IMDb-BEWERTUNG
5,3/10
1413
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuOutlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.Outlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.Outlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.
Henri Czarniak
- Le docteur Miller
- (as Henry Czarniak)
Valéry Inkijinoff
- Spitting Bull
- (as Valery Inkijinoff)
Clément Michu
- Charvet
- (as Clement Michu)
Empfohlene Bewertungen
Claudia Cardinale is in my dreamy Top Ten. Cardinale does not disappoint in "The Legend of Frenchie King". Brigitte Bardot is also no slouch. Bardot's all girl gang fills out the rest of the card. Throw in Michael J. Pollard as the marshall and you have all the makings of an enjoyable spaghetti western. "The Legend of Frenchie King" is enjoyable all the way as it builds to the greatest catfight in spaghetti western history. But I have to admit, the dubbing in this movie is ridiculous. They didn't even try to match it up to the lips. I'm guessing they figured nobody would by looking at their lips anyway so why bother. They weren't wrong.
Two sexy superstar actresses in a cowgirl/cowboy western, with the erotic overtones an Italian film will add. Brigitte Bardot is the train robber, accompanied by her gang of attractive women in this female-dominated movie. Set in a "French" western city in the U.S. Combined with the sexiness is a very humorous, entertaining storyline about rivalry for an oil ranch, as the sexual tension between the two leading actresses (who are rivals) and a goofy sheriff is complemented and eventually superseded by the tension between Brigitte's gang of lovelies and Claudia's supporting brothers (which eventually certainly is not tension). A fabulous must-see, with a wonderful catfight, and women should enjoy it as much as men.
Brigitte one more time show to the world of the cinema how sure of herself she was this time around she was paired with Claudia Cardinale a beauty on her own and the Italian answer to Bardot . in the past Bardot was pair with the sublime Jeanne Moreau and the very talented Annie Girardot, this movie is a western a very good one i love the way Bardot and Cardinale fight , they are very sexy together of course Bardot is by far more beautiful and more famous please rent or try to watch this movie is wonderful you will have a great time plus is Bardot in it the most beautiful movie star of all time. I will said one thing about this movie it have many different name in English i don't know why , but remember any movie with Brigitte in its a treat
After the first half of the sixties,Christian-Jaque 's talent began to deteriorate .It was extraordinary he fell so quickly and so low after the brilliant works of the thirties ,forties ,fifties and even early sixties.
Probably made to capitalize on the success of Louis Malle's "Viva Maria" where BB met Jeanne Moreau in 1965, "Le petroleuses" is a slapstick comedy where two gorgeous cowgirls fight for an oilfield. In her memoirs,BB remembers she could not ride a horse,and she was terrified each time she had to get back into the saddle.Her screams (Mama!Mama!) used to make CC laugh until she cried.She did not like the film.I didn't either.
Probably made to capitalize on the success of Louis Malle's "Viva Maria" where BB met Jeanne Moreau in 1965, "Le petroleuses" is a slapstick comedy where two gorgeous cowgirls fight for an oilfield. In her memoirs,BB remembers she could not ride a horse,and she was terrified each time she had to get back into the saddle.Her screams (Mama!Mama!) used to make CC laugh until she cried.She did not like the film.I didn't either.
LES PETROLEUSES's marquee value was probably enough to have every European theater sold-out when it came out. Let's face it, no one would flock to see this for its plot and characterization and it probably wouldn't have been green-lit in the first place were it not for ravishing beauties Brigitte Bardot and Claudia Cardinale. With a story that could've been plucked straight from the pages of the famous European western comic Lucky Luke, Les Petroleuses is an irreverent euro-western cartoonish spectacle from start to finish, a low-brow comedy populated by stock characters and silly slapstick but still fairly entertaining as far as these films go. What really makes it worthwhile however is the screen presence of Bardot and Cardinale, none of which have to stretch their acting muscles to earn their paycheck, except look as gorgeous as possible. Seeing Bardot's bare buttocks and Cardinale doing a song number dressed in a skimpy cabaret outfit probably helped quite a lot.
Interesting to note is that Les Petroleuses plays like a male sex fantasy of female supremacy. Bardot plays notorious train robber Frenchie King, leader of four black-clad European babes, while Cardinale is in charge of a ranch and her four idiot brothers. All the men in the movie are stupid and incompetent buffoons, chief among them the sheriff who is a bumbling fool always running after his horse and Cardinale's perennially horny brothers. The women are sassy, bossing the men around and outsmarting them at every turn. Buxom beauty Cardinale has an old Indian housekeeper while Blond vixen Bardot has a black manservant (who calls the Indian his "red brother"). Both Cardinale and Bardot have the goofy sheriff wrapped around their finger. At one point Bardot kidnaps Cardinale's brothers, has them tied and stripped naked before her and rains buckshot on their bare asses! In the end, the sheriff drops his star and gunbelt on the floor and sighs in admission of defeat that "the west ain't no place for a man".
You can guess the conclusion from sheer arithmetics alone and the movie is pretty crude from a technical standpoint, but eurowestern fans will have a ball seeing two of the most beautiful women ever to grace the silver screen duking it out for crude petrol.
Interesting to note is that Les Petroleuses plays like a male sex fantasy of female supremacy. Bardot plays notorious train robber Frenchie King, leader of four black-clad European babes, while Cardinale is in charge of a ranch and her four idiot brothers. All the men in the movie are stupid and incompetent buffoons, chief among them the sheriff who is a bumbling fool always running after his horse and Cardinale's perennially horny brothers. The women are sassy, bossing the men around and outsmarting them at every turn. Buxom beauty Cardinale has an old Indian housekeeper while Blond vixen Bardot has a black manservant (who calls the Indian his "red brother"). Both Cardinale and Bardot have the goofy sheriff wrapped around their finger. At one point Bardot kidnaps Cardinale's brothers, has them tied and stripped naked before her and rains buckshot on their bare asses! In the end, the sheriff drops his star and gunbelt on the floor and sighs in admission of defeat that "the west ain't no place for a man".
You can guess the conclusion from sheer arithmetics alone and the movie is pretty crude from a technical standpoint, but eurowestern fans will have a ball seeing two of the most beautiful women ever to grace the silver screen duking it out for crude petrol.
Wusstest du schon
- WissenswertesThe Little P. Ranch was built specifically for this film, but it remained standing after filming was completed and would go on to appear in the following movies: Zwei wilde Companeros (1971), Die rote Sonne der Rache (1972), Der Mann mit der Kugelpeitsche (1973), Fuzzy, halt die Ohren steif! (1973), Vier Vögel am Galgen (1974) and Stetson - Drei Halunken erster Klasse (1975). The ranch burned down in an unknown year, leaving only the chimney standing. It remains so as of January 2017.
- PatzerWhen Louise is buying the horse and riding it in Maria's corral, the long shots are of an obvious stunt double.
- Alternative VersionenOnce available on Super 8, Sound, Colour, 400', but discontinued as of 1980.
- VerbindungenFeatured in Le mystère Bardot (2012)
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