Ein amerikanischer Zerstörungskapitän ist entschlossen, ein sowjetisches U-Boot zu konfrontieren, das bei der Verletzung von Hoheitsgewässern erwischt wurde. Vielleicht zu entschlossen.Ein amerikanischer Zerstörungskapitän ist entschlossen, ein sowjetisches U-Boot zu konfrontieren, das bei der Verletzung von Hoheitsgewässern erwischt wurde. Vielleicht zu entschlossen.Ein amerikanischer Zerstörungskapitän ist entschlossen, ein sowjetisches U-Boot zu konfrontieren, das bei der Verletzung von Hoheitsgewässern erwischt wurde. Vielleicht zu entschlossen.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 1 Nominierung insgesamt
- Ens. Ralston
- (as James Macarthur)
- Lt. Krindlemeyer U.S.N. - Bridge
- (as Michael Graham)
- Seaman 2nd Class - Bridge
- (as Stephen Von Schreiber)
Empfohlene Bewertungen
This would be best described as a tense and suspenseful movie but there are scattered times throughout when you start to wonder if this is all worth it. It is, after all, depicting the COLD War. Nothing's really going to happen as a result of all this. It looks like an interesting depiction of a cat and mouse game between the Bedford and the sub, but really it comes across as more of a psychological study of Finlander himself and you do wonder if the tension and suspense are going to lead up to unrealized potential and leave the viewer frustrated. They don't.
The end of this movie is quite shocking, and captures what the fears of a lot of people during the Cold War were - the fears of a nuclear accident or even an accidental nuclear war. Those fears were very real in people in the era, and this movie plays on those fears. The end actually is quite stunning. It grows out of the psychological study - Finlander having ridden a young officer (played by James MacArthur) so hard that he was so afraid of doing something wrong that you almost knew he would have to do something wrong. He does. This is a very well done film. (7/10)
The tension of the situation is palpable. Even at the time, the outcome was in doubt, but the outcome was believable. It still is.
This is quite a different meeting from the one Widmark and Poitier had in "No Way Out," where Widmark is a bigot who lashes out at Poitier. Poitier in this film plays a journalist, and there is never any mention of his color. This is not only remarkable but marvelous.
Martin Balsam is the ship's new doctor. Poitier and Balsam board ship together and pick up almost immediately that there is a tension on board and that the men are intimidated by their cold, tough captain.
The Bedford's assignment is to patrol for Russian subs and ships.
When a submarine is detected in the area, the captain seems to want to take the matter too far. Portman, as a German adviser, disagrees with him.
The role of the captain, Finlander, is the type of role normally associated with Widmark, and he is excellent as an uncompromising man reminiscent of Captain Queeg.
Poitier turns in a stellar performance, which really builds as he becomes more and more concerned about the captain and the potential international situation. Martin Balsam is very good, actually providing, along with Wally Cox, a little comic relief.
The scenes showing the gray sea and huge icebergs might be dated now, given what film technology is capable of, but they are no less evocative of the atmosphere.
After the buildup of drama and tension, the last moments of the film are incredibly exciting - staggering even. And you'll do what I did - just sit and stare at the words "The End." A very good film.
The story is set during the Cold War and focuses on the captain and crew of the USS Bedford as it patrols the North Atlantic waters for Russian submarine activities. Capt. Eric Findlander (Widmark) is a tough authoritarian figure who drives his crew hard and keeps them ever ready for any sort of incidents that may arise. They respond loyally to his ethics, this is a crew where nobody ever goes on sick call such is the hard approach instilled in them by their captain. Two newcomers have boarded the ship by helicopter: Ben Munceford (Poitier), a liberal newspaper journalist, assigned to write a story about the Bedford and its grizzled captain and a ship's doctor, Lieut. Comdr. Chester Potter (Balsam), a reserve officer who has volunteered for active duty. Both men are quickly disliked by Findlander, he sees their being there as intrusive and upsetting the tough equilibrium of his ship. When a Russian sub is spotted unlawfully in Greenland's territorial icy waters, Finlander stalks it ready to take action. But the top brass doesn't want a perilous situation arising between the two nuclear powered ships and orders Finlander to sit tight, something he is unable to comprehend and intends to do things his own way. With his hard driven crew at breaking point, this could turn into a catastrophic incident...
Taut, tense and impeccably acted by the cast, The Bedford Incident is a superior psycho-drama that feeds off of the paranoia of the Cold War and cloaks it in military claustrophobia. It offers up the dangers of military aggression fuelled by some sense of patriotic duty, with an intriguing "hunt till we drop" iron fist ethic making for an engrossing narrative thread. The film of course is not alone in the "doomsday" scheme of things, even the previous year had seen the release of Sidney Lumet's Fail-Safe and Stanley Kubrick's Dr. Strangelove (a link here coming courtesy of James B. Harris having been Kubrick's producer for almost ten years), but Harris' movie is more than the equal of any other film with the same thematics. The box office returns for the film at the time didn't do it justice, but time has been kind to the movie. For now it can be viewed as a lesson in jangling the nerves, a reference point in how to script polar opposite characters; thriving on dialogue set in amongst murky military zeal and an unstable political environment. Now more than ever the film serves as a cautionary tale. Tho there's some differences from the book, the film follows the novel fairly closely. However, the big change comes with the ending. I don't consider it hyperbole to suggest that the ending to the film is stunning. A fitting closure to the piece and the ultimate release from the stifling grip that the makers had held the viewers in throughout the story. Shot in stark black and white by Gilbert Taylor and with Widmark at the top of his game, The Bedford Incident is a must see for the serious War movie fan. 8/10
Wusstest du schon
- WissenswertesAlthough by this point Sidney Poitier had been making films for 15 years, this was the first film he made in which his race was neither mentioned nor relevant.
- PatzerWhile at General Quarters (battle stations), some officers of the USS Bedford are shown wearing dress blue uniforms. In the mid-1960s, both officers and chiefs wore khaki uniforms while at sea.
- Zitate
[after Finlander orders an anti-submarine rocket armed]
Commodore Schrepke: This is insane!
Captain Finlander: Now don't worry, Commodore. The Bedford'll never fire first. But if he fires one, I'll fire one.
Ensign Ralston: [launching the rocket] Fire One!
- Alternative VersionenReportedly, there are two versions with different endings. One version ends with a missile being fired and a torpedo being released from the sub seconds before. In another version the sub is destroyed, and later that evening the German commodore is found aiming a .45 at the nose cone of a live missile. The captain asks why, the commodore gives some reply and pulls the trigger. Mr. Munceford is blown over the side, but survives.
- VerbindungenFeatured in WatchMojo: Top 10 Cold War Movies (2014)
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- Laufzeit1 Stunde 42 Minuten
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- 1.85 : 1