Himmelfahrtskommando Okinawa

TOO LATE THE HERO is a top notch war film about a british unit plus one american who must destroy a japanese communications station on a island. The mission for all purposes is impossible. TOO LATE THE HERO is long in a few spots, yet the film overcomes this flaw and the pace flows smoothly again. The film has a gritty realism to it which is aided by the deep jungle locations the film was shot at. Fans of FARWELL TO THE KING will enjoy this film as well, as it is up the same alley as that Nick Nolte film. OOne thing I enjoyed about this film were the casualty levels on the japanese and allied sides; these were were very realistic.

This movie is a personal one for me. I was a high school student at George Dewey H.S., Subic Bay, Philippines from 1968-70. My buddies and I were extras in the movie when it was made out there. We would cut classes and our principal would come out to the movie set to take our names down. We got in trouble when we got back, but this was a once in a lifetime deal. We were paid $12 a day. It was cheaper to use off-duty sailors and marines as well as the high school guys as extras than to pay for extras to be flown in from the U.S. We picked up buses from various parts of the base early in the morning and were taken to the naval magazine where the movie was being filmed. We were out from 6:00 A.M. to about 4:00 P.M. I remember the prop people built this fantastic set with huts and a fake stone church that was used as the Colonel's headquarters. It was nicer than the huts the Filipino people lived in and they wanted to keep them after the movie was finished. They had to be torn down though because of insurance purposes. They had brought these British Army uniforms for us to wear but they were new and looked too good so they ran over them with trucks to give them a rough look. To this day I remember many wild times on the set. Once when Cliff Robertson arrived at the base and was in the Colonel's headquarters, the director Mr. Aldridge yelled at myself and a buddy because we were playing our acoustic guitars too loudly on top of the fake stone church and it could be heard during the scene. I guess Hendrix music was not around in WW2. Another time between takes, Michael Caine and his buddies were on the steps of a building and he started to sing "Hey Jude" by the Beatles. Everyone sang along. It was great and to this day whenever I hear that song it takes me back to that great time! (that was 37 years ago) One of the side actors brought along his girlfriend and she ran around on the beach in her bikini. That was indeed a great sight as sailors, marines and high school kids took breaks from the set to hang out on the beach. I remember meeting the British actor with the broken nose who was in "Flight of the Phoenix" with Jimmy Stewart. He was in the movie and seemed to be a nice guy. A Philippine patrol boat parked at the beach dock. They were kind enough to let us dive off their boat into the water during lunch breaks. Some of the guys earned $18 a day by lying in an open field being dead bodies. These were the soldiers from the movie who were shot by the Japanese snipers. There was a fire on the set one day and shooting had to be stopped. They repaired the set and the movie went on. Parts of the movie were shot near our base hospital on the mountain at Cubi Point in the jungle. These were the scenes where the commando team was in the jungle on the mission. The movie people would party at the Officer's Club at Cubi. It was not well received by all the officers. The movie guys had long hair and dressed very casually, and the marine fighter pilots did not care for this group. I did not hear of any fights though. My buddy next door to our quarters had Michael Caine and some others over for a home cooked dinner. It was well received. It was a great time to be in the Philippines back in those days. After we finished our tour out there we went back to a naval base at Pax River, Maryland. I went up to New York to visit my aunt and she took me to see the movie. It was pretty good. I especially enjoyed it since I could see all my buddies walking around in the background with rifles or just hanging out. It was a great movie and I must say it was filmed in the real jungle setting with snakes and all. No Hollywood back-set here!

What do you know about psychological warfare? Not much I guess.

Well, this is a war movie with a major twist. It's much less about shelling the enemy or just drill some holes in him, but more about "really" to outsmart him.

An American officer, an Interpreter in Japanese, who's a real artist when it comes to avoid the battlefield, is about to get a long awaited leave when he suddenly is tasked to help a bunch of British raiders in their endeavor to capture and destroy a forward listening Japanese outpost.

Through thick and through thin (literally), men who hate each other as well as hating the American officer (played by Cliff Robertson) have to face a common enemy who masterfully hides in the Jungle.

One by one they get hunted down by the Japanese. Nevertheless, the mission succeeds, but now the remaining force has to return to base. Not an easy task, considering that the Japanese made prisoners and are using them as bait while they communicate with the only two remaining raiders (Robertson and Michael Caine). Through a microphone and various loudspeakers scattered throughout the Jungle and by performing a highly skillful and mind-shattering blackmail, they try to lure the two to surrender.

A well timed war drama, masterfully played by all the actors involved figuring Ian Bannen ("The Hill", "The Outrage" etc.), Harry Andrews ("The Hill", "The Charge of the Light Brigade", "Battle of Britain"), Denholm Elliot ("Raiders of the Lost Ark", "A Room with a View"), Ronald Fraser ("The Hill", "The Wild Geese") and Ken Takakura ("The Yakuza", "Antarctica", "Black Rain").

If you like two movies into one: a War Movie and a Suspense Thriller, then the price is really low.

The DVD edition is as one may expect from Anchor Bay. No extras included, except for the trailer, but the movie alone is, in my view, a tiny masterpiece and well worth the effort.

By the way, if you're looking for a similar movie, forget it. It's the only one in its genre. Think about it.

Too Late the Hero is a cynical war adventure with a set of rather unsavoury, antagonistic characters caught in an unforgiving, hot environment where they risk being embushed at any time by Japanese soldiers. It manages to stay interesting for two hours until building up into a fabulous, exciting finale. Not a big soldiers action film like The Dirty Dozen or Platoon, Too Late the Hero is nevertheless my favourite of the genre, although it took a couple of watchings to appreciate the simple, yet original, intelligent plot development, the realistic, yet interesting and even at times amusing dialogue and characters (for instance, Caine telling Robertson in his cockney accent: "now what's got you jumping about like a frog with a bullet up his ass..") and the suspenseful and well-made action sequences. It is not always easy for this kind of film to retain a kind of unsentimental realism and be entertaining at the same time. Yet, Too Late the Hero does it. While they are not particularly sympathetic characters (there are none in the film, except maybe for the Japanese major), Cliff Robertson and Michael Caine manage to become likeable anti-heroes in their own way, each giving excellent performances; American Robertson wondering what the hell he is doing among a rough bunch of Brits fighting the Japanese on a Pacific island until he decides to find his destiny as a hero, and Caine as a brash, cynical, rude, insubordinate and altogether hilarious cockney, mainly concerned about saving his skin. Too Late the Hero does not dwell into making an elaborate anti-war statement. It takes for granted that war is hell and any sane man would just worry about surviving like Caine, Robertson or most of the other soldiers on an increasingly suicidal mission - not as the leader of the group, brilliantly played by Denholm Elliott, who appears suspect and foolish for trying to maintain traditional combat values and discipline. The interactions between Robertson and his unfriendly British companions add to the interest and credibility of the film, while the unusual chase through the jungle and its exciting conclusion contribute to its originality. Not the best war film ever, but a unique one.

TLTH is a solid war movie made in a time devoid of Tom Cruises, Di Crapios and other mattodamonic Bennaffleckians. Caine and Robertson look like men, not wimpy little effeminate preppies which we're served and rammed down our throats en masse nowadays. Michael Caine participated in the Korean war as a soldier, while Denholm Elliot spent several years as a Japanese P.O.W. in WW II; what's the toughest ordeal Casey Affleck ever had to go through? A broken nail? And it partially shows on screen, of course.

The main drawback is the length; I saw no reason for this plot to use up over 2 hours of screen time. A minor problem was the occasional mumbling.

One of the things I liked here is that there was a more realistic way of looking at World War II. In recent decades we've had U.S. liberals and other clueless Leftists tell us how "valid" and "noble" that war was, as opposed to other wars that came later, that were supposedly totally immoral, unclean, nasty and vile. However, there is no such thing as a "pure" or "sanitized" war. The lack of discipline, morality and even courage among some of the British troops in this film is a refreshing break from the kind of silly over-glorification of WW II - especially the way this stands in contrast to the over-vilification of wars fought by America in the decades after that.

Judging by Caine's memories (from his autobiography) related to filming TLTH, a documentary on the making of the film would have been fascinating to watch.