Rio Lobo

I think that most John Wayne buffs would agree that this is a remake of 2 previous picture-"Rio Bravo",and "El Dorado".We have the same characters,the same basic situations,and the same resolutions.What I found interesting is the way that the "Duke"was able to kid his image in this one.He's not just strong,tough,brave,resourceful,and quick;he's also able to show a middle-aged man whose libido might not be as urgent as it was previously.Let's face it,being a lover isn't just performance,but also being tender and"comfortable"(the word that they use in this picture.)Let's not be too hasty about the performances of O'Neill,Rivero,and Mitchum-they were young and needed experience,and they got it in this film.(And Rivero is every bit as tasty looking as O'Neill.Isn't he delectable?)Nice to see Victor French as a porcine,slimy villain,and Mike Henry manages to play against his Tarzan image as the sheriff.I found him tough enough,and certainly brutish,but I didn't see him as quite enough of a sadist to go around cutting up women.David Huddleston does a first-rate job as Dr.Jones.The real acting honors of the evening,however,do go to the redoubtable Mr.Elam.This is a scenery-chewing,rip-roaring,over-the-top performance of such eye-rolling looniness that it's a joy to behold.Watch this film for fun,and don't take it too seriously.

After the Civil War, Cord McNally (John Wayne) searches for the traitor whose perfidy caused the defeat of McNally's unit, a shipment of gold to be stolen, and the loss of a close friend.

I loved the beginning with the train robbery. Every part of it was executed perfectly, and the first ten minutes or so are probably the highlight of the film. And then the idea that the yanks and rebels could be friends was questionable but nice... and the shift from the war and the heist to tracking down a traitor, great. But it seemed to have a good deal of turns and subplots that were not quite necessary.

The worst was Jennifer O'Neill, who played Shasta. I would gladly give this film another star if it was not for her. Every line was delivered so poorly. I guess Howard Hawks feared John Wayne was too old for the role... I thought Wayne was great. It was O'Neill that was the weak link. She just has no acting ability to speak of.

Also, a special nod to Jack Elam, who was the comic relief. His wit and delivery (almost) make up for O'Neill, and on that count I have revised my 6 stars in 2015 to 7 stars in 2016 upon a second viewing. This may not be the best known Hawks-Wayne collaboration, but it certainly has its strong points.

After an excellent start with the train ambush, the movie loses steam and never really picks up, an unhappy way for a great director like Hawks to bow out. But I did not get too bored and was happy enough to stick it out to the end, even though the writing is too flat and derivative with echos of half a dozen better movies. Rivero lacks the charisma that could have helped to save things but I do not think O'Neill is as bad as some reviewers claim – not expressive enough with her dialogue at this stage but I think you can see the spark that gave her a respectable career in movies. But, as usual, Wayne saves the day. Even in a disappointing movie like this, that enormous screen presence reminds you just what a great star he was.

Being the John Wayne/Howard Hawks fan that I am, I expected great things from "Rio Lobo." Unfortunately, it's one of the Duke's weakest efforts. Howard Hawks has a style all of his own, but none of it is in evidence here. As a matter of fact, the one thing this picture reminds me of is those cheesy A.C. Lyles westerns from the '60s, which were made cheap and loaded with familiar faces like Rory Calhoun, Howard Keel, Rod Cameron, etc.

The biggest problem in this film is the performances of the younger cast members. Jennifer O'Neill is ravishingly beautiful but can't act her way out of a paper bag. Her scenes with Rivero are among the most embarrassing on record. Rivero has trouble with English and seems to be reciting his lines phonetically; O'Neill doesn't seem to have the slightest idea of what she is doing. She steps on other actors' lines, forgets hers, misses cues, and is a pretty good argument for models not being paid for opening their mouths. Future studio head Sherry Lansing has a small part as a Mexican girl who ges beaten up by bad sheriff Mike Henry; she was a much better studio head than an actress. It's up to the old pros like Wayne, Bill Williams, Jim Davis, Victor French and especially David Huddlestson as a frontier dentist to give this picture some semblance of professionalism, performance-wise. Jack Elam as an ornery old codger gives an over-the-top performance that is nevertheless fun to watch. Mike Henry is quite good as a sadistic, crooked sheriff. Yakima Canutt staged the rousing action scenes with his usual flair, and there's a good Jerry Goldsmith score. Unfortunately, however, the trite script and the incompetent performances are obstacles that neither Hawks nor Wayne can overcome. O'Neill has a line early in the film that pretty much sums up her performance: "I'm acting like an idiot, aren't I?"

Yup.

OK, put down the film criticism texts and just watch this fun movie for what it is. Feels like a TV movie, but several cuts above one. The opening train robbery sequence is pretty damn breathtaking for a "bad" movie. Bet some action directors have studied that one. "Lobo" is collection of a lot of good Hawks-ian moments recycled, sort of like a retrospective of his bag of tricks ie. "Yer necks broken," etc. The Duke aging, beat up, but still The Duke. Sherry Lansing pretty hot looking in her one role. Jack Elam the scene stealer. Too bad they didn't have the money to cast the other parts better--Mitchum or Martin would have helped a lot. Duke looks a little lonely. Plot sorta strung together, but Hawks was concentrating more on characters in his Bravo/Dorado/Lobo "trilogy." "Smart" dialog, while not up to 30s & 40s banter, still has clever moments by today's standards. Clever rifle bit at the end shows old timers' practical knowledge of things, like weapons. If you like old westerns, you'll like this one. Not among his greatest, but low end Hawks is better than no Hawks. I've seen much thinner stuff win awards.