Geier kennen kein Erbarmen

Unlike the comment that said "unoriginal", for a western of the early seventies, when the western was at that time dying out for a period, this is a gallant effort on the part of all involved in the production. I must confess, it would be hard for me to say anything bad about a John Wayne movie, it certainly is not "The Searchers", but no where near "The Geisha and the Barbarian". Cahill was a milder Wayne as a family man, with a good lesson of being there when your needed as a father. A strong point that stands out in the movie, with the other elements (bank robbers, bad guys, boys in trouble) well incorporated around the basic theme. Andrew V. McLaglen did justice to the script, keeping things simple but well rounded, with a conclusion that will satisfy the western fan. After watching the film on TCM recently, I came to realize that it may be dated, somewhat, but a true measure of what good film making is all about. In a world of high budgets, overpaid actors and grand special effects, "Cahill, U.S. Marshall" gives what any viewer would want from such a film: A good story.

As portrayed by John Wayne, United States Marshal J.D. Cahill is a man obsessed with his work as a lawman. I guess you needed super dedication in doing that job right. Trouble is, he's neglected his two sons, Gary Grimes and Clay O'Brien who've fallen in with bad company. In fact that bad company has thought of a pretty good scheme in how to rob the town bank with the help from the Cahill boys. One unforeseen consequence of the scheme is the sheriff and deputy from the town are both killed.

Wayne catches up with some nefarious characters who fit a general description and have a chunk of cash on them. They're not the right guys and he suspects as much. The rest of the story concerns what happens as Grimes and O'Brien are conscience stricken and how that brings about a general righting of wrongs.

My problem with the story is that marshal's kids or not, they've committed a major league felony. In another film Grimes would have hung for it. Two law enforcement officials were killed in the performance of their duty. You do recall in Hang 'Em High those two kids who did not help Bruce Dern overpower Clint Eastwood still hung in the end. Or in True Grit, John Wayne shoots without hesitation some young criminals there.

But this is a John Wayne film involving his family so the Duke is trapped by certain parameters that his fans expect. It makes for some weakly resolved issues in the plot.

But if you're a fan of the Duke, Cahill U.S. Marshal will fill your bill.

This is a typically glossy late John Wayne western. Wayne plays Cahill a US Marshall whose job has meant that he has somewhat neglected his kids. When they decide to rob a bank with the help of George Kennedy and his gang they find themselves in trouble.

John Wayne looks pretty tired in this although he still has a great screen presence. The film is essentially about a man's relationship with his sons and as such there is relatively little action. This is itself is no bad thing but it's just that the plot is a little too thin to carry the film. As a result it's just intermittently interesting mainly when George Kennedy is on screen.

This is John Wayne in reflective mood but it's just not comparable to his great performance in the brilliant 'The Shootist'.

Overall although watchable there's just not enough of interest here to make this anything but an average western.

As Wayne aged, either he or someone working for him began pairing him with a series of young actors, which was a pretty good idea. In CAHILL, a routine western from the early 1970s, that youthful role was filled by Gary (SUMMER OF '42) Grimes as U.S. Marshal Cahill's rebellious teenage son Danny. The kid has gotten involved with some pretty nasty bank robbers, led by squinty eyed, mustachioed George Kennedy. Cahill doesn't know this, and goes off in search of the robbers while Danny and his little brother decide to defy and deal with the robbers, who killed the town sheriff during the robbery. Several old-time actors are in the cast, including Marie Windsor and Denver Pyle, but most notable is Neville Brand as Cahill's favorite tracker, a wisecracking, self-proclaimed Indian chief who is actually half white. While CAHILL was shot in Mexico, it is painfully apparent that some scenes were shot on soundstages, which hurts the story's believability factor. Also, while director Andrew McLaughlin was well known for his action movies, some of the fights and gun battles here are clumsily staged at best. Wayne was getting on in years and appears tired a lot of the time, but he plays the role this way, so we buy into it. He would do this again in THE SHOOTIST, to similar effect. The highlight of the movie is clearly George Kennedy, playing one of the meanest, low-down, no-good villains to be found in a Wayne western. There is a whole generation that only knows Kennedy as the buffoonish sergeant in the NAKED GUN movies, but an older generation remembers his amazing performance in COOL HAND Luke and several other movies of that period. His piercing stare and sneer here are priceless, and he goes out in high fashion.

While US Marshall Cahill (John Wayne) hunts outlaws, his wayward sons get in way over their heads when the supposedly safe, after-hours bank robbery plan with slimy saddle-tramp George Kennedy turns into a bloodbath. When Cahill returns and ends up arresting innocent men, it sends the two youths scrambling to do the right thing.

Though one of Wayne's later, less acclaimed movies, there's still a whole lot of fun to be had in this well produced, action filled morality tale.

Kennedy is in truly fine form here as a truly vile bad guy, while Neville Brand, who's usually typecast as despicable villains and psychopathic cretins, delivers a standout, heroic performance as Wayne's halfbreed sidekick.

The tense, bloody climax is pretty good.