Zu jung

Of all the major Hollywood studios, Universal's vault is probably the one most filled with lost artifacts of the '50s and '60s. If it's shame that's keeping Universal from promoting DVD releases of their drive-in classics, they needn't be so worried; there's always appreciative audiences out there for angst-ridden teen tales and heavy-petters like "The Restless Years". Written by Edward Anhalt, an adaptation of the play "Teach Me How To Cry" by Patricia Joudry, and produced by no less than Ross Hunter, the picture stars Sandra Dee as a small town lass with a secret and a strange-acting mother, as well as a possible boyfriend in well-meaning John Saxon. Still quite young at this point, Saxon knows instinctively how to work his brooding handsomeness for effect (and it's refreshing to see him using it on a nice-guy role for a change and not as the villain of the piece). The story threads are dated, of course, but the look of the film and the tone are both intriguing. Still, the simplicity behind the melodramatics are no longer relevant, which makes the heated clinches all the more amusing. **1/2 from ****

While the story centers around teenagers with a lot of nostalgia attached, it seems to depict small town living, at least that one, as unpleasant. My past experience is the opposite of that. One thing which raised my eyebrows a little is the mention of marijuana in this film about high school kids in 1958. I have never seen a teenage film from the 50s infer that kids used that stuff then, even though did it exist.

The year after the scandalous Peyton Place was made into a movie, a complete rip-off was released in the form of The Restless Years. If you like the genre of small town scandals, you can definitely check it out. It'll give you everything you're expecting: melodrama, teenage sexual angst, needless conflict, alcoholism, illegitimacy, secrets, and shame.

Teresa Wright plays the Lana Turner part to Sandra Dee's Diane Varsi. Teresa is very overprotective over her daughter, especially when it comes to boys. When Sandra wants to try out for the school play, will all the heightened dramatics corrupt her? John Saxon is the new boy in town, and his father James Whitmore wants him to become friends with the "right people" so he can become more successful in his business. John is far more interested in the scandal-tainted Sandra, even with her emotional problems that flare up whenever she's alone with him.

For die-hard fans of Peyton Place, this will come in a very distant second. If you don't really care about which story came first, and you just like juicy teen drama, you might really like this movie. It's extremely dated, but that can be part of the fun. If you like Sandra, she's very sweet and innocent in this movie. It's hard to imagine her ever growing up!

This movie ranks with some of the saddest I have ever known. John Saxon and Sandra Dee work well together as two high school kids terribly ostracized and are considered "Squares." (That dates the movie of the late 50's, since that term for kids who are different is definitely outdated.) Joel McCrae's son Jody is not put in a good light since he is a popular football player who scorns these two since in the movie, Teresa wright plays Sandra's strange mother who is hiding a secret. Luanna Patten is not in a good light either, since she, who plays McCrae's girl, is Dee's friend or, more accurately, her bogus friend, and even then for a very short while.

Saxon almost literally fights for his girl, and the "cool" and the ostracized are shown to be their selves.

The movie is well-done but tragic, and prejudice is exposed strongly, in this case tragedy toward people who are "different." Again, the movie is sad but does hit at a matter which should be addressed.

John Saxon and Sandra Dee in all their 1958 youthful splendor explore teen sexuality and angst in Libertyville, USA.

Teresa Wright plays Dee's downtrodden, seamstress Mother living life as the town's neurotic spinster recluse, having once regrettably abandoned herself to a traveling trumpet player under the town's infamous bandstand, having later given birth to Dee as a result of her shameful tryst.

Hot Rods, hoop skirts, and gymnasium rock and roll abound, replete with alcoholic parents from both sides of the tracks fully represented. Luana Patten is wonderful as the snotty, slutty rich girl so accustomed to getting whatever she wants.

It's as cornball and cliche' as you can get, but good fun for a nostalgic look at small town Americana in the late 50's. You've seen Saxon and Dee much better than this, but it's remains a guilty pleasure to relish, particularly with Ross Hunter at the helm dishing up plenty of his particular style of small town pathos to keep you amused.

Look for Saxon's Pop (James Whitmore) near the end, driving off with the lovely Mrs. with a smile and a beer in his hand! Somehow, Toto, you know this kinda behavior tells us we're not in Kansas anymore.