Frankenstein investigating his death reanimates her fathers corpse and discovers that his murderer is none other than Cagliostro the Wizard who has stolen the monster to aid his plans for world domination. Vera sets out to revenge her father but alas falls into the clutches of the wicked and very perverse Cagliostro....

    This film contains many odd scenes and speeches from the characters. The oft mentioned scene of a bare chested and silver skinned Monster mercilessly whipping a naked couple over a spiked floor is suprising to say the least. The naked vulture woman's attack and slaughter of several naked men too is unexpected. As is the appearance of zombies at Cagliostro's castle. For once in a Frankenstein film it is the Doctor himself who is reanimated not less than three times and eventually becomes his own monster.

    I enjoyed this movie - Franco's obsessions with S&M and naked women provide a spice to a very tired tale.
    5Bunuel1976

    The Erotic Rites Of Frankenstein (Jesus Franco, 1972) **

    This one's undoubtedly superior to Dracula, PRISONER OF FRANKENSTEIN (1971) – displaying a fair evidence of style throughout (notably some Bavaesque lighting).

    It utilizes a lot of the same cast as that film: Dennis Price, in fact, returns as Frankenstein but gets little to do (this is his least performance in a Franco film – especially embarrassing when his character is regenerated); Howard Vernon now turns up as Cagliostro (I had been underwhelmed by his performance when I watched the Spanish version a few years back, but he's actually quite commanding); Anne Libert gets her most impressive role as Melissa, the blind and eccentric "Bird Woman" in Cagliostro's service (though the mysterious zombie-like figures who witness the titular events from behind bars are just as grotesquely made-up); Britt Nichols is underused, but her luscious figure gets exposed this time around (and, in any case, she's perfectly cast as Cagliostro's proposed bearer of a new master race); Alberto Dalbes also returns as Dr. Seward where, again, he's the hero; ditto Fernando Bilbao as Frankenstein's monster (given a curious silver make-up here); Luis Barboo is on hand as well but, now, he plays Cagliostro's henchman rather than Frankenstein's (the latter role is taken all too briefly at the very start by Franco himself); Daniel J. White also gets more screen-time than in the previous film (where he was just an extra) as a Police Inspector.

    Missing here – consequently, the film runs for a mere 70 minutes! – is the irrelevant gypsy subplot (featuring Lina Romay) filmed some time later and eventually incorporated into the Spanish variant, dubbed LA MALDICION DE FRANKENSTEIN aka THE CURSE OF FRANKENSTEIN...though the English-language edition I watched also bears this title!! Still, the would-be erotic rites (presented clothed in Spain) are silly rather than titillating: actually, there's only one (in which the monster is made to whip the naked figures of Barboo and Frankenstein's daughter in a dungeon with a spiked floor), as the intended procreation scene involving Bilbao and Nichols is ultimately interrupted by the heroes. Cagliostro's flight at the end, then, suggests that a further instalment may have been intended – but it never transpired.

    Opinions about this particular version seem to go from one extreme to the other: it's neither one of Franco's top efforts nor among his worst, hence the middle-of-the-road rating I gave it. On the other hand, everybody seems to agree that the alternate Spanish release is a lesser achievement – even so, it's not that the loss of the tacked-on footage (or, for that matter, the benefit of nudity) dramatically alters the quality of the finished product!
    mord39

    Truly awful waste of time

    MORD 39 RATING: 0 (of ****)

    I have no objections to low-budgeted horror films of the foreign nature...but when they're boring beyond endurance, it's mind-numbing.

    Jess Franco is one of the worst directors in the horror genre (I'll give him respect by not saying "of all time"), but this piece of garbage makes his COUNT DRACULA (1970) look like a masterpiece. I can't critique this film very well, as I literally had no idea what I was looking at. The monster is painted silver, someone gets whipped, and that's all I am sure of. Dull, dull, dull.

    A sort of companion piece to this dreck was DRACULA, PRISONER OF FRANKENSTEIN. While it too was poor, it was far less plodding than this one. As of this writing, EROTIC RITES OF FRANKENSTEIN is not easy to find...and that's the best thing to be said about it.
    4ma-cortes

    Below average Monster movie co-produced by Spain and France and badly made by prolific Jesús Franco

    Dr Frankenstein : Dennis Price and his assistant Morpho : Jesús Franco, are attacked by the giant monster : Fernando Bilbao , as soon as he is brought to life. Then the monster is taken by the immortal magician Cagliostro : Howard Vernon , and his helper , the witch Melissa : Ana Libert . Cagliostro's goal is to create a new master race and turn over the World. Then Dr Stewart : Alberto Dalbes to do battle against the forces of evil and once again decides it's time to wipe them off the Earth , unfortunately his is attacked by Frankenstein monster .They have awakened .. and they are the sound of terror!

    Typical Jesús Franco of the Seventies , this time revisiting Frankenstein creature . This is the follow-up to "Dracula versus Frankenstein" 1972 with similar techinician and artistic team, adding Paca Gabaldon and shot in same scenarios from Sintra , Lisboa , Portugal . Here shows up ordinary actors of the Jess Frank factory , giving lousy interpretations , such as : Howard Vernon, Dennis Price , Anne Libert , Britt Nichols , and film debut of Lina Romay , Jesús Frank's future wife and his muse.

    It packs an atmospheric and passable cinematography by Raúl Artigot . Being shot on location in Barcelona, Alicante, Murcia and Sintra, Lisboa , Portugal. As well as atonal and weird musical score by Daniel White, Jesús Franco regular . The motion picture produced by Franco regular producers Arturo Marcos and Robert De Nestle who financed him several movies in the Seventies . The flick was lousily directed by Jesús Franco in his usual style . This La Maldición de Frankenstein or Erotic adventures of Frankenstein was one of a multitude of terror films directed by the hack Jesus Franco, such as : Miss Muerte or The Diabolic Dr Z , Gritos en la Noche , La Mano del Hombre Muerto, Count Dracula , Jack the Ripper , Vampyres Lesbos , Dracula versus Frankenstein , The erotic rites of Dracula , Los Demonios , Mansion of the Living Dead and Doctor Orloff Saga that includes : The Awful Dr Orloff , Secret Dr Orloff , Sinister Dr Orloff , Orloff's Invisible Monster , Faceless . Rating 4/10 . Inferior and below average horror movie . Exclusively for Jesús Frank completists .

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    Handlung

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    • Wissenswertes
      Film debut of Lina Romay.
    • Patzer
      Vera asks Dr. Seward if her father could have been killed by mountain lions. An odd question to ask, given there are no mountain lions in Europe.
    • Zitate

      Melisa: Melisa speaks to you on behalf of her great master Cagliostro. Cagliostro created me and half of me is a bird. He meant for me to be his own daughter, but I am blind and therefore unworthy. Cagliostro now transmits the words he wishes you to hear through the fabulous creature that I am. Listen to the master speak these words to you: "I have accorded you the privilege of rising from your graves. But I cannot prevent your flesh from rotting. Originally, I started creating with nature's materials, but I was mistaken. I brought corpses back to life, only their bodies kept on rotting. To create the creature through whom I talk, I contrived to impregnate an egg with human semen. It was the beginning of my research. Now I use only living ingredients. Different elements of various women served to engender this composite woman and through her a new master race will arise. You are now going to witness the melding of this creature with the monster of Frankenstein. The monster has entered the crypt. He will perform Cagliostro's commands. Witness the miracle, the holy covenant between these two: the creature of Cagliostro and... the monster of Frankenstein. Cagliostro's magnetic power steals into their bodies. It is taking hold. Now they are about to procreate. Their procreation is perfection. They are fabulous creatures. They are divinities. Their most marvelous bodies will mate and remain united."

      Cagliostro: The time has arrived. The monster will begin his work. Enjoy it, Melisa. I want you to enjoy it most particularly.

    • Alternative Versionen
      Two (if not more) versions of this film exist La Maldicion de Frankenstein and The Curse of Frankenstein. The main difference between the two is that Curse is the 'hot' version containing male and female full frontal nudity, Maldicion is the 'cool' version with the same scenes but with the actors clothed. Maldicion is the version released in Spain in the General Franco era hence the lack of nudity although several topless scenes briefly remain. There are however many other differences between Maldicion and Curse, neither can be called definite since both contain footage the other doesn't. Both contain different beginning and end credits, Maldicion has nominal black and white titles, Curse opens it's credits to footage in Frankenstein's lab not found in Maldicion and ends with the credits set against a blue painting of the sea with more lyrical credits 'Robert De Nesle has presented'. Maldicion adds another character Esmeralda the Gypsy (played by Lina Romay) completely alien to Curse who appears throughout the film in a trance under the influence of Cagliostro, while impressive scenes of Cagliostro's zombies dressed in white robes walking though a misty forest can't be found in Curse. However Maldicion is lacking several scenes important to the narrative that curse can boast, noticeably Cagliostro and Melissa the bird women's first meeting in the film.
    • Verbindungen
      Edited into Dr. Wong's Virtual Hell (1999)

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    Details

    Ändern
    • Erscheinungsdatum
      • 31. Mai 1973 (Frankreich)
    • Herkunftsländer
      • Spanien
      • Frankreich
    • Sprachen
      • Englisch
      • Spanisch
      • Französisch
    • Auch bekannt als
      • Eine Jungfrau in den Krallen von Frankenstein
    • Drehorte
      • Av. Rei Humberto II de Itália Parque Marechal Camona, 2750-319 Cascais, Portugal(Cagliostro's castle)
    • Produktionsfirmen
      • Comptoir Français du Film Production (CFFP)
      • Fénix Cooperativa Cinematográfica
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      • 1 Std. 34 Min.(94 min)
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 2.35 : 1

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