David Copperfield

Delbert Mann's TV movie of David Copperfield is unique among film adaptations in that it tells the entire story from a series of flashbacks rather than an ongoing narrative. It works extremely well, adds to the emotional punch of the entire story, further illuminates Dickens' wonderful characters and is aided by a haunting musical score by composer Malcolm Arnold.

It also boasts a pretty fabulous cast including Dame Edith Evans, Susan Hampshire, Richard Attenborough, Ron Moody, Wendy Hiller, Lawrence Olivier and Sir Ralph Richardson; a veritable who's who of the finest British actors of the 20th century! Some have commented that Robin Phillips is bland as the title character. I couldn't disagree more. He is certainly the most cerebral, tortured David in any of the adaptations and also cuts a handsome figure in the movie. In short, he's splendid.

Now to the currently available DVD quality. I certainly agree that it is not good. The colors are a bit washed out, there is some clipped editing and a few moments of nasty film print. That being said, it is far from being unwatchable as some others have suggested. The musical soundtrack comes through fine and the dialogue is clear. And as much as I would welcome a digital restoration of the film, it's TV origins suggest that this would be unlikely.

Frankly, having the movie on DVD at a bargain price is blessing enough. I highly recommend it to those interested in an outstanding version of the story and willing to put up with technical imperfections.

Director Delbert Mann was a much better director than this film indicates. He directed ALL QUIET ON THE WESTERN FRONT, THAT TOUCH OF MINK, and THE LAST DAYS OF PATTON among others. This mediocre, made for television retelling of Dicken's masterpiece is so bad, even those unfamiliar with the often filmed tale, will be unsatisfied.

Besides the fact that the movie is available from only two known suppliers (Brentwood and BCI Eclipse LLC) the poor quality of the transfer, and the scratchy and muddied sound track make the task of finding this film on video not worth the effort.

I have always believed that if a company is going to put a film on video and charge the public money to buy it, then they should at least have a descent copy of the film and do a good job on the transfer. Unfortunately neither of the two suppliers have such a work ethic and the result is only fit for the bargain bin in the local discount store.

The story is told mainly through flashbacks, making the film episodic and talky. Much of the rich detail of the novel is lost in this translation. The characters of Martha, Traddles and others have been cut and the relationship of young David and Steerforth is not explored enough, so we are left wondering why David would hang out with the guy.

The relationship between David the boy, and young Agnes is never developed and it is hard to understand why she and David eventually marry. Since Martha is left out, it is a mystery how Dan Peggoty finds his niece. And the absence of Traddles makes David a very lonely fellow.

Some have credited this film with doing a good job of abridging the lengthy novel. I disagree, this is at best a hatchet job on the book. Anyone who has seen the 1935 George Cukor version will agree.

The performances in that version by Fields as Micawber and Rathbone as Murdstone, are definitely worth the trouble of watching it. And the more recent Masterpiece Theatre version (April 2000) and Hallmark (2000) versions are both outstanding achievements in made for television adaptations of classic novels. Directors Simon Curtis and Peter Medak who are responsible for those films are deserving of the highest praise.

My final comment on David COPPERFIELD 1969 is Don't buy it, there are several much better versions of the film available. If it is on television, turn the channel to something else. It is a waste of one hour and twenty minutes of your life. Sorry folks, but I can't praise such an appallingly bad film.

Delbert Mann's version of David Copperfield is one of these lavish all star adaptations made for the network American television market. Laurence Olivier and Richard Attenborough just turn up for a few scenes.

Mann should be applauded for attempting to try a different approach to this often adapted story. It is told in flashback by an adult Copperfield who reflects in his life and relationships. It also shies away from the traumatic abuse David suffers from the Murdstones and the boarding school he attends. So credit should be given for avoiding the poverty porn which some directors would had gone full board on, although this may be part of the censorship that existed at the time in US network television.

However it is too truncated leaving me dissatisfied to a story that has been shredded. Some actors look too old for the parts they are playing such as Ron Moody as Uriah Heep and Ralph Richardson as Mr Micawber. It does not help that Robin Phillips is bit bland as the lead and comes across as a bit of a wet fish.

The version of the film I saw was of poor quality, it was in desperate need of restoration. A shame given that the film has theatrical knights/dames such as Olivier, Redgrave, Richardson, Attenborough, Hillier, Evans.

Veteran director Delbert Mann gives us this unusual perspective on the life of David Copperfield - Dickens' legendary orphan. For a TV film Mann's Copperfield packs an unexpected punch. Unlike the standard Copperfield interpretation, Mann's Copperfield is a depressed, brooding, haunted man,who feels responsible for all of the problems he sees around him. The story is ably rendered through a series of flashbacks, as Copperfield (nicely portrayed by a Robin Philips) broods in his later life, prior to the resolution of this part of his story (which I will not discuss here). David's flashbacks tell most of the novel's story and touch upon the major highlights in our hero's life, suggesting that he is about to either experience an epiphany of sorts or to collapse in upon himself - perhaps both. Ultimately, Dickens' wonderful story-telling ability shows through very nicely as the story winds up with most of the major arcs resolved in a few lucidly depicted paragraphs of narrative.

The movie is very well made, and quite complete despite the Herculean scope of the novel and the scalar difference between Dickens and a TV movie. It moves along at a pithy, but unhurried gait. It is also very nicely acted by a stellar British cast. Agnes (perfectly handled by Susan Hampshire) and Michael Redgrave's excellent Mr. Peggotty are easily the most sympathetic characters in the story.

The cinematography is also very good, and despite the mediocre quality of the reproduction I viewed, does not have the boxy, boring feel of the typical TV movie. The soundtrack is also a touch-above the average TV production, but still, I found it a little too repetitive at times.

Be forewarned - this is not the standard interpretation of Copperfield's character and Dickens' story. It is more emotional, cerebral and depressing than the norm. Don't go into it expecting to come out wholly unscathed - you will be disappointed. The film is definitely an accomplishment worthy of respect. My rating of 7 may seem low, but note that I have downgraded it by one point because it simply isn't as plainly entertaining as some of the more lighthearted versions of this story are. Take the warning at the top of this paragraph seriously and you won't be disappointed. Ignore it at your own peril.

Unlike other reviewers of this film I didn't feel that it was particularly dull; if anything, the way that it seemed to skim over many aspects of the story makes it seem like the cinematic equivalent of a Readers Digest condensed version. Characters such as Oliver and Attenborough's Creakle and Tungay make little more than cameo appearances, while the flashback structure of the film means that, for the first hour or so, the narrative flow is constantly interrupted by lingering shots of a maudlin Copperfield mooching about Yarmouth beach listening to memories of people he has known echoing in his head.

The cast reads like a who's who of British acting of the 60s and before. The likes of such heavyweights as Oliver, Attenborough, Michael Redgrave, Edith Evans, Ralph Richardson, Ron Moody, Cyril Cusack, Susan Hampshire et al makes the little-known Robin Phillips in the title role seem a little bland and insipid. Nevertheless, the story is entertaining enough - even if it doesn't match up to George Cukor's 1935 version.