The Story of Mankind

THE STORY OF MANKIND (1957) is a very elusive all-star misfire about a heavenly debate over should earth survive or be wiped out. For the defense, you have the Spirit of Man (Ronald Colman), for the prosecution, you have Satan (Vincent Price having a ball!) They each call examples of humanity by showing famous good and evil people. We see little skits involving Nero (Peter Lorre making googly-eyes at members of an orgy!) Napoleon (22 year old Dennis Hopper playing the part like a naughty frat boy!) Christopher Columbus (miscast Chico Marx), Issac Newton (even more miscast Harpo Marx!) The cast gets stranger and stranger. Aging Hedy Lamarr as Joan of Arc? Where was everybodies agent? The end result looks like the biggest celebrities in Hollywood are doing a 5th graders' play! An amazing film, a tape I treasure!

Mankind is on the verge of discovering the secret of the Super H-bomb so a special tribunal meets in outer space to discuss what to do. Arguing on behalf of mankind is the Spirit of Man (Ronald Colman). Arguing that humanity must be destroyed is Mr. Scratch (Vincent Price). They both use examples from history to make their cases.

Here are some of the historical reenactments. Cavemen discover fire in the middle of an attempted murder and rape. Cleopatra (Virginia Mayo) kills her brother and seduces Caesar and Marc Anthony (Helmut Dantine). Peter Lorre plays a drunken Nero laughing while Rome burns. The most embarrassing episode belongs to Hedy Lamarr as Joan of Arc. Her Joan wears bright red lipstick and a terrible wig. Her trial is presided over by Henry Daniell dressed as Santa Claus. Agnes Moorehead hams it up as Queen Elizabeth I, who receives military counsel from William Shakespeare! Groucho Marx plays Peter Minuit in a painfully unfunny comedy segment where he rips off Indians for Manhattan island. Marie Wilson is a bimbofied Marie Antoinette. 21 year-old Dennis Hopper is a soft-spoken Napoleon with 37 year-old Marie Windsor as his Josephine. Among the other stars we see in this are Cedric Hardwicke as the celestial tribunal's judge, John Carradine as Pharaoh Khufu, Charles Coburn as Hippocrates, Chico Marx as a monk offering advice to Columbus, Edward Everett Horton as Sir Walter Raleigh, Harpo Marx as Isaac Newton, and Don Ameche's younger brother Jim as Alexander Graham Bell.

Today Irwin Allen is best remembered for his contributions to television like Lost in Space or his '70s disaster flicks like The Poseidon Adventure. The Story of Mankind wasn't Allen's first film but it was his first notable one. This movie came about during the heyday of Atomic Scare movies. The decade was full of them, usually in a sci-fi setting. There were some great classics like The Day the Earth Stood Still made during this era rife with paranoia. This film has the reputation of being one of classic Hollywood's biggest stinkers. Personally, I like it! But part of why I like it is because it's so flawed. It's got an all-star cast, most of whom are laughably misused. The script is terrible with some of the corniest dialogue you'll ever hear and some truly cringeworthy speeches. The history is inaccurate and blends myth with fact. It's all filmed in lush Technicolor but on cheap sets with tons of stock footage. Still, I can't help but enjoy it. It's a movie that falls squarely into the "so bad it's good" camp for me. Taken seriously, it's ridiculous and offensive to your intelligence. Taken lightly it's quite a bit of cheesy fun.

It has the distinction of being both Ronald Colman's final film and the final film to feature the main three Marx Bros. together (although they bafflingly share no scenes). By the way, listening to the Devil's point of view, it struck me how that is the more likely view we'd see advocated today, not only in films but in real-life discourse as well. Kind of depressing. Worth seeing for a variety of film fans but especially for fans of Price and Colman, who have two of the most pleasant voices the movies ever knew.

Irwin Allen's production of 'The Story of Mankind' has been called one of the worst films ever made, a film so bad that it has NEVER been released on video, and barely ever appears on television (and only then in a VERY abbreviated form.) This is UNFAIR! While the film is intentionally (and sometimes unintentionally) campy, it has many milestones that make it worthy of respect. First, it is Ronald Colman's final film (he died a year after the release), and he still shows the urbanity, the kindness, and the 'voice' that made him unique. Second, it is the last theatrical appearance of the Marx Brothers (although they appear separately), and Harpo plays the harp one last time, a bittersweet experience. Third, Vincent Price plays the Devil, and certainly no actor is more perfect for the role! Fourth, the film foreshadows Irwin Allen's later work, on television ('Voyage to the Bottom of the Sea', 'Time Tunnel') and in film ('The Poseidon Adventure', 'The Towering Inferno'). There are other milestones to this film, as well, but I think you can see my point!

The story is VERY loosely based on Henrik Van Loon's wonderful, witty history of the human race (which is a fabulous read, if you ever get the chance!) The 'basic' framework of the story has been changed into an 'End of the World' tale, set in the heavens. High Judge Cedric Hardwicke must decide whether or not Earth should be allowed to blow itself up, after the creation of a 'super' bomb. Two counsels are selected; for the Prosecution is the Devil (Vincent Price), sly and sarcastic, and pleased that God's ultimate creation has fallen on it's face; for the Defense is the Spirit of Mankind (Ronald Colman), an entity that carries the essence of all of Man's achievements, both good and bad.

As both sides present their cases, the 'history' of the world is played out, using Warner Brothers' stock footage and guest star cameos. Among the most memorable of these cameos are Virginia Mayo as a vampy Cleopatra, Peter Lorre, a lazily derranged Nero, Hedy Lamarr as a pious Joan of Arc, Harpo Marx miming Sir Issac Newton, Groucho Marx leering and wisecracking as Peter Minuit, buying Manhattan Island, and Dennis Hopper as a WAY over-the-top young Napoleon!

Throughout the proceedings, Price and Colman (who had appeared together seven years earlier, in 'Champagne for Caesar') trade barbs over Man's worthiness, in exchanges both funny and sadly true, at times!

'The Story of Mankind' is NOT classic cinema, but it is fun, and has a kind of charm uniquely it's own. It should NOT be forgotten!

The major draw of THE STORY OF MANKIND is the incredible roster of stars and familiar faces. It seems anybody who was anybody in Hollywood signed on to this movie. Just watch the opening titles. In truth, though, the actors and actresses are mostly a decade or two past their primes and many of the familiar cast members are second-stringers from yesteryear. The biggest names are probably Hedy Lamarr and Ronald Colman, in a cast that also includes Vincent Price, Cedric Hardwicke, John Carradine, Charles Coburn, Franklin Pangborn, Edward Everett Horton, Peter Lorre, Agnes Moorehead, Virginia Mayo, Cathy O'Donnell, Henry Daniell, Melville Cooper, Cesar Romero, a young Dennis Hopper, and the aging Marx Brothers.

The only "stars" of the film are Ronald Colman and Vincent Price, who serve as opposing sides to the argument on the worth of humankind. The movie is set at a celestial trial to determine whether to save mankind or let it destroy itself with its nuclear weapons. (This is an Atomic Age fable.) Colman represents mankind and defends its goodness throughout history. Price is the devil (Mr. Scratch) and reminds the court of the evil in human history.

The well-known actors and actresses only appear on-screen in cameos that last about a minute. They play famous historical figures whose stories serve to prove some point at the trial. Some stars are barely recognizable and some roles have no dialogue. The big names don't have screen time together, except for Price and Colman. (The Marx Bros. are even separated.)

The movie itself is really kind of a letdown. It seems obvious that the historical crowd scenes and action scenes are borrowed from other films, and the new scenes with the cast members are sometimes laughably under-produced. (Watch for the scene showing Joan of Arc's capture.) The mixing and matching is distracting and emphasizes the cheapness of the new footage. And, despite an impressive cast of accomplished Hollywood talent, the cameo performances are mostly terrible. (The highlight is Groucho Marx, putting his spin on the sale of Manhattan.)

As a history lesson, this film won't do. And as an entertainment, it falls pretty far short. The movie is still of interest for the cameos, and it's fun to play "Guess Who That Is" with other movie buffs in the room. But it's disappointing that all of these names couldn't have come together in a better movie. The premise could have been executed better, and I'd be interested in seeing a new attempt at such a star- studded history lesson.

The Story of Mankind when I saw it was a movie I initially found difficult to rate. Mainly because it is a big mess. Having said that somewhat, it is a mess that is worth seeing.

The production values are hardly high art, but they are decent. The sets are okay, the costumes are interesting and the cinematography is not exceptional but not exactly cheap either. I liked the premise as well, and it started off decently with Sir Cedric Hardwicke presiding over things nicely. There is also some good performances. Ronald Colman gives far from his best performance, but he is very suave and convincing, Marie Antoinette is nicely coquettish and Agnes Moorhead chews the scenery with glee. It was also nice to see the Marx Brothers, Harpo and Chico aren't really that funny but Groucho is though there was the odd moment not to do with Groucho more to do with the writing and the way the characters were written that came across as more offensive than amusing. Best is Vincent Price, with his powerful voice and magnetic presence, he is gleefully wicked.

However, the direction falls flat as if it is unsure of which direction to go whether it wanted to be a history lesson or an exercise in camp. The dialogue is mostly absolutely abysmal, but it is so hard not to laugh at how bad it is. The film goes at an uneven pace with some segments faster than others or better acted and written. The characters are little more than stereotypes and caricatures and badly explored ones at that, and there are some unintentionally hilarious ideas incorporated into the story especially with Joan of Arc. I liked the leads and Moorhead and Groucho, but the rest of the cast are just bizarre. Peter Lorre though isn't too bad, perhaps too young and somewhat too effeminate too but there are some moments of unexpected poignancy, but Hedy Lamarr is woefully miscast as Joan of Arc and a very over-the-top Dennis Hopper does nothing with the role of Napolean.

Overall, The Story of Mankind is a mess, but it was worth watching and I personally wouldn't put it on my worst movies ever list. 4/10 Bethany Cox