Ein schwedischer Walfänger ist auf Rache aus, als er herausfindet, dass ein gieriger Ölmann seinen Vater wegen ihres Landes ermordet hat.Ein schwedischer Walfänger ist auf Rache aus, als er herausfindet, dass ein gieriger Ölmann seinen Vater wegen ihres Landes ermordet hat.Ein schwedischer Walfänger ist auf Rache aus, als er herausfindet, dass ein gieriger Ölmann seinen Vater wegen ihres Landes ermordet hat.
- Regie
- Drehbuch
- Hauptbesetzung
- Pepe
- (as Eugene Martin)
- Crale
- (as Ned Young)
- Townsman
- (Nicht genannt)
- Townsman
- (Nicht genannt)
- The Minister
- (Nicht genannt)
- Townsman
- (Nicht genannt)
- Townswoman
- (Nicht genannt)
- Weed
- (Nicht genannt)
- Townsman
- (Nicht genannt)
- Townsman
- (Nicht genannt)
- Townsman in Church
- (Nicht genannt)
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In the - you guessed it - small Texas town of Prairie City, the hard-working farmers earning little from their land are struggling to fight off the advances of the unscrupulous land baron McNeil (Sebastian Cabot), who is using his wealth and influence to buy up the whole area for reasons not immediately clear. Some of the townsfolk are playing hard-ball, refusing to give their homes and livelihood to a man they never see. So McNeil brings in tough-as- nails gunslinger Johnny Crale (an outstanding Nedrick Young), a broken career-criminal who is happy to caress his pistol whenever a deal doesn't go his way. He murders Swede Sven Hansen (Ted Stanhope) when he refuses to sign a contract. A day later, his sailor son George (Sterling Hayden) arrives to greet the father he hasn't seen in over a decade, only the learn of his murder and that the land left to him is now the property of a greedy businessman.
It quickly becomes clear that the hero-versus-villain showdown the opening scene promised us will be nothing like we expected. The dashing American hero is in fact an immigrant without the skills of a quick-draw or the wits to take on McNeil on his own, and the black leather-donning Crale may just be in the midst of developing a conscience after years of killing and the loss of his gun hand. What makes Terror in a Texas Town so interesting is the way it merely hints at the two central characters' personalities and past, leaving these could-be archetypes as intriguing enigmas. Trumbo makes a point of highlighting the ranchers' ignorance of McNeil's Machiavellian role in the events, choosing instead to focus their hatred on the muscle. It isn't difficult to imagine that Trumbo's exile and unforgivable treatment at the hands of his own country didn't influence this apparently off-the-conveyor-belt B-picture. It has been unfairly forgotten by the decades, but Terror in a Texas Town is ripe for re-discovery as one of the strangest and most compelling westerns American has ever produced.
The premise is a bit familiar but the story is artfully told with great acting by all involved. Hayden plays an offbeat, interesting, and unconventional western hero and Cabot is a wonderfully sleazy villain. However, Academy Award winning screenwriter Nedrick Young gives the film's best performance as Cabot's vile hired killer.
Entertaining from start to finish, this is a really compelling low-budget movie that really knows what buttons to push, especially as Hayden tries to get his neighbors to break their fearful code of silence.
The final showdown, glimpsed in the opening scene, is both memorable and exciting
An interesting time-passer , where snappy and engaging dialog run through-out . This notable , meaty Western contains attractive plot , intrigue , a fine ensemble cast , along with a non-traditional , minimalistic soundtrack and resulting to be entertaining enough . It starts with the opening credits : The characters and incidents portrayed and the names used herein are fictitious and any similarity to actual persons, living or dead, is purely accidental and unintentional . Outstanding Western balances action , suspense and drama ; being probably one of the strangest Western in the fifties and sixties . It's a classical recounting about a strange visitor who is really an expert harpoon thrower surrounded by cowards and frightening people . The highlights of the film are the climatic shootouts , and , of course , the final showdown between the harpoonist and the gunslinger . The traditional story and exciting screenplay was well written by Dalton Trumbo , who often used pseudonyms as Ben Perry or Millard Kauffman , that's why he had been blacklisted as a subversive , being pursued by House Un-American Activities Committee o House Committee on Un-American Activities or HUAC during the McCarthy Red Scare time . The enjoyable tale is enhanced for interesting moments developed among main characters and especially on the peculiar relationships among the main characters played by Robert Mitchum , Nedrick Young , Carol Kelly and Sebastian Cabot . Magnificently performed by Robert Mitchum as a Swedish whaler is out for vengeance when he finds out that a greedy oil man murdered his father for their land , while their enemies start reevaluating their attitudes . Mitchum is an awesome expert in the art of conjuring sensational acting without overacting , here he's joined with other nice players , in this atypical but thought-provoking western with a lot of reflection , distinguished moments and dramatical attitudes , in addition a multitude of entertaining situations . Top-notch plethora of secondary actors playing vicious, sadistic sociopaths who take advantage of the frightened townspeople , such as Sebastian Cabot and Nedrick Young . Furthermore , the unknown Carol Kelly , Eugene Martin and the regular secondary Frank Ferguson .
A well made film with perfect cinematography in black and white by Ray Rennahan . As well as atmospheric , exciting musical score by composer by Gerald Fried , it is competently performed , no strings or other big orchestra elements , but consisting of mostly solo horn , trumpet , tympanic sounds , acoustic guitar and percussion. Masterfully directed by Joseph H Lewis who chooses all the right angles for a real impact and never puts a wrong foot . Lewis was a B craftsman who directed a lot of films of all kinds of genres with a penchant for Noir movies, with his masterpiece : Gun Crazy , as he made Drama, Thriller, Action, Western , such as Terror in a Texas town, 7th cavalry, The Halliday brand, A lawless street, Cry of the hunted, Retreat hell, Desperate search , A lady without passport, The undercover man, So dark the night, My name is Julia Ross, The mad doctor of Market Street, The gang of mine and his greatest hits were The Big Combo and Gun Crazy . Rating 7/10. Better than average . Essential and indispensable watching for Robert Mitchum fans and Western aficionados .
Wusstest du schon
- WissenswertesThis was the final feature film for cult director Joseph H. Lewis. He would spend much of the next decade directing television episodes before retiring from the industry. His other work includes: Mein Name ist Julia Ross (1945), a terse little thriller about a case of mistaken identity, Gefährliche Leidenschaft (1950), a variation on the Bonnie and Clyde story told with gripping narrative skill, and the astonishing film noir thriller, Geheimring 99 (1955), which is as raw and edgy as any gangster thriller made that decade - all ingenious efforts that prove Lewis was one of the great low-budget stylists of his era.
- PatzerJohnny stands at his hotel room window looking down on Hansen who appears to be walking directly to the front of the hotel yet there's six shots of him striding down the street while Johnny takes his time going down to the bar and having a drink before going outside to find Hansen just approaching.
- Zitate
Brady: I don't think you've the guts right now to admit that this fellow McNeil had me burned down.
Deacon Matt Holmes: Oh, take it easy Brady.
Brady: Take it easy, Matt, what are you talking about take it easy? Didn't we agree to stick together? Well I stuck. Whose house got burned down? Mine! Whose barn went up in smoke? Mine! Whose livestock burned up? Mine!
- VerbindungenReferenced in Der Strafverteidiger: Tempest in a Texas Town (1967)
Top-Auswahl
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Details
Box Office
- Budget
- 80.000 $ (geschätzt)
- Laufzeit
- 1 Std. 20 Min.(80 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1