Füge eine Handlung in deiner Sprache hinzuAn adventurer, gambler, and widely respected southern gentleman is recruited to work as a secret agent, at no pay, in post-Civil War New Orleans, helped by his companion, a silent Pawnee Nat... Alles lesenAn adventurer, gambler, and widely respected southern gentleman is recruited to work as a secret agent, at no pay, in post-Civil War New Orleans, helped by his companion, a silent Pawnee Native American.An adventurer, gambler, and widely respected southern gentleman is recruited to work as a secret agent, at no pay, in post-Civil War New Orleans, helped by his companion, a silent Pawnee Native American.
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. . . they speak of Yancey D."
So went the theme song to this undeservedly short-lived series. Nominally billed as a "western" (Yancey did, after all, wear a broad-brimmed hat, there were horses about, and his best friend was an Indian), this show was hard to categorize, even in the era of the so-called "adult western."
There was always the hint of a dark side to Yancey, all things considered; a feeling that tucked away behind his reserved manner lay a past that may not always have been too cool (or, alternately, as a friend of mine once suggested, perhaps a bit TOO cool). Moreover, unlike most of his contemporary action heroes, Mr. D. didn't always fight fair: forced into a bare-knuckles match against an huge opponent, Yancey took advantage of his knowledge that the guy had spent the previous night guzzling beer, hammering him into collapse with a series of belly punches you could almost feel through the TV screen.
Not the nicest guy in town, in other words. But eminently effective. And thoroughly watchable. A great series.
So went the theme song to this undeservedly short-lived series. Nominally billed as a "western" (Yancey did, after all, wear a broad-brimmed hat, there were horses about, and his best friend was an Indian), this show was hard to categorize, even in the era of the so-called "adult western."
There was always the hint of a dark side to Yancey, all things considered; a feeling that tucked away behind his reserved manner lay a past that may not always have been too cool (or, alternately, as a friend of mine once suggested, perhaps a bit TOO cool). Moreover, unlike most of his contemporary action heroes, Mr. D. didn't always fight fair: forced into a bare-knuckles match against an huge opponent, Yancey took advantage of his knowledge that the guy had spent the previous night guzzling beer, hammering him into collapse with a series of belly punches you could almost feel through the TV screen.
Not the nicest guy in town, in other words. But eminently effective. And thoroughly watchable. A great series.
This was another good western back in the '50s which gives me fond memories. I remember how me and my pals thought this hero was "cool," something like Richard Boone was in "Have Gun, Will Travel."
The main differences in this western as opposed to most was that the title character
packed a little derringer in his hat, and the setting was New Orleans instead of the old west. Otherwise, he was, like Boone's "Paladin" a smooth, dapper and cool customer.
Jock Mahoney ("Yancy Derringer") was the rugged, silent type, if I remember correctly. The shows were very interesting and we looked forward to them each week. Why this show only lasted on year is a real mystery to me. I don't remember anyone who didn't enjoy it. The mid-to-late '50s was a fabulous era for westerns on TV. If this ever came out on DVD, I would buy it immediately.
The main differences in this western as opposed to most was that the title character
packed a little derringer in his hat, and the setting was New Orleans instead of the old west. Otherwise, he was, like Boone's "Paladin" a smooth, dapper and cool customer.
Jock Mahoney ("Yancy Derringer") was the rugged, silent type, if I remember correctly. The shows were very interesting and we looked forward to them each week. Why this show only lasted on year is a real mystery to me. I don't remember anyone who didn't enjoy it. The mid-to-late '50s was a fabulous era for westerns on TV. If this ever came out on DVD, I would buy it immediately.
"Yancy Derringer" was one of those series that dared to be different, a 'Western' that was set in post-Civil War New Orleans. If your memories of Jock Mahoney are of him as a lean, middle-aged Tarzan in his two 1960s appearances as the Ape Man, the show may be something of a surprise. He is soft-spoken, smooth, and dapper, here, and altogether 'cool'.
Loaded with a laid-back charm, an Indian partner (X Brand) unique in series television in his status as the hero's 'equal' and not just a 'sidekick' (an episode where the pair take the grievances of the Indian nations to Congress is a personal favorite), and one of the most beautiful theme songs of fifties television, the short-lived program is certainly as 'watchable' as the more successful "Have Gun, Will Travel", "Wanted: Dead or Alive" and the other more 'adult' westerns of the period.
If the series re-emerges on one of the 'nostalgia' cable channels, check it out...you won't be disappointed!
Loaded with a laid-back charm, an Indian partner (X Brand) unique in series television in his status as the hero's 'equal' and not just a 'sidekick' (an episode where the pair take the grievances of the Indian nations to Congress is a personal favorite), and one of the most beautiful theme songs of fifties television, the short-lived program is certainly as 'watchable' as the more successful "Have Gun, Will Travel", "Wanted: Dead or Alive" and the other more 'adult' westerns of the period.
If the series re-emerges on one of the 'nostalgia' cable channels, check it out...you won't be disappointed!
I remember the show vividly; it was rerun on NBC afternoons later in the '60's. I live close to New Orleans, locale of the show, and met Mr. Mahoney at a rodeo the summer after the show ended. He was very friendly, let me hold his derringer, which was maybe not wise to do, told me where he bought it, etc. He stayed until the last autograph hound left. What really made the show was his athleticism with stunts, fights, falls, jumps, etc. One show had him trying to open a large box with his back to Pahoo; he made a gesture with his hand, keeping it up in the air shoulder height, and X Brands threw a large knife to Mr. Mahoney who caught it without looking. I read later that they thought it up as a gag, and decided to try it. It went on the first take. He became a stepfather to Sally Field, who seems to have had difficulties with him in that role, but he was really one of a kind in film. Later he had a stroke while horseback in "Kung Fu"; Burt Reynolds made a film about stunt men in the mid seventies with Brian Keith and Sally Field, the name of which I cannot remember, but it was a homage to stunt guys; Brian Keith's character had a stroke in the movie, reminding me of Mr. Mahoney; later, I read that Burt Reynolds said this was a bow to Mr. Mahoney. I was only 12, and got a kick out of the constant westerns at the time, but he gave it a distinctive feel. In TV Guide, he called it a "Southern". What was also interesting was his ensemble which came to include Mickey Morton, Lee Paul, Kelly Thorsen, etc. He was 6-4, and these guys topped him! Frances Bergen, Francine in the role, was wife of Edgar Bergen, whose daughter was Candice Bergen.
Richard Sale (pulp writer and movie writer and movie producer) teamed up with his wife Anita Loos (Gentlemen Prefer Blondes) to produce 39 episodes of a syndicated show. Jock Mahoney, the stunt man extraordinary and THE RANGE RIDER, was casted as a ex-confederate soldier coming back to a Yankee controlled New Orleans after the war. Opening episode, he and Pahoo were waving a Confederate Flag in the middle of the river to hitch a ride on a riverboat. Audacious and charming was Yancy.
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- WissenswertesThe decaying Southern mansion seen on the series was the Tara set from Vom Winde verweht (1939), which stood on the back lot at Desilu Studios (formerly Selznick International Pictures). The facade was sold and moved to Georgia in 1959.
- VerbindungenFeatured in TV's Western Heroes (1993)
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- Laufzeit
- 30 Min.
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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