Was weiß Mama von Liebe?

I saw this one during its first-run release at the Beverly Theatre in Beverly Hills, Calif. The CinemaScope projection there was top-notch, doing full justice to Minnelli's always creative use of the wide screen. Among MGM's A-list ingredients was the casting of Kay Kendall, whose elegance and comic verve made this confection as enjoyable as one could have hoped. How I wish she had lived to make many more screen memories. Her early death was a real loss. This title appears to be available on video only in a VHS version, which no doubt means that it is probably not letterboxed. "There oughta be a law!"

I saw this film with my family at Radio City Music Hall in 1958, the year of the film's release and it took the house down. The entire audience burst into applause at the film's conclusion. What simple days those were. Alas, I miss the great days of movies so much I haven't been in a movie theater in 30 years. Thirty years ago people were nice. Not any more. People in movie theaters are just as rude as they are everywhere else. To escape in such a simple delight as this film is all I can do these days aside from my daily solitude which I refer to as ZEN and which occupies most of my time. But occasionally along comes a delightful film like this and I am flooded with happy memories of my youth when everything came up roses. I have such fond memories of Kay Kendall not just in this film but also in Les Girls which was just as marvelous. She was a treasure, taken much too soon.

As others have noted, the plot is pretty slight, but it's a charming film, thanks to the effortless performances of Rex Harrison, Kay Kendall, and Angela Lansbury. The adults run away with this movie, rather like Beatrice and Benedick own 'Much Ado About Nothing,' even though Hero and Claudio are really the plot. The mile-a-minute dialogue between the older generation outshines the tame goings-on between Sandra Dee (who is completely adorable) and John Saxon (ditto). The reviewer who called Peter Meyers a Mortimer Snerd look-alike was spot on; he's so hilariously boring!

But to return to the exquisite Kay Kendall--her comic timing is superb and so is her dress sense! She looks totally fabulous in this film. It's terribly sad to see it and realize that she had not long to live. Film comedy lost a jewel in her.

According to the closing credits of 'What Every Girl Wants', 'The Reluctant Debutante' inspired that lamentable movie. Don't watch that; watch this!

I can't add much to what has already been said of this delightful movie. But nobody has mentioned the costumes. It's astonishing to note that Balmain created the dresses for both Kay Kendall and Angela Lansbury. Nearly 50 years later, Kendall still looks ravishingly current in her haute couture day and evening wear. The magnificent red dress she wears in the first party scene is a perfect example and she had the stunning figure to enhance these wonderful costumes. Angela, who had a nifty figure herself, is a more full-figured woman. She's also playing a nasty bitch in this film, and her costumes reflect this aspect of her personality. Instead of looking chic, she looks dowdy.

Sandra Dee's costumes were created by MGM's Helen Rose. I didn't care for any of her daytime wear which was very much a product of the 50s, but it is with gowns that Rose's talent shines, and there's a lovely blue gown with tiny blue bows in the final scenes of this movie that you really notice, and Dee wears the dress like the prom queen she was.

Rex Harrison could wear stylish men's clothing with panache, and he does so here too.

I love this sophisticated movie, which I only discovered a few years ago. And the interior sets are equally beautiful.

I am not sure why this film isn't more famous, as it was a very entertaining romantic-comedy. Considering that it was directed by Vincente Minelli and stars Rex Harrison, it can't help but be good. It's apparently good enough that the film was remade just a few years ago as WHAT A GIRL WANTS.

As the film begins, the cream of British society is readying itself for a long string of debutante balls--just as Rex Harrison's daughter from a previous marriage arrives from America (Sandra Dee). His new wife (played by his real-life wife, Kay Kendell) is having a disagreeable conversation with an annoying friend (Angela Lansbury) about these society dances when she feels compelled to announce that her step-daughter will be introduced to society at the next ball--even though the girl and her father have no interest in these stuffy affairs. But to please the step-mom, they go through with it. Unfortunately, Kay is pretty snobby and tries to arrange a marriage with an in-bred idiot and Sandra. At the same time, Kay is horrified that Sandra is falling for a lowly drummer with a lousy reputation (John Saxon). How all this is worked out to everyone's satisfaction is pretty funny and quite romantic. I think most of this is due to good writing and the nice gentle nature of the film. In fact, the longer I watched it, the more I liked it and found myself really being pulled into the story. It's a very good and often overlooked film--pity, as it really should be more widely seen.